In 1573, the alchemist Anna Zieglerin gave her patron, the Duke of Braunschweig-Wolfenbüttel, the recipe for an extraordinary substance she called the lion's blood. She claimed that this golden oil could stimulate the growth of plants, create gemstones, transform lead into the coveted philosophers' stone—and would serve a critical role in preparing for the Last Days. Boldly envisioning herself as a Protestant Virgin Mary, Anna proposed that the lion's blood, paired with her own body, could even generate life, repopulating and redeeming the corrupt world in its final moments. In Anna Zieglerin and the Lion's Blood, Tara Nummedal reconstructs the extraordinary career and historical afterlife of alchemist, courtier, and prophet Anna Zieglerin. She situates Anna's story within the wider frameworks of Reformation Germany's religious, political, and military battles; the rising influence of alchemy; the role of apocalyptic eschatology; and the position of women within these contexts. Together with her husband, the jester Heinrich Schombach, and their companion and fellow alchemist Philipp Sommering, Anna promised her patrons at the court of Wolfenbüttel spiritual salvation and material profit. But her compelling vision brought with it another, darker possibility: rather than granting her patrons wealth or redemption, Anna's alchemical gifts might instead lead to war, disgrace, and destruction. By 1575, three years after Anna's arrival at court, her enemies had succeeded in turning her from holy alchemist into poisoner and sorceress, culminating in Anna's arrest, torture, and public execution. In her own life, Anna was a master of self-fashioning; in the centuries since her death, her story has been continually refashioned, making her a fitting emblem for each new age. Interweaving the history of science, gender, religion, and politics, Nummedal recounts how one resourceful woman's alchemical schemes touched some of the most consequential matters in Reformation Germany.
Автор: Wiesner-Hanks Merry Название: The Renaissance and Reformation: A History in Documents ISBN: 0195338022 ISBN-13(EAN): 9780195338027 Издательство: Oxford Academ Цена: 14254.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: At first glance, the Renaissance and the Reformation--two movements (one cultural, one religious) that defined Europe from 1400 to 1600--may appear to be polar opposites. The Renaissance found scholars and artists celebrating the beauty and splendor of the material world, while the Reformation saw Protestant and Catholic religious leaders and their followers focusing on eternal salvation. However, there were actually striking similarities between these two worlds. For instance, while both Renaissance artists and Reformation pastors originally desired a return to a "golden age" of the past, they both ended up creating something very new instead. In The Renaissance and Reformation, Merry Wiesner-Hanks allows the historical participants to tell their own stories. She presents a mix of visual sources and written documents not only from learned scholars, trained artists, university-educated religious reformers, and powerful political leaders--but also from more ordinary men and women. Leonardo da Vinci considers the merits of painting versus poetry in his notebook, while the Italian diplomat Baldassar Castiglione recommends the pastime of music-making to gentlemen in his book The Courtier. A group of small-time investors signs a contract for a trading venture from Genoa to Corsica and Sardinia, and a wealthy Florentine widow writes a letter to her son, weighing his ability to start a new business. A picture essay uses individual and family portraits to discuss ideas about personality, temperament, and "genius"; social differences in marital patterns; and changes in family relationships. Wiesner-Hanks places events in Europe in a global context, allowing readers to examine the ways in which they were related to the voyages of exploration.
Автор: Diego Pirillo Название: The Refugee-Diplomat: Venice, England, and the Reformation ISBN: 1501715313 ISBN-13(EAN): 9781501715310 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 8145.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The establishment of permanent embassies in fifteenth-century Italy has traditionally been regarded as the moment of transition between medieval and modern diplomacy. In The Refugee-Diplomat, Diego Pirillo offers an alternative history of early modern diplomacy, centered not on states and their official representatives but around the figure of "the refugee-diplomat" and, more specifically, Italian religious dissidents who forged ties with English and northern European Protestants in the hope of inspiring an Italian Reformation.
Pirillo reconsiders how diplomacy worked, not only within but also outside of formal state channels, through underground networks of individuals who were able to move across confessional and linguistic borders, often adapting their own identities to the changing political conditions they encountered. Through a trove of diplomatic and mercantile letters, inquisitorial records, literary texts, marginalia, and visual material, The Refugee-Diplomat recovers the agency of religious refugees in international affairs, revealing their profound impact on the emergence of early modern diplomatic culture and practice.
We may think we know what defines religious fanaticism: violent action undertaken with dogmatic certainty. But the term fanatic, from the European Reformation to today, has never been a stable one. Then and now it has been reductively defined to justify state violence and to delegitimize alternative sources of authority. Unknowing Fanaticism rejects the simplified binary of fanatical religion and rational politics, turning to Renaissance literature to demonstrate that fanaticism was integral to how both modern politics and poetics developed, from the German Peasants' Revolt to the English Civil War.
