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Thomas Gainsborough: The Portraits, Fancy Pictures and Copies after Old Masters Vol. 1 (Hugh Belsey)


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Название:  Thomas Gainsborough: The Portraits, Fancy Pictures and Copies after Old Masters Vol. 1 (Hugh Belsey)
Перевод названия: Томас Гейнсборо: портреты, фантастические картины и копирование старых мастеров
ISBN: 9780300232097
Издательство: Wiley yUP
Классификация:


ISBN-10: 0300232098
Обложка/Формат: Multiple copy pack
Страницы: 1112
Вес: 3.72 кг.
Дата издания: 26.02.2019
Серия: The paul mellon centre for studies in british art
Язык: English
Иллюстрации: 1,300 color + b-w illus.
Размер: 311 x 267 x 89
Читательская аудитория: Professional & vocational
Подзаголовок: The portraits, fancy pictures and copies after old masters
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: Scholars and enthusiasts alike will revel in this ambitious two-volume catalogue raisonne of Thomas Gainsboroughs portraits and copies of Old Master works. The catalogue contains approximately 1,100 paintings, including nearly 200 works newly attributed to the British master, as well as updated information about his subjects and specially commissioned photography. Each portrait entry includes the biography of the sitter-including several newly identified-the paintings provenance, and exhibitions in which each work was shown.

Gainsboroughs copies after Old Masters, painted in admiration and used to assimilate their style of painting into his own work, are documented here as well. Research includes in-depth analysis of newspaper archives and other printed material to establish the date of a paintings production, chart the development of the artists style, and assess the impression the work made within the context of its time.




Gainsborough`s Family Album

Автор: Gainsborough Thomas
Название: Gainsborough`s Family Album
ISBN: 1855147904 ISBN-13(EAN): 9781855147904
Издательство: Thames & Hudson
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Цена: 4942.00 р.
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Описание:

"I am sick of Portraits and wish very much to take up my Viol da Gamba and walk off to some sweet village when I can paint Landskips and enjoy the fag end of life in quietness and ease." Despite this famous protestation in a letter to his friend William Jackson, Thomas Gainsborough (1727-88) was clearly prepared to make an exception when it came to making portraits of his own family and himself. This book features over 50 portraits of himself, his wife, his daughters, other close relatives and his beloved dogs, Tristram and Fox.

Spanning more than four decades, Gainsborough's family portraits chart the period from the mid-1740s, when he plied his trade in his native Suffolk, to his most successful latter years at his luxuriously appointed studio in London's West End. Alongside this story of a provincial 18th-century artist's rise to fame and fortune runs a more private narrative, about the role of portraiture in the promotion of family values, at a time when these were assuming a recognizably modern form.

In the first of three introductory essays, David H. Solkin writes on Gainsborough himself, placing his family portraits in the context of earlier practice. Ann Bermingham explores Gainsborough's portraits of his daughters, with particular reference to two finished double portraits painted seven years apart and the tragic story arising from them. Susan Sloman discusses Margaret's role as her husband's business manager, its effect on the family dynamic and hence the visual representation of its members.


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