The Psychology of Moviegoing: Choosing, Viewing and Being Influenced by Films,
Автор: Waller Ga Gregory, Wilson David, Davis B. John, Название: Moviegoing in America ISBN: 0631225927 ISBN-13(EAN): 9780631225928 Издательство: Wiley Рейтинг: Цена: 6803.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This diverse collection of material about the history of film exhibition in the United States documents and enlivens the history of moviegoing, film exhibition practices, business policies, and programming strategies. It is a comprehensive study of the cultural history of American film.
Автор: Zagarrio Vito Название: The Un-Happy Ending Re-Viewing the Cinema of Frank Capra ISBN: 1599540053 ISBN-13(EAN): 9781599540054 Издательство: Неизвестно Цена: 2648.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Literary Nonfiction. Film Studies. In this book, Vito Zagarrio looks beyond the established concerns of Capra's interpreters. He illuminates aspects of Capra's works that were, so to speak, hiding in plain sight. Not invisible but unnoticed, as Holmes says in A Case of Identity. Zagarrio reaches back in time before the standard canon of Capra scholarship to dig out neglected works made before the director's Academy Award-winning 1934 film It Happened One Night. In important early films such as Ladies of Leisure (1930) and Forbidden (1932), he discovers a despair deeper than humiliation and more permanent than the political machinations in which Smith and Doe found themselves enmeshed.
Re-Viewing the Past: The Uses of History in the Cinema of Imperial Japan analyzes the complicated relationship between history films, audiences, reviewers and censors in Japan for the critically important years from 1925-1945. First contextualizing the history of the popular "Bakumatsu" period (1853-1868), the moment of Japan's emergence as a modern nation, Sean O'Reilly paves the way for a reinterpretation of Japanese pre and postwar cinema. Setting a film in the Bakumatsu period offered 'cultural breathing room' to both filmmakers and viewers, offering a cinematic space where apolitical entertainment and now-forbidden themes like romance still reigned. Some filmmakers-and viewers-even conceived of these films as being a form of resistance against Japan's growing militarism.
As comparisons between the popularity of such films versus that of state-sponsored propaganda films show, audiences responded enthusiastically to these glimmers of resistance. O'Reilly argues that we should turn our attention to the much more popular films of the time that were major hits with audiences in order to understand what resonated with wartime spectators, and to speculate about why this might have been the case. Including clips of these rare films, a so-far neglected area of Japanese film history is now firmly situated in context to offer a thought-provoking, multidisciplinary approach.
Автор: OReilly Sean D Название: Re-Viewing the Past ISBN: 1501362178 ISBN-13(EAN): 9781501362170 Издательство: Bloomsbury Academic Рейтинг: Цена: 5226.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Re-Viewing the Past: The Uses of History in the Cinema of Imperial Japan analyzes the complicated relationship between history films, audiences, reviewers and censors in Japan for the critically important years from 1925-1945. First contextualizing the history of the popular "Bakumatsu" period (1853-1868), the moment of Japan's emergence as a modern nation, Sean O'Reilly paves the way for a reinterpretation of Japanese pre and postwar cinema. Setting a film in the Bakumatsu period offered 'cultural breathing room' to both filmmakers and viewers, offering a cinematic space where apolitical entertainment and now-forbidden themes like romance still reigned. Some filmmakers-and viewers-even conceived of these films as being a form of resistance against Japan's growing militarism.
As comparisons between the popularity of such films versus that of state-sponsored propaganda films show, audiences responded enthusiastically to these glimmers of resistance. O'Reilly argues that we should turn our attention to the much more popular films of the time that were major hits with audiences in order to understand what resonated with wartime spectators, and to speculate about why this might have been the case. Including clips of these rare films, a so-far neglected area of Japanese film history is now firmly situated in context to offer a thought-provoking, multidisciplinary approach.
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