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Cinematic Cryptonymies: The Absent Body in Postwar Film, Ofer Eliaz


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Автор: Ofer Eliaz
Название:  Cinematic Cryptonymies: The Absent Body in Postwar Film
ISBN: 9780814345610
Издательство: Mare Nostrum (Eurospan)
Классификация:

ISBN-10: 0814345611
Обложка/Формат: Hardcover
Страницы: 224
Вес: 0.49 кг.
Дата издания: 28.09.2018
Серия: Contemporary approaches to film and media studies
Язык: English
Иллюстрации: 14 black & white images
Размер: 229 x 152 x 14
Ключевые слова: Film theory & criticism,Psychoanalytical theory (Freudian psychology)
Подзаголовок: The absent body in postwar film
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Поставляется из: Англии
Описание: How postwar film represents absent bodies via the cinematic practices of audiovisual erasure by key filmmakers.Following World War II, the world had to confront the unmournable specters of those who had been erased socially and historically. Cinematic Cryptonymies: The Absent Body in Postwar Film explores how cinema addressed these missing bodies through an in-depth analysis of key filmmakers from the immediate postwar moment through the present. Ofer Eliaz provides a cinematic history as well as a theoretical framework rooted in psychoanalysis that allows the reader to see and understand the absence and erasure of bodies in film as a response to historical trauma.Drawing on a psychoanalytic technique focused on what one leaves unspoken, Cinematic Cryptonymies investigates a diverse range of postwar film. The first chapter examines how Georges Franju deployed Paris as a city that hides the horrors of its past—here the vanished bodies of the victims of the Holocaust—behind its facade. Eliaz then looks at intergenerational haunting in the early horror films of Mario Bava, in which unacknowledged violence and loss is passed down across generations during the time of Italy’s economic miracle. The unique use of montage in the late films of Jean-Luc Godard is the focus of the third chapter through which the viewer only receives a fragmented and partial image of struggle—an attempt to address the failure of cinema to bear witness to the horrors of the wars and mass killings of the 1990s. Eliaz ends in the 2000s by examining the transnational films of Naomi Uman, whose experimental films engage the violence and loss experienced in different forms of border crossings, including national and social borders.Centered on the question of how one can mourn losses that are so traumatic they become unspeakable, Cinematic Cryptonymies is an important contribution to conversations on postwar film, trauma and the intersection of psychoanalysis and the humanities. Scholars interested in postwar film and history, trauma and war or psychoanalytic theory will all find this volume of interest.
Дополнительное описание: Film history, theory or criticism|Psychoanalytical and Freudian psychology



Cinematic Nihilism

Автор: Marmyysz John
Название: Cinematic Nihilism
ISBN: 1474424562 ISBN-13(EAN): 9781474424561
Издательство: Bloomsbury Academic
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Цена: 15048.00 р.
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Описание: Through case studies of popular films, including Prometheus, The Dark Knight Rises, Dawn of the Dead and The Human Centipede, this book re-emphasises the constructive potential of cinematic nihilism.

Cinematic cryptonymies

Автор: Eliaz, Ofer
Название: Cinematic cryptonymies
ISBN: 081434562X ISBN-13(EAN): 9780814345627
Издательство: Mare Nostrum (Eurospan)
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Цена: 4012.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: How postwar film represents absent bodies via the cinematic practices of audiovisual erasure by key filmmakers.Following World War II, the world had to confront the unmournable specters of those who had been erased socially and historically. Cinematic Cryptonymies: The Absent Body in Postwar Film explores how cinema addressed these missing bodies through an in-depth analysis of key filmmakers from the immediate postwar moment through the present. Ofer Eliaz provides a cinematic history as well as a theoretical framework rooted in psychoanalysis that allows the reader to see and understand the absence and erasure of bodies in film as a response to historical trauma.Drawing on a psychoanalytic technique focused on what one leaves unspoken, Cinematic Cryptonymies investigates a diverse range of postwar film. The first chapter examines how Georges Franju deployed Paris as a city that hides the horrors of its past—here the vanished bodies of the victims of the Holocaust—behind its facade. Eliaz then looks at intergenerational haunting in the early horror films of Mario Bava, in which unacknowledged violence and loss is passed down across generations during the time of Italy’s economic miracle. The unique use of montage in the late films of Jean-Luc Godard is the focus of the third chapter through which the viewer only receives a fragmented and partial image of struggle—an attempt to address the failure of cinema to bear witness to the horrors of the wars and mass killings of the 1990s. Eliaz ends in the 2000s by examining the transnational films of Naomi Uman, whose experimental films engage the violence and loss experienced in different forms of border crossings, including national and social borders.Centered on the question of how one can mourn losses that are so traumatic they become unspeakable, Cinematic Cryptonymies is an important contribution to conversations on postwar film, trauma and the intersection of psychoanalysis and the humanities. Scholars interested in postwar film and history, trauma and war or psychoanalytic theory will all find this volume of interest.

