Автор: Lyotard Jean-Francois Название: The Assassination of Experience by Painting, Monory ISBN: 9058678814 ISBN-13(EAN): 9789058678812 Издательство: Неизвестно Цена: 14380.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Lyotard met Jacques Monory in 1972, and the text on him published at that time was the first that Lyotard dedicated to contemporary art since Discourse, Figure. Lyotard's interest in the plastic arts thus fits fully within the setting of his political preoccupations. The artist-protagonist stages the recurring motifs that fascinate Lyotard: the scene of the crime, the revolver, the woman, the victim, glaciers, deserts, stars. The atmosphere of the essays on Monory is "Californian." Monory's imaginary repertoire goes well beyond the masters of modernity and is in line rather with a "modern contemporary surrealism."
Both Lyotard and Monory live the "dilemma of Americanization," the America represented by cinema, fashion, novels, music. It is in this atmosphere that Lyotard and Monory will finally evoke their supreme experience of difference: desire and fear, exultation and a profound malaise. The plastic universe of Monory and the aesthetic meditations of Lyotard are in perfect symbiosis. Sarah Wilson's epilogue thoroughly outlines both the history of a friendship and, at the same time, the intellectual and artistic climate of the 1970s.
Автор: Books, Julie N. Название: Supersensible in kant`s critique of judgment ISBN: 1433131919 ISBN-13(EAN): 9781433131912 Издательство: Peter Lang Рейтинг: Цена: 11807.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In this close analysis of Immanuel Kant’s aesthetics in his Critique of Judgment, Dr. Julie N. Books, explains why Kant fails to provide a convincing basis for his desired necessity and universality of our aesthetic judgments about beauty. Drawing upon her extensive background in the visual arts, art history, and philosophy, Dr. Books provides a unique discussion of Kant’s supersensible, illuminating how it cannot justify his a priori nature of our aesthetic judgments about beauty. She uses examples from the history of art, including paintings by Michelangelo, Caravaggio, Rubens, and Constable, to support her views. This book will make a significant addition to courses on the philosophy of Kant, aesthetics, philosophy of art, metaphysics, the history of Western philosophy, ethics, psychology, and art history.
Автор: Nancy, Jean-luc Название: Pleasure in drawing ISBN: 0823250946 ISBN-13(EAN): 9780823250943 Издательство: Wiley EDC Рейтинг: Цена: 3773.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Originally written for an exhibition Jean-Luc Nancy curated at the Museum of Fine Arts in Lyon in 2007, this book addresses the medium of drawing in light of the question of form—of form in its formation, as a formative force, as a birth to form. In this sense, drawing opens less toward its achievement, intention, and accomplishment than toward a finality without end and the infinite renewal of ends, toward lines of sense marked by tracings, suspensions, and permanent interruptions. Recalling that drawing and design were once used interchangeably, Nancy notes that drawing designates a design that remains without project, plan, or intention. His argument offers a way of rethinking a number of historical terms (sketch, draft, outline, plan, mark, notation), which includes rethinking drawing in its graphic,filmic, choreographic, poetic, melodic, and rhythmic senses. If drawing is not reducible to any form of closure, it never resolves a tension specific to itself. Rather, drawing allows the pleasure in and of drawing, the gesture of a desire that remains in excess of all knowledge, to come to appearance. Situating drawing in these terms, Nancy engages a number of texts in which Freud addresses the force of desire in the rapport between aesthetic and sexual pleasure, texts that also turn around questions concerning form in its formation, form as a formative force. Between the sections of the text, Nancy has placed a series of “sketchbooks” on drawing, composed of a broad range of quotations on art from different writers, artists, or philosophers.
Автор: Jorella Andrews Название: The Question of Painting: Re-thinking Thought with Merleau-Ponty ISBN: 1472574281 ISBN-13(EAN): 9781472574282 Издательство: Bloomsbury Academic Рейтинг: Цена: 19008.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Since the latter half of the 20th century, committed art has been associated with conceptual, critical and activist practices. Painting, by contrast-despite its significance as a site for continued artistic experimentation-has all too often been dismissed as an outmoded, reactionary, market-led venture; an ineffectual medium from the perspective of social and political engagement. How can painting change the world today?
