Quentin Tarantino: Poetics and Politics of Cinematic Metafiction, David Roche
Автор: Roche David Название: Quentin Tarantino: Poetics and Politics of Cinematic Metafiction ISBN: 1496821157 ISBN-13(EAN): 9781496821157 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4389.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Quentin Tarantino's films beg to be considered metafiction: metacommentaries that engage with the history of cultural representations and exalt the aesthetic, ethical, and political potential of creation as re-re-creation and resignification. Covering all eight of Quentin Tarantino's films according to certain themes, David Roche combines cultural studies and neoformalist approaches to highlight how closely the films' poetics and politics are intertwined. Each in-depth chapter focuses on a salient feature, some which have drawn much attention (history, race, gender, violence), others less so (narrative structure, style, music, theatricality).Roche sets Tarantino's films firmly in the legacy of Howard Hawks, Jean-Luc Godard, Sergio Leone, and the New Hollywood, revising the image of a cool pop-culture purveyor that the American director cultivated at the beginning of his career. Roche emphasizes the breadth and depth of his films' engagement with culture, highbrow and lowbrow, screen and print, American, East Asian, and European.
Автор: Casie E. Hermansson Название: Filming the Children`s Book: Adapting Metafiction ISBN: 1474413560 ISBN-13(EAN): 9781474413565 Издательство: Bloomsbury Academic Рейтинг: Цена: 15048.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book explores the adaptation of children`s metafictions, including works such as `Inkheart, The Invention of Hugo Cabret` and the Harry Potter series.
Описание: A collection of essays -- early seminal works as well as freshinterpretations -- on the famous German expressionist film,Metropolis.
Автор: Pressley-Sanon Toni, Saint-Just Sophie Название: Raoul Peck: Power, Politics, and the Cinematic Imagination ISBN: 0739198785 ISBN-13(EAN): 9780739198780 Издательство: Bloomsbury Рейтинг: Цена: 15147.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Raoul Peck: Power, Politics and the Cinematic Imagination includes a collection of essays by leading scholars and an interview and two keynotes addresses by the Haitian filmmaker Raoul Peck. The volume focuses on the ways in which power and politics have shaped his oppositional gaze and inform his films and his method as a director.
Автор: Gallafent Название: Quentin Tarantino ISBN: 1138147451 ISBN-13(EAN): 9781138147454 Издательство: Taylor&Francis Рейтинг: Цена: 14086.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Quentin Tarantino is one of the best-known living American filmmakers in the world, and the story of his career has been the subject of a number of books and articles. But what do his films mean? In this new study, Edward Gallafent does not look at Tarantino's story but at the films themselves. He asks to what extent Tarantino can be seen as a specifically American filmmaker, with the kinds of preoccupations and interests that have formed part of Hollywood's traditions, and also how he explores the expressive possibilities of current cinema.
The book concentrates on the main feature films of Tarantino's career so far: Reservoir Dogs, Pulp Fiction, Jackie Brown, and the two volumes of Kill Bill. Apart from Kill Bill the films are not treated individually, but in terms of some of the subjects that connect them together, such as success and tradition, their notorious deployment of violence, and Tarantino's approach to story-telling: his interest in presenting events out of chronological order. The book also covers adaptations of Tarantino's work, looking at the screenplays of True Romance and Natural Born Killers as well as the films made from them, and compares Tarantino's approach to adapting Elmore Leonard with that of another important American filmmaker, Paul Schrader.
The aim of the book is to explore these topics and to take the reader back to what the American critic Robert Warshow called the 'actual, immediate experience of seeing and responding to the movies'. It is designed to appeal both to those who were excited by the films on first seeing them in the cinema and to those taking the opportunity of reconsidering them on the screen or on DVD.