Fritz Lang`s Metropolis: Cinematic Visions of Technology and Fear ( Studies in German Literature, Linguistics, and Culture )

Автор: Minden, Michael (Editor), Bachmann, Holger (Editor)
Название: Fritz Lang`s Metropolis: Cinematic Visions of Technology and Fear ( Studies in German Literature, Linguistics, and Culture )
ISBN: 1571131469 ISBN-13(EAN): 9781571131461
Издательство: Wiley
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Цена: 5226.00 р.
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Описание: A collection of essays -- early seminal works as well as freshinterpretations -- on the famous German expressionist film,Metropolis.

Dada, Surrealism, and the Cinematic Effect

Автор: Elder R. Bruce
Название: Dada, Surrealism, and the Cinematic Effect
ISBN: 1771121998 ISBN-13(EAN): 9781771121996
Издательство: Mare Nostrum (Eurospan)
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Цена: 5642.00 р.
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Описание: This book deals with the early intellectual reception of the cinema and the manner in which art theorists, philosophers, cultural theorists, and especially artists of the first decades of the twentieth century responded to its advent. While the idea persists that early writers on film were troubled by the cinema's lowly form, this work proposes that there was another, largely unrecognized, strain in the reception of it. Far from anxious about film's provenance in popular entertainment, some writers and artists proclaimed that the cinema was the most important art for the moderns, as it exemplified the vibrancy of contemporary life. This view of the cinema was especially common among those whose commitments were to advanced artistic practices. Their notions about how to recast the art media (or the forms forged from those media's materials) and the urgency of doing so formed the principal part of the conceptual core of the artistic programs advanced by the vanguard art movements of the first half of the twentieth century. This book, a companion to the author's previous, Harmony & Dissent, examines the Dada and Surrealist movements as responses to the advent of the cinema.

Dark Energy: Hitchcock`s Absolute Camera and the Physics of Cinematic Spacetime

Автор: Philip J. Skerry
Название: Dark Energy: Hitchcock`s Absolute Camera and the Physics of Cinematic Spacetime
ISBN: 1441184015 ISBN-13(EAN): 9781441184016
Издательство: Bloomsbury Academic
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Цена: 19008.00 р.
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Описание: Alfred Hitchcock and the cinema grew up together. Born in 1899, four years after the first ‘official’ film showing in Paris, Hitchcock demonstrated an early fascination with the new art of the cinema. He entered the film industry in 1920, and by 1925, he had directed his first feature-length film, The Pleasure Garden. His subsequent film career paralleled the phenomenal growth of the film industry during the years 1925-1976, the year of his last film. In the same way, Hitchcock’s films are consonant with the revolutionary theories in the fields of physics and cosmology that were transforming the twentieth century, personified by the genius of Albert Einstein. Philip Skerry’s book applies the theories of dark energy, entropy, black holes, and quantum mechanics to Hitchcock’s technological genius and camera aesthetics, helping to explain the concept of ‘pure cinema’ and providing verification for its remarkable power. Including interviews with influential physicists, this study opens up new ways of analyzing Hitchcock’s art.

