The Politics of the Core Leader in China: Culture, Institution, Legitimacy, and Power, Xuezhi Guo
Автор: Collins, Neil Название: The Politics of everyday china ISBN: 1526131803 ISBN-13(EAN): 9781526131805 Издательство: NBN International Рейтинг: Цена: от 716.00 р. Наличие на складе: Есть
Описание: Providing both an overview of the political situation and context in China with ethnographic insights, The Politics of Everyday China aims to give both the new student of China and those who have encountered the subject before an insight that goes beyond the usual cliche and surface description. -- .
Автор: Lu Tracey Lie Dan Название: Museums in China: Power, Politics and Identities ISBN: 1138120707 ISBN-13(EAN): 9781138120709 Издательство: Taylor&Francis Рейтинг: Цена: 7042.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
From the earliest museums established by Western missionaries in order to implement religious and political power, to the role they have played in the formation of the modern Chinese state, the origin and development of museums in mainland China differ significantly from those in the West. The occurrence of museums in mainland China in the late nineteenth century was primarily a result of internal and external conflicts, Westernization and colonialism, and as such they were never established solely for enjoyment and leisure.
Using a historical and anthropological framework, this book provides a holistic and critical review on the establishment and development of museums in mainland China from 1840 to the present day, and shows how museums in China have been used by a wide range of social, political, and state actors for a number of economic, religious, political and ideological purposes. Indeed, Tracey L-D Lu examines the key role played by museums in reinforcing social segmentation, influencing the economy, protecting cultural heritage and the construction and enhancement of ethnic identities and nationalism, and how they have throughout their history helped the powerful to govern the less powerful or the powerless. More broadly, this book provides important comparative insights on museology and heritage management, and questions who the key stakeholders are, how museums reflect broader social and cultural changes, and the relationship between museum and heritage management.
Drawing on extensive archival research and anthropological fieldwork, as well as the author's experience working as a museum curator in mainland China in the late 1980s, Museums in China such will be of great interest to students and scholars working across museology, heritage studies, tourism studies Chinese culture and Chinese history.
Автор: Wu Название: Material Culture, Power, and Identity in Ancient China ISBN: 1107134021 ISBN-13(EAN): 9781107134027 Издательство: Cambridge Academ Рейтинг: Цена: 17266.00 р. Наличие на складе: Поставка под заказ.
Описание: This comprehensive study of a mysterious state in ancient China offers fresh new perspectives for interpreting the history, archaeology, and art of China`s late Bronze Age. The careful scrutiny of the splendid bronze artefacts and their inscriptions reveal fascinating messages related to power and identity.
Economic development and a dramatic improvement in living standards in many parts of the People's Republic of China during the past three decades of economic reforms have been hailed by the Chinese Communist Party and many commentators in the international arena as the most spectacular achievements in the history of humanity. However, three decades of economic reforms have also transformed China from one of the world's most egalitarian societies into one of the most unequal.
This book offers a comprehensive account of inequality in China from an interdisciplinary perspective. It both draws on, and speaks to, the existing body of literature that is generated mainly in the fields of economics and sociology, while extending its scope to also examine the political, social, moral and cultural dimensions of inequality. Each chapter addresses the question of inequality from a specific context of research, including housing, health care, social welfare, education, migration, land distribution, law, gender and sexuality. Moving beyond traditional socio-economic theories, the contributors to this volume explore a wide range of social, political, economic and cultural practices that result from, as well as further entrench, the inequalities in Chinese society. Importantly, the essays in Unequal China probe the hidden causes of inequality - namely, the role of state power and the importance of culture - and underline how both state power and cultural factors have a key part to play in legitimating inequality.
With an innovative approach that moves beyond the economic and sociological roots of inequality in China, this volume is a welcome addition to what is a growing field of study, and will appeal to students and scholars interested in Chinese culture and society, Chinese politics and Asian social policy.
Автор: Hung Chang-Tai Название: Mao`s New World: Political Culture in the Early People`s Republic ISBN: 1501713531 ISBN-13(EAN): 9781501713538 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4634.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In this sweeping portrait of the political culture of the early People's Republic of China (PRC), Chang-tai Hung mines newly available sources to vividly reconstruct how the Chinese Communist Party (CCP) tightened its rule after taking power in 1949. With political-cultural projects such as reconstructing Tiananmen Square to celebrate the Communist Revolution; staging national parades; rewriting official histories; mounting a visual propaganda campaign, including oil paintings, cartoons, and New Year prints; and establishing a national cemetery for heroes of the Revolution, the CCP built up nationalistic fervor in the people and affirmed its legitimacy. These projects came under strong Soviet influence, but the nationalistic Chinese Communists sought an independent road of nation building; for example, they decided that the reconstructed Tiananmen Square should surpass Red Square in size and significance, against the advice of Soviet experts sent from Moscow.
Combining historical, cultural, and anthropological inquiries, Mao's New World examines how Mao Zedong and senior Party leaders transformed the PRC into a propaganda state in the first decade of their rule (1949–1959). Using archival sources only recently made available, previously untapped government documents, visual materials, memoirs, and interviews with surviving participants in the Party's plans, Hung argues that the exploitation of new cultural forms for political ends was one of the most significant achievements of the Chinese Communist Revolution. The book features sixty-six images of architecture, monuments, and artwork to document how the CCP invented the heroic tales of the Communist Revolution.
Reflecting on over half a century of study on Chinese culture, Jordan Paper explores new ways of approaching religion in China. Moving away from using Christianity as a model for examination, which has led to considerable misunderstandings between China and the West, Paper instead applies the paradigm of Familism to Chinese religion. By looking through the lens of Familism, which emphasises the importance of the family unit, Paper argues that we can understand the basis of Chinese culture, society, government, and religion.
