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Chicano Graffiti and Murals: The Neighborhood Art of Peter Quezada, Kim Sojin


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Автор: Kim Sojin
Название:  Chicano Graffiti and Murals: The Neighborhood Art of Peter Quezada
ISBN: 9781617030666
Издательство: Mare Nostrum (Eurospan)
Классификация:


ISBN-10: 161703066X
Обложка/Формат: Paperback
Страницы: 72
Вес: 0.22 кг.
Дата издания: 13.12.2017
Серия: Folk art and artists series
Язык: English
Размер: 201 x 201 x 8
Читательская аудитория: General (us: trade)
Подзаголовок: The neighborhood art of peter quezada
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Поставляется из: Англии
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For almost a decade Peter Quezada, a prolific self-taught artist, painted murals and lettering on buildings and retaining walls in neighborhoods northeast of downtown Los Angeles. He refers to his work as a graffiti deterrent or a substitute for graffiti, and he targets sites that are favorites of taggers and gang graffiti writers. Often he enlists their assistance and designs his murals to appeal to these youths as well as to discourage them from participating in antisocial behavior.

Highlighting the interplay of contemporary life, mass-media images that confront the public, and the use of physical space in the city landscape, Chicano Graffiti and Murals shows how such art as Quezadas has become the signature of modern urban culture.




Curatorial Conversations: Cultural Representation and the Smithsonian Folklife Festival

Автор: Cadaval Olivia, Kim Sojin, N`Diaye Diana Baird
Название: Curatorial Conversations: Cultural Representation and the Smithsonian Folklife Festival
ISBN: 1496814738 ISBN-13(EAN): 9781496814739
Издательство: Mare Nostrum (Eurospan)
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Цена: 4389.00 р.
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Описание: Since its origins in 1967, the Smithsonian Folklife Festival has gained worldwide recognition as a model for the research and public presentation of living cultural heritage and the advocacy of cultural democracy. Festival curators play a major role in interpreting the Festival’s principles and shaping its practices.Curatorial Conversations brings together for the first time in one volume the combined expertise of the Festival’s curatorial staff—past and present—in examining the Center for Folklife and Cultural Heritage’s representation practices and their critical implications for issues of intangible cultural heritage policy, competing globalisms, cultural tourism, sustainable development and environment, and cultural pluralism and identity.In the volume, edited by the staff curators Olivia Cadaval, Sojin Kim, and Diana Baird N’Diaye, contributors examine how Festival principles, philosophical underpinnings, and claims have evolved, and address broader debates on cultural representation from their own experience. This book represents the first concerted project by Smithsonian staff curators to examine systematically the Festival’s institutional values as they have evolved over time and to address broader debates on cultural representation based on their own experiences at the Festival.


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