Cinematic Homecomings: Exile and Return in Transnational Cinema

Автор: Rebecca Prime
Название: Cinematic Homecomings: Exile and Return in Transnational Cinema
ISBN: 1501319957 ISBN-13(EAN): 9781501319952
Издательство: Bloomsbury Academic
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Цена: 6018.00 р.
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Описание: The history of cinema charts multiple histories of exile. From the German emigres in 1930s Hollywood to today's Iranian filmmakers in Europe and the United States, these histories continue to exert a profound influence on the evolution of cinematic narratives and aesthetics. But while the effect of exile and diaspora on film practice has been fruitfully explored from both historical and contemporary perspectives, the issues raised by return, whether literal or metaphorical, have yet to be fully considered. Cinematic Homecomings expands upon existing studies of transnational cinema by addressing the questions raised by reverse migration and the return home in a variety of historical and national contexts, from postcolonialism to post-Communism. By looking beyond exile, the contributors offer a multidirectional perspective on the relationship between migration, mobility, and transnational cinema. 'Narratives of return' are among the most popular themes of the contemporary cinema of countries ranging from Morocco to Cuba to the Soviet Union. This speaks to both the sociocultural reality of reverse migration and to its significance on the imagination of the nation.

The Holy Grail on Film: Essays on the Cinematic Quest

Автор: Harty Kevin J.
Название: The Holy Grail on Film: Essays on the Cinematic Quest
ISBN: 0786477857 ISBN-13(EAN): 9780786477852
Издательство: Mare Nostrum (Eurospan)
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Цена: 5821.00 р.
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Описание: The Holy Grail, the cup from the Last Supper, is among Christianity's most sacred relics. Down through the ages, the quest to find that vessel has down been the inspiration for many intent upon harnessing the power of the Grail for their own purposes.In this first collection of essays to study the long film tradition depicting that quest, seventeen film scholars and cultural critics from Canada, France, Great Britain, and the United States discuss a wide range of American and European films which present a rich assortment of medieval and latter-day Grail knights.Monty Python and the Holy Grail, Indiana Jones and the Last Crusade, The Fisher King, The Da Vinci Code, The Waterboy, The Road Warrior, The Silver Chalice, Excalibur, and Rosencrantz & Guildenstern Are Undead are just a few of the many films discussed here.

Close-Up: Great Cinematic Performances Volume 1: America

Автор: Murray Pomerance, Kyle Stevens
Название: Close-Up: Great Cinematic Performances Volume 1: America
ISBN: 1474431798 ISBN-13(EAN): 9781474431798
Издательство: Bloomsbury Academic
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Цена: 4750.00 р.
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Описание: This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history. This volume focuses on American cinema, including case studies of key performances from actors like Bette Davis, Irene Dunne, Whoopi Goldberg, Cary Grant, Oscar Isaac, Jack Nicholson and Al Pacino.

Spaces of the Cinematic Home: Behind the Screen Door

Автор: Andrews Eleanor, Hockenhull Stella, Pheasant-Kelly Fran
Название: Spaces of the Cinematic Home: Behind the Screen Door
ISBN: 1138791652 ISBN-13(EAN): 9781138791657
Издательство: Taylor&Francis
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Цена: 24499.00 р.
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Описание: This book examines the ways in which the house appears in films and the modes by which it moves beyond being merely a backdrop for action. Specifically, it explores the ways that domestic spaces carry inherent connotations that filmmakers exploit to enhance meanings and pleasures within film.

Architectures of Revolt: The Cinematic City Circa 1968

Название: Architectures of Revolt: The Cinematic City Circa 1968
ISBN: 1439910049 ISBN-13(EAN): 9781439910047
Издательство: Mare Nostrum (Eurospan)
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Цена: 4634.00 р.
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Описание:

Coinciding with the fiftieth anniversary of the worldwide mass protest movements of 1968—against war, imperialism, racism, poverty, misogyny, and homophobia—the exciting anthology Architectures of Revolt explores the degree to which the real events of political revolt in the urban landscape in 1968 drove change in the attitudes and practices of filmmakers and architects alike.

In and around 1968, as activists and filmmakers took to the streets, commandeering public space, buildings, and media attention, they sought to re-make the urban landscape as an expression of utopian longing or as a dystopian critique of the established order. In Architectures of Revolt, the editor and contributors chronicle city-specific case studies from Paris, Berlin, Milan, and Chicago to New York, Los Angeles, Mexico City, and Tokyo. The films discussed range from avant-garde and agitprop shorts to mainstream narrative feature films. All of them share a focus on the city and, often, particular streets and buildings as places of political contestation and sometimes violence, which the medium of cinema was uniquely equipped to capture.

Contributors include: Stephen Barber, Stanley Corkin, Jesse Lerner, Jon Lewis, Gaetana Marrone, Jennifer Stob, Andrew Webber, and the editor.


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