Описание: The Melnikov House, a building designed by the architect Konstantin Melnikov in Moscow for his family (1927 - 1929), is an icon of the architectural avant-garde. The house was originally built as an experimental cylindrical house to test out Konstantin Melnikov`s very own concept of mass construction of residential estate. The original layout, eleg
Автор: Paeslack, Miriam Название: Constructing imperial berlin ISBN: 1517902959 ISBN-13(EAN): 9781517902957 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3762.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: How photography and a modernizing Berlin informed an urban image-and one another-in the late nineteenth and early twentieth centuries Since the fall of the Berlin Wall, the city that once visually epitomized a divided Europe has thrived in the international spotlight as an image of reunified statehood and urbanity. Yet research on Berlin’s past has focused on the interwar years of the Weimar Republic or the Cold War era, with much less attention to the crucial Imperial years between 1871 and 1918. Constructing Imperial Berlin is the first book to critically assess, contextualize, and frame urban and architectural photographs of that era. Berlin, as it was pronounced Germany’s capital in 1871, was fraught with questions that had previously beset Paris and London. How was urban expansion and transformation to be absorbed? What was the city’s understanding of its comparably short history? Given this short history, how did it embody the idea of a capital? A key theme of this book is the close interrelation of the city’s rapid physical metamorphosis with repercussions on promotional and critical narratives, the emergence of groundbreaking photographic technologies, and novel forms of mass distribution. Providing a rare analysis of this significant formative era, Miriam Paeslack shows a city far more complex than the common clich?s as a historical and aspiring place suggest. Imperial Berlin emerges as a modern metropolis, only half-heartedly inhibited by urban preservationist concerns and rather more akin to North American cities in their bold industrialization and competing urban expansions than to European counterparts.
Conventional readings of the history of Soviet art and architecture show modernist utopian aspirations as all but prohibited by 1932 under Stalin's totalitarianism. Soviet Architectural Avant-Gardes challenges that view. Radically redefining the historiography of the period, it reveals how the relationship between the Party and practicing architects was much more complex and contradictory than previously believed, and shows, in contrast to the conventional scholarly narrative, how the architectural avant-garde was able to persist at a time when it is widely considered to have been driven underground.
In doing so, this book provides an essential perspective on how to analyse, evaluate, and "re-imagine" the history of modernist expression in its cultural context. It offers a new understanding of ways in which 20th century social revolutions and their totalitarian sequels inflected the discourse of both modernity and modernism. The book relies on close analyses of archival documents and architectural works. Many of the documents have been rarely - if ever - discussed in English before, while the architectural projects include iconic works such as the Palace of Soviets and the Soviet Pavilion at the Paris 1937 World Exposition, as well as remarkable works that until now have been neglected by architectural historians inside and outside Russia. In a fascinating final chapter, it also reveals for the first time the details of Frank Lloyd Wright's triumphant welcome at the First Congress of Soviet Architects in Moscow in 1937, at the height of Stalin's Terror.
Описание: Focusing on the design and building practices developed in the Portuguese region of the Algarve over four decades from the first signs of modern movement influence to the eve of mass-tourism development, this book looks at three essential themes in twentieth-century architecture - modernism, regionalism and popular building traditions commonly known as vernacular.
Автор: Feiwel Kupferberg Название: The Break-up of Communism in East Germany and Eastern Europe ISBN: 1349270903 ISBN-13(EAN): 9781349270903 Издательство: Springer Рейтинг: Цена: 9362.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Focusing upon identity politics helps us better to understand the longterm stability of communist hegemony, its sudden collapse, the difficulties of transforming communist societies to liberal democracies and the unexpected revival of ethnic, nationalist and cultural conflicts in post-communist Eastern Europe.
