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Techne theory, Staten, Henry (university Of Washington, Usa)


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Автор: Staten, Henry (university Of Washington, Usa)
Название:  Techne theory
ISBN: 9781472592897
Издательство: Bloomsbury Academic
Классификация:




ISBN-10: 1472592891
Обложка/Формат: Hardback
Страницы: 216
Вес: 0.48 кг.
Дата издания: 21.02.2019
Серия: Philosophy
Язык: English
Размер: 164 x 241 x 22
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Philosophy,Philosophy: aesthetics,Western philosophy, from c 1900 -, PHILOSOPHY / Movements / Critical Theory,PHILOSOPHY / Criticism,PHILOSOPHY / Hermeneutics,PHILOSOPHY / Aesthetics
Подзаголовок: A new language for art
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Поставляется из: Англии
Описание:

Only since the Romantic period has art been understood in terms of an ineffable aesthetic quality of things like poems, paintings, and sculptures, and the art-maker as endowed with an inexplicable power of creation. From the Greeks to the 18th century, art was conceived as techne--the skill and know-how by which things and states of affairs are ordered. Techne Theory shows how to use this concept to cut through the Romantic notion of art as a kind of magic by returning to the original sense of art as techne, the standpoint of the person who actually knows how to make a work of art.

Understood as techne, art-making, like all other cultural accomplishments, is a form of work performed by an artisan who has inherited the know-how of previous generations of artisans. Along the way, Techne Theory cuts through the humanist-structuralist impasse over the question of artistic agency and explains what form really means.




Techne Theory: A New Language for Art

Автор: Staten Henry
Название: Techne Theory: A New Language for Art
ISBN: 1472592905 ISBN-13(EAN): 9781472592903
Издательство: Bloomsbury Academic
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Цена: 3958.00 р.
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Описание:

Techne Theory begins by deconstructing the distinction between art and craft, both of which were known to the ancient Greeks as techne, and then uses the techne-standpoint to cut through the humanist-structuralist impasse on the question of artistic agency. Understood as techne, artmaking, like all other cultural accomplishments, is a form of work performed by an artisan equipped with know-how that encodes the discoveries of many previous generations of artisans. This kind of know-how has been demeaned at least since Kant as 'merely mechanical' in nature, but Techne Theory shows how it is properly understood as a flexible ensemble of elements embodying a techno-socially evolved work-cunning that is far from mechanical. All technai, from the humblest to the most sophisticated, require the intuitive touch of a trained artisan; yet this individual touch depends entirely on apprenticeship in a techne; or, in short, genius minus techne equals zero.
Through the framework of "reverse engineering," the techne interpreter attempts to read in reverse from the achieved work to re-construct the design and production process by which the work was originally put together. Staten moves through visual art, literature, and occasionally music, to develop a working model of techne criticism that enables combinations of agency and structure, concept and practice, form and content, possibility and actuality. Techne Theory affirms an important critique of Romantic conceptions of art and their associated and restrictive humanist politics, and proposes instead a wholly original conception of individual artistic agency defined through socio-materialist terms.


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