The Gospel and Charles Finney: The Tragic Pastoral Results of Bad Theology, Gillespie John D.
Автор: Lisa Jane Gillespie Название: Trees ISBN: 0746090226 ISBN-13(EAN): 9780746090220 Издательство: Usborne Рейтинг: Цена: 791.00 р. Наличие на складе: Поставка под заказ.
Описание: Part of the "Beginners" series, this book offers introduction to trees and plant-life for young readers. It offers reading practise for children who prefer fact to fiction.
Автор: Gillespie, Gordon Название: Historical dictionary of the northern ireland conflict ISBN: 1442263040 ISBN-13(EAN): 9781442263048 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 20909.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This second edition of Historical Dictionary of the Historical Dictionary of the Northern Ireland Conflict contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture.
Автор: Gillespie Michael Boyce Название: Film Blackness: American Cinema and the Idea of Black Film ISBN: 0822362260 ISBN-13(EAN): 9780822362265 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3380.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that black film can or should represent the reality of black life or provide answers to social problems. Instead, he frames black film alongside literature, music, art, photography, and new media, treating it as an interdisciplinary form that enacts black visual and expressive culture. Gillespie discusses the racial grotesque in Ralph Bakshi's Coonskin (1975), black performativity in Wendell B. Harris Jr.'s Chameleon Street (1989), blackness and noir in Bill Duke's Deep Cover (1992), and how place and desire impact blackness in Barry Jenkins's Medicine for Melancholy (2008). Considering how each film represents a distinct conception of the relationship between race and cinema, Gillespie recasts the idea of black film and poses new paradigms for genre, narrative, aesthetics, historiography, and intertextuality.
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