In the book, Paper explains how, when and why Familism appears in the development of human culture in the Neolithic period, as well as its ramifications in more complex societies, using the imperial Chinese state as an example. The discussion in the book includes how the Chinese state can be understood as a religious institution; the role of spirit possession; the relationship of other religions in China to Chinese Religion, including Buddhism, Daoism and Judaism; and the issue of freedom of religion in contemporary China.
Chinese Religion and Familism not only challenges the discipline's perception of Chinese religion, but all of the religions of East Asia, indigenous sub-Saharan African religions, Polynesian Religion, and elsewhere.
The Confucian doctrine of tianxia (all under heaven) outlines a unitary worldview that cherishes global justice and transcends social, geographic, and political divides. For contemporary scholars, it has held myriad meanings, from the articulation of a cultural imaginary and political strategy to a moralistic commitment and a cosmological vision. The contributors to Chinese Visions of World Order examine the evolution of tianxia's meaning and practice in the Han dynasty and its mutations in modern times. They attend to its varied interpretations, its relation to realpolitik, and its revival in twenty-first-century China. They also investigate tianxia's birth in antiquity and its role in empire building, invoke its cultural universalism as a new global imagination for the contemporary world, analyze its resonance and affinity with cosmopolitanism in East-West cultural relations, discover its persistence in China's socialist internationalism and third world agenda, and critique its deployment as an official state ideology. In so doing, they demonstrate how China draws on its past to further its own alternative vision of the current international system.
Contributors. Daniel A. Bell, Chishen Chang, Kuan-Hsing Chen, Prasenjit Duara, Hsieh Mei-yu, Haiyan Lee, Mark Edward Lewis, Lin Chun, Viren Murthy, Lisa Rofel, Ban Wang, Wang Hui, Yiqun Zhou
Reflecting on over half a century of study on Chinese culture, Jordan Paper explores new ways of approaching religion in China. Moving away from using Christianity as a model for examination, which has led to considerable misunderstandings between China and the West, Paper instead applies the paradigm of Familism to Chinese religion. By looking through the lens of Familism, which emphasises the importance of the family unit, Paper argues that we can understand the basis of Chinese culture, society, government, and religion.
In the book, Paper explains how, when and why Familism appears in the development of human culture in the Neolithic period, as well as its ramifications in more complex societies, using the imperial Chinese state as an example. The discussion in the book includes how the Chinese state can be understood as a religious institution; the role of spirit possession; the relationship of other religions in China to Chinese Religion, including Buddhism, Daoism and Judaism; and the issue of freedom of religion in contemporary China.
Chinese Religion and Familism not only challenges the discipline's perception of Chinese religion, but all of the religions of East Asia, indigenous sub-Saharan African religions, Polynesian Religion, and elsewhere.
Описание: This book looks at how information and communication technology influences power relations in public administration in China. It highlights the role of technology in combating corruption, and clarifies the interplay between ideas, institutions and technologies in shaping the foundation for organisational change.
Название: Debating Regime Legitimacy in Contemporary China ISBN: 1138289612 ISBN-13(EAN): 9781138289611 Издательство: Taylor&Francis Рейтинг: Цена: 19906.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This comprehensive volume is a three-part study of whether the Chinese political system has maintained a significant degree of regime legitimacy in the context of rising domestic discontent, in particular the popular protests against socio-economic inequality and environment degradation. Part I presents the scholarly debate on the theoretical refinement and empirical measurement of regime legitimacy in contemporary China. Part II focuses on the challenges to regime legitimacy of the increasingly widespread popular protests and civil activism. Part III examines the regime’s responses to these challenges, including coercive repression, adaptation, and economic performance. This book finds that, while repression can hardly stop popular protests – and often backfires – economic performance legitimacy is increasingly difficult to be maintained. The only way out is the adaptation to the changing domestic and international environment. The chapters in this collection were originally published in the Journal of Contemporary China.
The Confucian doctrine of tianxia (all under heaven) outlines a unitary worldview that cherishes global justice and transcends social, geographic, and political divides. For contemporary scholars, it has held myriad meanings, from the articulation of a cultural imaginary and political strategy to a moralistic commitment and a cosmological vision. The contributors to Chinese Visions of World Order examine the evolution of tianxia's meaning and practice in the Han dynasty and its mutations in modern times. They attend to its varied interpretations, its relation to realpolitik, and its revival in twenty-first-century China. They also investigate tianxia's birth in antiquity and its role in empire building, invoke its cultural universalism as a new global imagination for the contemporary world, analyze its resonance and affinity with cosmopolitanism in East-West cultural relations, discover its persistence in China's socialist internationalism and third world agenda, and critique its deployment as an official state ideology. In so doing, they demonstrate how China draws on its past to further its own alternative vision of the current international system.
Contributors. Daniel A. Bell, Chishen Chang, Kuan-Hsing Chen, Prasenjit Duara, Hsieh Mei-yu, Haiyan Lee, Mark Edward Lewis, Lin Chun, Viren Murthy, Lisa Rofel, Ban Wang, Wang Hui, Yiqun Zhou
In late imperial China, opera transmitted ideas across the social hierarchy about the self, family, society, and politics. Beijing attracted a diverse array of opera genres and audiences and, by extension, served as a hub for the diffusion of cultural values.
It is in this context that historian Andrea S. Goldman harnesses opera as a lens through which to examine urban cultural history. Her meticulous yet playful account takes up the multiplicity of opera types that proliferated at the time, exploring them as contested sites through which the Qing court and commercial playhouses negotiated influence and control over the social and moral order. Opera performance blurred lines between public and private life, and offered a stage on which to act out gender and class transgressions. This work illuminates how the state and various urban constituencies manipulated opera to their own ends, and sheds light on empire-wide transformations underway at the time.
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