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Commerce, Peace, and the Arts in Renaissance Venice: Ruzante and the Empire at Center Stage, Linda L. Carroll


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Автор: Linda L. Carroll
Название:  Commerce, Peace, and the Arts in Renaissance Venice: Ruzante and the Empire at Center Stage
ISBN: 9780367140489
Издательство: Taylor&Francis
Классификация:

ISBN-10: 0367140489
Обложка/Формат: Paperback
Страницы: 178
Вес: 0.36 кг.
Дата издания: 17.01.2019
Язык: English
Размер: 154 x 232 x 16
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Early modern history: c 1450/1500 to c 1700, LITERARY CRITICISM / General
Подзаголовок: Ruzante and the empire at center stage
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Поставляется из: Европейский союз
Описание: With the Paduan playwright Angelo Beolco, aka Ruzante, as a focal point, this book sheds new light on his oeuvre and times - and on Venetian patrician interest in him - by embedding the Venetian aspects of his life within the monumental changes taking place in fifteenth- and sixteenth-century Venice, politically, economically, socially, and artistically. In a study of patronage in the broadest sense of the term, Linda Carroll draws on vast quantities of new archival information; and by reading the previously unpublished primary sources against each other, she uncovers remarkable and heretofore unsuspected coincidences and connections. She documents the well-known links between the increasingly fruitless trade to the north and the need for new investments in land (re)gained by Venice on the mainland, links between problems of governance and political networks. She unveils the significance and potential purposes of those who invited Ruzante to perform in what are interpreted as rudely metaphorical truth-telling plays for Venetians at the highest social and political levels. Focusing on a group of patrons of art works in S. Maria Gloriosa dei Frari, the first chapter establishes their numerous interrelated commercial and political interests and connects them to the content of the works and artists chosen to execute them. The second chapter demonstrates the economic interests and related political tensions that lay behind the presence of many high-ranking government officials at a scandalous 1525 Ruzante performance. It also draws on these and materials concerning previous generations of the Beolco family and Venetian patricians to provide an entirely new picture of Beolcos relationships with his Venetian supporters. The third chapter analyzes an important Venetian literary manuscript of the period in the Bodleian Library of Oxford University whose copyist had remained unknown and whose contents have been little studied. The identity of the copyist, a central figure in the worlds of theatrical and historical and, now, literary writing in early sixteenth century Venice, is clarified and the works in the manuscript connected to the cultural worlds of Venice, Padua and Rome.


Commerce, Peace and the Arts in Renaissance Venice: Ruzante and the Empire at Center Stage

Автор: Carroll Linda L.
Название: Commerce, Peace and the Arts in Renaissance Venice: Ruzante and the Empire at Center Stage
ISBN: 1472478134 ISBN-13(EAN): 9781472478139
Издательство: Taylor&Francis
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Цена: 23734.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Drawing material from a wide range of original sources, this book identifies a network of early modern Venetian patrician merchant and banking families. It explores their commercial activities and consequent preferences in international relations, as well as how both were served by cultural works, and more.

Desires of Credit in Early Modern Theory and Drama: Commerce, Poesy, and the Profitable Imagination

Автор: Brian Sheerin
Название: Desires of Credit in Early Modern Theory and Drama: Commerce, Poesy, and the Profitable Imagination
ISBN: 0367175665 ISBN-13(EAN): 9780367175665
Издательство: Taylor&Francis
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Цена: 7195.00 р.
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Описание: Desires of Credit in Early Modern Theory and Drama traces the near-simultaneous rise of economic theory, literary criticism, and public theater in London at the turn of the seventeenth century, and posits that connecting all three is a fascination with creating something out of nothing simply by acting as if it were there. Author Brian Sheerin contends that the motivating force behind both literary and economic inquiry at this time was the same basic quandary about the human imagination--specifically, how investments of belief can produce tangible consequences. Just as speculators were realizing the potency of collective imagination on economic circulation, readers and dramatists were becoming newly introspective about whether or not the 'lies' of literature could actually be morally 'profitable.' Could one actually benefit by taking certain fictions 'seriously'? Each of the five chapters examines a different dimension of this question by highlighting a particular dramatization of economic trust on the Renaissance stage, in plays by Marlowe, Shakespeare, Heywood, Dekker, and Jonson. The book fills a gap in current scholarship by keeping economic and dramatic interests rigorously grounded in early modern literary criticism, but also by emphasizing the productive nature of debt in a way that resonates with recent economic sociology.


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