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The Invention and Reinvention of Big Bill Broonzy, Kevin D. Greene


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Автор: Kevin D. Greene
Название:  The Invention and Reinvention of Big Bill Broonzy
ISBN: 9781469646480
Издательство: Mare Nostrum (Eurospan)
Классификация:


ISBN-10: 146964648X
Обложка/Формат: Hardcover
Страницы: 248
Вес: 0.55 кг.
Дата издания: 30.08.2018
Язык: English
Иллюстрации: 10 halftones
Размер: 234 x 156 x 18
Ключевые слова: Blues,Individual composers & musicians, specific bands & groups,Ethnic studies, BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians,MUSIC / Genres & Styles / Blues,SOCIAL SCIENCE / Ethnic Studies / African American Studies
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Поставляется из: Англии
Описание: Over the course of his long career, legendary bluesman William Big Bill Broonzy (1893@–1958) helped shape the trajectory of the genre, from its roots in the rural Mississippi River Delta, through its rise as a popular genre in the north, to its eventual international acclaim. Along the way, Broonzy adopted an evolving personal and professional identity, tailoring his self-presentation to the demands of the place and time. His remarkable professional fluidity mirrored the range of expectations from his audiences, whose ideas about race, national belonging, identity, and the blues were refracted through Broonzy as if through a prism. Kevin D. Greene argues that Broonzys popular success testifies to his ability to navigate the cultural expectations of his different audiences. However, this constant reinvention came at a personal and professional cost. Using Broonzys multifaceted career, Greene situates blues performance at the center of understanding African American self-presentation and racial identity in the first half of the twentieth century.

Through Broonzys life and times, Greene assesses major themes and events in African American history, including the Great Migration, urbanization, and black expatriate encounters with European culture consumers. Drawing on a range of historical source materials as well as oral histories and personal archives held by Broonzys son, Greene perceptively interrogates how notions of race, gender, and audience reception continue to shape concepts of folk culture and musical authenticity.

Дополнительное описание: Ethnic studies|Popular music|Musicians, singers, bands and groups|Composers and songwriters



Invention and Reinvention of Big Bill Broonzy

Автор: Greene Kevin D
Название: Invention and Reinvention of Big Bill Broonzy
ISBN: 1469646498 ISBN-13(EAN): 9781469646497
Издательство: Mare Nostrum (Eurospan)
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Цена: 4076.00 р.
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Описание: Over the course of his long career, legendary bluesman William ""Big Bill"" Broonzy (1893@–1958) helped shape the trajectory of the genre, from its roots in the rural Mississippi River Delta, through its rise as a popular genre in the north, to its eventual international acclaim. Along the way, Broonzy adopted an evolving personal and professional identity, tailoring his self-presentation to the demands of the place and time. His remarkable professional fluidity mirrored the range of expectations from his audiences, whose ideas about race, national belonging, identity, and the blues were refracted through Broonzy as if through a prism. Kevin D. Greene argues that Broonzy's popular success testifies to his ability to navigate the cultural expectations of his different audiences. However, this constant reinvention came at a personal and professional cost. Using Broonzy's multifaceted career, Greene situates blues performance at the center of understanding African American self-presentation and racial identity in the first half of the twentieth century.

Through Broonzy's life and times, Greene assesses major themes and events in African American history, including the Great Migration, urbanization, and black expatriate encounters with European culture consumers. Drawing on a range of historical source materials as well as oral histories and personal archives held by Broonzy's son, Greene perceptively interrogates how notions of race, gender, and audience reception continue to shape concepts of folk culture and musical authenticity.

I feel so good: the life and times of big Bill Broonzy

Автор: Riesman Robert, Riesman Bob
Название: I feel so good: the life and times of big Bill Broonzy
ISBN: 0226717453 ISBN-13(EAN): 9780226717456
Издательство: Wiley
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Цена: 3802.00 р.
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Описание: A major figure in American blues and folk music, Big Bill Broonzy (1903-58) left his Arkansas Delta home after World War I, headed north, and became the leading Chicago blues-man of the 1930s. This title traces Big Bill`s career from his rise as a nationally prominent blues star, including his historic 1938 appearance at Carnegie Hall.

Stephen Sondheim and the Reinvention of the American Musical

Автор: McLaughlin Robert L.
Название: Stephen Sondheim and the Reinvention of the American Musical
ISBN: 149680855X ISBN-13(EAN): 9781496808554
Издательство: Mare Nostrum (Eurospan)
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Цена: 13794.00 р.
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Описание: From West Side Story in 1957 to Road Show in 2008, the musicals of Stephen Sondheim and his collaborators have challenged the conventions of American musical theater and expanded the possibilities of what musical plays can do, how they work, and what they mean. Sondheim's brilliant array of work, including such musicals as Company, Follies, Sweeney Todd, Sunday in the Park with George, and Into the Woods, has established him as the preeminent composer/lyricist of his, if not all, time.Stephen Sondheim and the Reinvention of the American Musical places Sondheim's work in two contexts: the exhaustion of the musical play and the postmodernism that, by the 1960s, deeply influenced all the American arts. Sondheim's musicals are central to the transition from the Rodgers and Hammerstein-style musical that had dominated Broadway stages for twenty years to a new postmodern musical. This new style reclaimed many of the self-aware, performative techniques of the 1930s musical comedy to develop its themes of the breakdown of narrative knowledge and the fragmentation of identity. In his most recent work, Sondheim, who was famously mentored by Oscar Hammerstein II, stretches toward a twenty-first-century musical that seeks to break out of the self-referring web of language.Stephen Sondheim and the Reinvention of the American Musical offers close readings of all of Sondheim's musicals and finds in them critiques of the operation of power, questioning of conventional systems of knowledge, and explorations of contemporary identity.


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