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Naturalism, Lilian R. Furst, Peter N. Skrine


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Автор: Lilian R. Furst, Peter N. Skrine
Название:  Naturalism
ISBN: 9781138242784
Издательство: Taylor&Francis
Классификация:
ISBN-10: 1138242780
Обложка/Формат: Paperback
Страницы: 94
Вес: 0.17 кг.
Дата издания: 17.01.2019
Серия: The critical idiom reissued
Язык: English
Размер: 198 x 129 x 5
Читательская аудитория: Undergraduate
Ключевые слова: Literary studies: general, LITERARY CRITICISM / General,LITERARY CRITICISM / European / English, Irish, Scottish, Welsh,LITERARY CRITICISM / European / French
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Поставляется из: Европейский союз
Описание:

First published in 1971, this book examines the literary style of Naturalism. After introducing the reader to the term itself, including its history and its relationship to Realism, it goes on to trace the origins of the Naturalist movement as well as particular groups which adhered to Naturalism and the theories they espoused. It also provides a summary of the key Naturalist literary works and concludes which a brief reflection on the movement as a whole.

This book will be of interest to those studying nineteenth and early twentieth-century literature.




Bitter Tastes: Literary Naturalism and Early Cinema in American Women`s Writing

Автор: Donna M. Campbell
Название: Bitter Tastes: Literary Naturalism and Early Cinema in American Women`s Writing
ISBN: 0820354686 ISBN-13(EAN): 9780820354682
Издательство: Mare Nostrum (Eurospan)
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Цена: 4712.00 р.
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Описание: Examines the ways in which American women writers wrote naturalistic fiction and redefined its principles. Donna Campbell looks at examples from Edith Wharton, Kate Chopin, and others and positions their work within the naturalistic canon that arose near the turn of the twentieth century.

Naturalism In American Fiction

Автор: Conder
Название: Naturalism In American Fiction
ISBN: 0813151767 ISBN-13(EAN): 9780813151762
Издательство: Mare Nostrum (Eurospan)
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Цена: 5643.00 р.
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Описание:

In this closely reasoned study, John J. Conder has created a new and more vital understanding of naturalism in American literature. Moving from the Hobbesian dilemma between causation and free will down through Bergson's concept of dual selves, Conder defines a view of determinism so rich in possibilities that it can serve as the inspiration of literary works of astonishing variety and unite them in a single, though developing, naturalistic tradition in American letters.

At the heart of this book, beyond its philosophic discussion, is Conder's reading of key works in the naturalistic canon, beginning with Stephen Crane's "The Open Boat" and "The Blue Hotel." The special character of determinism in Crane is, Conder holds, the source of his complexity and striking originality. He finds a stricter determinism in Norris's McTeague. In Dreiser, however, the naturalistic tradition develops toward a fusion of determinism and freedom in a single work, and this fusion in a different guise operates in Dos Passos's view of self in Manhattan Transfer. With Steinbeck's The Grapes of Wrath the uniting of determinism and freedom finds its fullest realization in the concept of dual selves, one determined, one free. In Faulkner's The Sound and the Fury and Absalom, Absalom the concept of the dual self appears in its most complex form. The developments in the work of Steinbeck and Faulkner, Conder believes, bring the classic phase of American literary naturalism to a close.

Naturalism in American Fiction illuminates a group of major literary works and revives a theoretic consideration of naturalism. It thus makes a fundamental contribution to American studies.


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