Описание: Modernity and religion are not mutually exclusive. Setting German and Irish church, synagogue and mosque architecture side by side over the last century highlights the place for the celebration of the new within faiths whose appeal lies in part in the stability of belief they offer across time. Inspired by radically modern German churches of the 1920s and 1930s, this volume offers new insights into designers of all three types of sacred buildings, working at home and abroad.
It offers new scholarship on the unknown phenomenon of mid-century ecclesiastical architecture in sub-Saharan Africa by Irish designers; a critical appraisal of the overlooked Frank Lloyd Wright-trained Andrew Devane and an analysis of accommodating difficult pasts and challenging futures with contemporary synagogue and mosque architecture in Germany. With a focus on influence and processes, alongside conservationists and historians, it features critical insights by the designers of some of the most celebrated contemporary sacred buildings, including Niall McLaughlin who writes on his multiple award-winning Bishop Edward King Chapel and Amandus Sattler, architect of the innovative Herz-Jesu-Kirche, Munich.
While modernism was publicized as a fusion of technology, new materials, and rational aesthetics to improve the lives of ordinary people, it was often out of reach to the very masses it purportedly served. Luxury and Modernism shows how luxury was present in bold, literal forms in modern designs--from lavish materials and costly technologies to deluxe buildings and household objects--and in subtler ways as well, such as social milieus and modes of living. In a period of social unrest and extreme wealth disparity between the common worker and those at the helm of capitalist enterprises generating immense profits, architects envisioned modern designs providing solutions for a more equitable future. Robin Schuldenfrei exposes the disconnect between modernism's utopian discourse and its luxury objects and elite architectural commissions. Despite the movement's egalitarian rhetoric, many modern designs addressed the desires of the privileged individual. Yet as Schuldenfrei demonstrates, luxury was integral not only to how modern buildings and objects were designed, manufactured, and sold, but has contributed to modernism's appeal to this day.
This beautifully illustrated book provides a new interpretation of modern architecture and design in Germany during the heyday of the Bauhaus and the Werkbund, tracing modernism's lasting allure to its many manifestations of luxury. Schuldenfrei casts the work of legendary figures such as Peter Behrens, Walter Gropius, and Ludwig Mies van der Rohe in an entirely different light, revealing the complexities and contradictions inherent to modernism's promotion and consumption.
A complete examination of the men and forces that created and shaped the modern state of Israel over the last hundred years
Walls of Jerusalem is a study of the creation and evolution of the modern state of Israel. This unique work begins with the actions of four extraordinary men -- Theodor Herzl, Chaim Weizmann, Ze'ev Jabotinsky, and David Ben-Gurion -- and follows with their influence on subsequent leaders and on the political and military decisions that have shaped and changed Jerusalem and the nation. The resulting physical realty has made concrete the shift in vison from the broad utopian ideals of the beginning, to the separation barrier and settlement enclaves that increasingly divide both Jewish and Palestinian cultures.
The author traveled across the West Bank, into the Israeli settlements and along the Israeli security barrier dividing Israel from Palestine. He entered the tombs, mosques and synagogues, experienced the distortion of Jerusalem since the building of the separation barrier - the watchtowers, the welded gates, the shuttered shops, divided highways and back-ways, tunnels, bridges, checkpoints, to better understand evolving reality that defines the stage for the future relationship between Israel and Palestine.
Walls of Jerusalem is a timely book, its vivid narrative journeys through a century and a half of dreams and conflicts that lead to a divided Jerusalem:
It presents each stage of Israel's evolution, from the 1896 publication of Herzl's Der Judenstaat and the Balfour Declaration, to the opening of the United States embassy in Jerusalem in 2018
Relates the visions of Israel's creators to the destructive and constructive forces utilized to create a new nation
Reviews the century long attempts by international organizations to resolve the conflict between Jews and Palestinians
Makes every effort to present a balanced exploration of challenges facing the state of Israel and its place on the world stage, but in conclusion gives emphasis to the plight of the Palestinians
Integrates illustrations with text to provide a detailed portrait of central figures in modern Israel's history
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