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Twenty-First-Century Hollywood: Rebooting the System, Archer Neil


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Цена: 3008.00р.
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Автор: Archer Neil
Название:  Twenty-First-Century Hollywood: Rebooting the System
ISBN: 9780231191593
Издательство: Wiley
Классификация:
ISBN-10: 0231191596
Обложка/Формат: Paperback
Страницы: 144
Вес: 0.18 кг.
Дата издания: 19.03.2019
Серия: Short cuts
Язык: English
Иллюстрации: 16 b&w illustrations
Размер: 143 x 216 x 19
Читательская аудитория: Professional & vocational
Подзаголовок: Rebooting the system
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: Twenty-First-Century Hollywood looks into the contexts of studio film production in the new century. In an era dominated in box-office terms by the franchise and the family film, this book combines close textual readings and industrial analysis, illustrating why these kinds of movies are favored by producers and audiences alike.


Beyond a Joke

Автор: Archer Neil
Название: Beyond a Joke
ISBN: 1784536636 ISBN-13(EAN): 9781784536633
Издательство: Bloomsbury
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Цена: 17820.00 р.
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Описание:

At the opening ceremony for the London 2012 Olympics, a global audience of nearly one billion viewers were treated to the unprecedented sight of James Bond meeting Queen Elizabeth II. Shortly after, the 'Queen' hurled herself out of a helicopter, her Union Jack parachute guiding her down to the Olympic Stadium. What it is about moments such as these that define both a particular idea of Britishness and a particular type of British film comedy? How has British cinema exploited parody as a means of negotiating its sense of identity? How does this function within a globalized marketplace and in the face of dominant Hollywood cinema?

Beyond a Joke explores the myriad ways British film culture has used forms of parody, from the 1960s to the present day. It provides a contextual and textual analysis of a range of works that, while popular, have only rarely been the subject of serious academic attention - from Morecambe and Wise to Shaun of the Dead to the London 2012 Olympics' opening ceremony. Combining the methodologies both of film history and film theory, Beyond a Joke locates parody within specific industrial and cultural moments, while also looking in detail at the aesthetics of parody as a mode. Ultimately, such works are shown to be a form of culturally specific film or televisual product for exporting to the global market, in which 'Britishness', shaped in self-mocking and ironic terms, becomes the selling point. Written in an accessible style and illustrated throughout with a diverse range of examples, Beyond a Joke is the first book to explore parody within a specifically British context and makes an invaluable contribution to the scholarship on both British and global film culture.


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