The question of painting, in particular, fuelled the investigations of a major 20th-century philosopher: the French phenomenologist, Maurice Merleau-Ponty (1908-61). Merleau-Ponty was at the forefront of attempts to place philosophy on a new footing by contravening the authority of Cartesian dualism and objectivist thought-an authority that continues to limit present-day intellectual, imaginative, ethical, and indeed scientific possibilities. Taking an approach that moves between the fields of philosophical and visual culture research, The Question of Painting is organized around a closely focused, chronological account of Merleau-Ponty's unfolding project and its relationship with art, clarifying how painting, as a paradigmatically embodied and situated mode of investigation, helped him to access the fundamentally "intercorporeal+? basis of reality as he saw it, and articulate its lived implications-implications that have a, productive bearing on the personal, ethical and political challenges facing us today.
With an exclusive and extended conversation about the contemporary virtues of painting with New York based artist Leah Durner, for whom the work of Merleau-Ponty is an important source of inspiration, The Question of Painting brings today's much debated concerns about the socio-cultural and political potential of painting into contact with the question of painting in philosophy.
The relevance of painting has been questioned many times over the last century, by the arrival of photography, installation art and digital technologies. But rather than accept the death of painting, Mark Titmarsh traces a paradoxical interface between this art form and its opposing forces to define a new practice known as 'expanded painting' giving the term historical context, theoretical structure and an important place in contemporary practice. As the formal boundaries tumble, the being of painting expands to become a kind of total art incorporating all other media including sculpture, video and performance.
Painting is considered from three different perspectives: ethnology, art theory and ontology. From an ethnological point of view, painting is one of any number of activities that takes place within a culture. In art theory terms, painting is understood to produce objects of interest for humanities disciplines. Yet painting as a medium often challenges both its object and image status, 'expanding' and creating hybrid works between painting, objects, screen media and text. Ontologically, painting is understood as an object of aesthetic discourse that in turn reflects historical states of being. Thus, Expanded Painting delivers a new kind of saying, a post-aesthetic discourse that is attuned to an uncanny tension between the presence and absence of painting.
Описание: A comprehensive guide to the understanding and practicing Buddhist meditation
Автор: Derrida Jacques Название: The Truth in Painting ISBN: 022650462X ISBN-13(EAN): 9780226504629 Издательство: Wiley Цена: 5544.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: "The four essays in this volume constitute Derrida's most explicit and sustained reflection on the art work as pictorial artifact, a reflection partly by way of philosophical aesthetics (Kant, Heidegger), partly by way of a commentary on art works and art scholarship (Van Gogh, Adami, Titus-Carmel). The illustrations are excellent, and the translators, who clearly see their work as both a rendering and a transformation, add yet another dimension to this richly layered composition. Indispensable to collections emphasizing art criticism and aesthetics."--Alexander Gelley, Library Journal
Автор: Jones Nathaniel B. Название: Greek Culture in the Roman World ISBN: 1108420125 ISBN-13(EAN): 9781108420129 Издательство: Cambridge Academ Рейтинг: Цена: 14890.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In the first centuries BCE and CE, Roman wall painters frequently placed representations of works of art, especially panel paintings, within their own mural compositions. This richly illustrated book explores the social, ethical and aesthetic dimensions of this practice and will appeal to both classicists and art historians.
Описание: Drawings and paintings are made, and the process of making creates unique meanings that transform our perception of space-time and our sense of finitude. By using a phenomenological approach, the understanding of art practice and its relation to particular historical and cultural contexts can be significantly enhanced.
Автор: Salwa, Mateusz Название: Illusion in painting ISBN: 3631640528 ISBN-13(EAN): 9783631640524 Издательство: Peter Lang Рейтинг: Цена: 10378.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book aims to present trompe-l’?il painting, which epitomizes the myth of the illusionistic image – an early modern way of thinking about pictures, according to which it is possible to create an image identical to what it represents that at the same time preserves its own pictorial identity. Trompe-l’?il, despite being a marginal genre, embodied an ideal that painting should attain, and therefore is a good point of departure for analyzing issues such as (aesthetic) illusion in art. As the myth undermines Plato’s aesthetics, it is his philosophy of art, with its dichotomies of appearance/reality or mimesis/diegesis that offers the most useful context for the discussion of this topic and shows that trompe-l’?il is a playful and ironic genre, which has cognitive value as well.
Описание: This book proposes an original philosophy of nature, contributes to our understanding of two of America`s greatest philosophers, Ralph Waldo Emerson and Charles S. Peirce, and examines the philosophical expressions of the art of nineteenth-century American landscape painting.
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