Автор: Hanich, Julian (free University Berlin, Germany) Название: Cinematic emotion in horror films and thrillers ISBN: 0415516579 ISBN-13(EAN): 9780415516570 Издательство: Taylor&Francis Рейтинг: Цена: 7501.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Why can fear be pleasurable? Why do we sometimes enjoy an emotion we otherwise desperately wish to avoid? And why are the movies the predominant place for this paradoxical experience? These are the central questions of Julian Hanich's path-breaking book, in which he takes a detailed look at the various aesthetic strategies of fear as well as the viewer's frightened experience. By drawing on prototypical scenes from horror films and thrillers like Rosemary's Baby, The Silence of the Lambs, Seven and The Blair Witch Project, Hanich identifies five types of fear at the movies and thus provides a much more nuanced classification than previously at hand in film studies. His descriptions of how the five types of fear differ according to their bodily, temporal and social experience inside the auditorium entail a forceful plea for relying more strongly on phenomenology in the study of cinematic emotions. In so doing, this book opens up new ways of dealing with these emotions. Hanich's study does not stop at the level of fear in the movie theater, however, but puts the strong cinematic emotion against the backdrop of some of the most crucial developments of our modern world: disembodiment, acceleration and the loosening of social bonds. Hanich argues that the strong affective, temporal, and social experiences of frightening movies can be particularly pleasurable precisely because they help to counterbalance these ambivalent changes of modernity.
Автор: Shamir Название: Cinematic Philosophy ISBN: 3319334727 ISBN-13(EAN): 9783319334721 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In this book, Tal S. Shamir sets out to identify cinema as a novel medium for philosophy and an important way of manifesting and developing philosophical thought. The volume presents a comprehensive analysis of the nature of philosophy’s potential—or, more strongly put, its need—to be manifested cinematically. Drawing on the fields of cinema, philosophy, and media studies, Cinematic Philosophy adds film to the traditional list of ways through which philosophy can be created, concentrating on the unique potential of the cinematic medium to effectively put forward and create philosophy. In the process, the book opens up innovative horizons for new types of knowledge and wisdom grounded in contemporary contexts and philosophical thought. Philosophy, best characterized as the love of wisdom, is not dependent on a specific medium nor solely situated within written text or oral lectures. Shamir asserts that philosophy can, should, and must be manifested and identified in a range of different platforms.
Описание: Action! Film is a common and powerful element in the social studies classroom and Cinematic Social Studies explores teaching and learning social studies with film. Teaching with film is a prominent teaching strategy utilized by many teachers on a regular basis. Cinematic Social Studies moves readers beyond the traditional perceptions of teaching film and explores the vast array of ideas and strategies related to teaching social studies with film. The contributing authors of this volume seek to explain, through an array of ideas and visions, what cinematic social studies can/should look like, while providing research and rationales for why teaching social studies with film is valuable and important.This volume includes twenty-four scholarly chapters discussing relevant topics of importance to cinematic social studies. The twenty four chapters are divided into three sections. This stellar collection of writings includes contributions from noteworthy scholars like Keith Barton, Wayne Journell, James Damico, Cynthia Tyson, and many more.
Автор: Andersson Johan, Webb Lawrence Название: Global Cinematic Cities: New Landscapes of Film and Media ISBN: 0231177461 ISBN-13(EAN): 9780231177467 Издательство: Wiley Рейтинг: Цена: 15840.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Engaging with a rapidly transforming urban world, the contributions to this collection rethink the cinematic city at a global scale. By presenting a global constellation of screen cities, the book encourages juxtapositions and comparisons across the North and South to capture the global city and its dynamics of exchange, hybridity, and circulation.
Автор: Murray Pomerance, Kyle Stevens Название: Close-Up: Great Cinematic Performances Volume 2: International ISBN: 1474431801 ISBN-13(EAN): 9781474431804 Издательство: Bloomsbury Academic Рейтинг: Цена: 4750.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history. This second volume focuses on international cinema, and includes case studies of key performances from actors like Ingrid Bergman,Nikolai Cherkassov, Alec Guinness and Isabelle Huppert.
Описание: THE TWENTY ETUDES FOR PIANO were composed during the years from 1991 to 2012. Their final configuration into Book 1 and Book 2 was determined by the music itself in the course of its composition.
Book 1 (Etudes 1-10) had a twin objective - to explore a variety of tempi, textures and piano techniques. At the same time it was meant to serve as a pedagogical tool by which I would improve my piano playing. In these two ways, Book 1 succeeded very well. I learned a great deal about the piano and in the course of learning the music, I became a better player.
New projects came along and interrupted the work on the Etudes for several years. Perhaps for that reason, when I took up work with the Etudes again I found the music was following a new path. Though I had settled questions of piano technique for myself in Book 1, the music in Book 2 quickly began to suggest a series of new adventures in harmony and structure.
In this way, Books 1 and 2, taken together, suggest a real trajectory that includes a broad range of music and technical ideas.
In the end, the Etudes are meant to be appreciated not only by the general listener, but especially by those who have the ability and patience to learn, play and perform the music themselves.
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