The book traces two entangled approaches to fanaticism in this long Reformation moment: the targeting of it as an extreme political threat and the engagement with it as a deep epistemological and poetic problem. In the first, thinkers of modernity from Martin Luther to Thomas Hobbes and John Locke positioned themselves against fanaticism to pathologize rebellion and abet theological and political control. In the second, which arose alongside and often in response to the first, the poets of fanaticism investigated the link between fanatical self-annihilation--the process by which one could become a vessel for divine violence--and the practices of writing poetry. Edmund Spenser, John Donne, and John Milton recognized in the fanatic's claim to be a passive instrument of God their own incapacity to know and depict the origins of fanaticism. Yet this crisis of unknowing was a productive one. It led these writers to experiment with poetic techniques that would allow them to address fanaticism's tendency to unsettle the boundaries between human and divine agency and between individual and collective bodies. These poets demand a new critical method, which this book attempts to model: a historically-minded and politicized formalism that can attend to the complexity of the poetic encounter with fanaticism.
Learn about the Top 30 Historical People in the Renaissance & Reformation while Coloring
While this book is meant to supplement our older-student Color Thru History(TM) book, it can stand alone as an introduction to these great historical figures of the Renaissance & Reformation. Using coloring as part of your child's learning can greatly enhance their ability to learn and retain information.
Coloring utilizes both hemispheres of the brain, right and left. When we are thinking about balance, color choices, applying colored pencil to paper, we are working on problem solving and fine motor skills...Imagine all the areas of retraining of the brain and skills training that can be accomplished with coloring. - Dr. Nikki Martinez, Psy.D., LCPC
We may think we know what defines religious fanaticism: violent action undertaken with dogmatic certainty. But the term fanatic, from the European Reformation to today, has never been a stable one. Then and now it has been reductively defined to justify state violence and to delegitimize alternative sources of authority. Unknowing Fanaticism rejects the simplified binary of fanatical religion and rational politics, turning to Renaissance literature to demonstrate that fanaticism was integral to how both modern politics and poetics developed, from the German Peasants' Revolt to the English Civil War.
The book traces two entangled approaches to fanaticism in this long Reformation moment: the targeting of it as an extreme political threat and the engagement with it as a deep epistemological and poetic problem. In the first, thinkers of modernity from Martin Luther to Thomas Hobbes and John Locke positioned themselves against fanaticism to pathologize rebellion and abet theological and political control. In the second, which arose alongside and often in response to the first, the poets of fanaticism investigated the link between fanatical self-annihilation--the process by which one could become a vessel for divine violence--and the practices of writing poetry. Edmund Spenser, John Donne, and John Milton recognized in the fanatic's claim to be a passive instrument of God their own incapacity to know and depict the origins of fanaticism. Yet this crisis of unknowing was a productive one. It led these writers to experiment with poetic techniques that would allow them to address fanaticism's tendency to unsettle the boundaries between human and divine agency and between individual and collective bodies. These poets demand a new critical method, which this book attempts to model: a historically-minded and politicized formalism that can attend to the complexity of the poetic encounter with fanaticism.
Mixed Faith and Shared Feeling explores the mutually generative relationship between post-Reformation religious life and London's commercial theaters. It explores the dynamic exchange between the imaginatively transformative capacities of shared theatrical experience, with the particular ideological baggage that individual playgoers bring into the theater. While early modern English drama was shaped by the polyvocal, confessional scene in which it was embedded, Musa Gurnis contends that theater does not simply reflect culture but shapes it. According to Gurnis, shared theatrical experience allowed mixed-faith audiences to vicariously occupy alternative emotional and cognitive perspectives across the confessional spectrum. In looking at individual plays, such as Thomas Middleton's A Game of Chess and Shakespeare's Measure for Measure, Gurnis shows how theatrical process can restructure playgoers' experiences of confessional material and interrupt dominant habits of religious thought. She refutes any assumption that audiences consisted of conforming Church of England Protestants by tracking the complex and changing religious lives of seventy known playgoers. Arguing against work that seeks to draw fixed lines of religious affiliation around individual playwrights or companies, she highlights the common practice of cross-confessional collaboration among playhouse colleagues. Mixed Faith and Shared Feeling demonstrates how post-Reformation representational practices actively reshaped the ways ideologically diverse Londoners accessed the mixture of religious life across the spectrum of beliefs.
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