Alan Howard Compositional Artifice in the Music of Henry Purcell 9781107006669

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Автор: Alan Howard
Название: Compositional Artifice in the Music of Henry Purcell
ISBN: 9781107006669
Издательство: Cambridge Academ
Классификация:

Теория музыки и музыковедение

Барочная музыка (с 1600 до 1750)

Композиторы и музыканты, музыкальные группы

ISBN-10: 110700666X
Обложка/Формат: Hardback
Страницы: 312
Вес: 0.80 кг.
Дата издания: 17.10.2019
Серия: Musical performance and reception
Язык: English
Иллюстрации: Worked examples or exercises; 185 printed music items; 8 tables, black and white; 11 line drawings, black and white
Размер: 253 x 181 x 17
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Baroque music (c 1600 to c 1750),Theory of music & musicology,Individual composers & musicians, specific bands & groups, MUSIC / General
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: Fugal invention has proved a successful line of analytical inquiry in recent studies of repertoires from Josquin to J. S. Bach. Alan Howard brings similar insights to the music of Henry Purcell, and proposes the first analytical approach to his music to examine compositional methods alongside historically contemporary theory, focusing particularly on Purcells artificial approach to imitative counterpoint. Through this methodology Howard challenges many misunderstandings about Purcells music that led to him being categorized as old-fashioned and unimaginative. This study offers fresh insights into the musical world in which Purcell lived and worked and situates Purcells compositional concerns in the broader context of notions of artifice in Restoration culture. Howard thereby offers both a fresh analytical approach - both to Purcells early instrumental works and to his later concerted vocal music - and a critique of the reception history surrounding the fantazias and sonatas in particular.

Compositional Artifice in the Music of Henry Purcell, Alan Howard