Musical Witness and Holocaust Representation, Amy Lynn Wlodarski
Автор: Walden Название: Representation in Western Music ISBN: 1316601080 ISBN-13(EAN): 9781316601082 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This volume assembles an international group of leading scholars to provide a comprehensive range of perspectives on the subject of representation in music. Essays address music`s relationship to dance, painting, text and other expressive media, and consider musical representation in genres including opera, popular song, ballet, cinema and music video.
During his political career, Helmut Kohl used his own life story to promote a normalization of German nationalism and to overcome the stigma of the Nazi period. In the context of the cold war and the memory of the fascist past, he was able to exploit the combination of his religious, generational, regional, and educational (he has a PhD in History) experiences by connecting nationalist ideas to particular biographical narratives. Kohl presented himself as the embodiment of “normality”: a de-radicalized German nationalism which was intended to eclipse any anti-Western and post-national peculiarities. This book takes a biographical approach to the study of nationalism by examining its manifestation in Helmut Kohl and the way he historicized Germany’s past.
Автор: Kim Hyun Joo Название: Liszt`s Representation of Instrumental Sounds on the Piano ISBN: 1580469469 ISBN-13(EAN): 9781580469463 Издательство: Boydell & Brewer Рейтинг: Цена: 12672.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Examines Liszt`s piano arrangements of music originally created for other instruments, especially the symphony orchestra and the Hungarian Gypsy band.
The 1994 genocide in Rwanda, which followed the death of President Habyarimana, was one of the worst humanitarian disasters of the twentieth century and shamed both African and global leaderships. As wars in the Congo continue to tear apart the region, this book examines how the politics that led to the 1994 genocide continue to be played out in the international media. Scholars of political science contend that narratives are used strategically by states to influence and shape the behaviour of other actors in the international system. This book explore how, through processes of denial and revisionism, strong states with geopolitical interests in the Great Lakes region of Africa, African states directly involved in conflict, militia groups and rebels, as well as human rights activists and NGOs, all employ media narratives strategically with the aim of influencing political decision-making and public perceptions of genocide and war.Examining how international political discourse on the 1994 genocide in Rwanda is gendered, Georgina Holmes argues that states, militaries and human rights organisations use gendered narratives for political gain, and breaks new ground in analysing the role of gender in the conflict. This book is essential reading on the gendered dynamics of conflict and genocide in Rwanda and the Democratic Republic of Congo and will appeal to anyone with an interest in Gender Studies, Political Communication, Media and Film Studies, African Studies, Genocide Studies and International Relations.
Название: How the holocaust looks now ISBN: 0230001475 ISBN-13(EAN): 9780230001473 Издательство: Springer Рейтинг: Цена: 16769.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This collection offers a series of essays that explore the historical culture the holocaust has engendered in Europe, Israel and the USA, the politics of its reception and representation, the motivations for and effectiveness of commemorating it, and the creative and didactic practices it has generated in contemporary literature, art, and thought.
Speaking the Unspeakable in Postwar Germany is an interdisciplinary study of a diverse set of public speeches given by major literary and cultural figures in the 1950s and 1960s. Through close readings of canonical speeches by Hannah Arendt, Theodor W. Adorno, Ingeborg Bachmann, Martin Buber, Paul Celan, Uwe Johnson, Peter Szondi, and Peter Weiss, Sonja Boos demonstrates that these speakers both facilitated and subverted the construction of a public discourse about the Holocaust in postwar West Germany. The author’s analysis of original audio recordings of the speech events (several of which will be available on a companion website) improves our understanding of the spoken, performative dimension of public speeches.
Speaking the Unspeakable in Postwar Germany emphasizes the social constructedness of discourse, experience, and identity, but does not neglect the pragmatic conditions of aesthetic and intellectual production—most notably, the felt need to respond to the breach in tradition caused by the Holocaust. The book thereby illuminates the process by which a set of writers and intellectuals, instead of trying to mend what they perceived as a radical break in historical continuity or corroborating the myth of a "new beginning," searched for ways to make this historical rupture rhetorically and semantically discernible and literally audible.
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