Atenco Lives!: Filmmaking and Popular Struggle in Mexico, Livia K. Stone
Автор: Livia K. Stone Название: Atenco Lives!: Filmmaking and Popular Struggle in Mexico ISBN: 0826522246 ISBN-13(EAN): 9780826522245 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4712.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The People`s Front in Defense of Land of Atenco (the "Frente") is an emblematic force in contemporary Mexican politics and in anti-capitalist, anti-neoliberal networks throughout the world. Documentary filmmaking has been one aspect of the Frente and its allies` efforts. This book highlights the importance of this aspect of the Frente`s work.
Автор: Romero-Fresco Название: Accessible Filmmaking ISBN: 1138493015 ISBN-13(EAN): 9781138493018 Издательство: Taylor&Francis Рейтинг: Цена: 5817.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Translation, accessibility and the viewing experience of foreign, deaf and blind audiences has long been a neglected area of research within film studies.
Автор: Schenk Sonja, Ben Long Название: The Digital Filmmaking Handbook ISBN: 0692782117 ISBN-13(EAN): 9780692782118 Издательство: Неизвестно Цена: 6896.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Filmmaking involves much more than just buying a camera and a computer and The Digital Filmmaking Handbook covers everything you need to know, whether you're making a feature-length movie, a series of webisodes, a VR project, or even your first short film. This one-stop digital filmmaking resource will guide you from your initial idea to getting your finished project "in the can." It will show you how to create shots and effects that are rarely associated with low-budget productions.
What's New?
Web-based distribution has finally cracked open the field and there are really no limits to the type of films you can make--from long-arc television to webisodic content to traditional feature films, it's easier than ever to find an audience for your movie.
Virtual Realty is making serious headway into the entertainment industry, so we've added special sections about VR productions throughout the book.
The rate of technological innovation in digital filmmaking is astounding: more and better digital cinema cameras, accessible 4K production and post, lots of new lenses, and computer-controlled camera rigging from sliders to robotic jib arms to drones.
It's a brave new world out there and we're here to help you navigate it.
Digital video has come to mean all things to all people and the types of projects that are being made by indie filmmakers are more varied than ever.
So why stop at a single film? Go ahead, you know, Make Your Movies.
The Digital Filmmaking Handbook is a top-rated bestseller. It's been in print for 17 years. It offers 600 pages of regularly-updated information on all aspects of filmmaking. (Some people buy this book for the glossary alone.)
Автор: Larkin Название: Post-Production and the Invisible Revolution of Filmmaking ISBN: 1138588334 ISBN-13(EAN): 9781138588332 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Post-Production and the Invisible Revolution of Filmmaking studies the discourses surrounding post-production, as well as the aesthetic effects of its introduction during the 1920s and 1930s, by exploring the philosophies and issues faced by practitioners during this transitional, transformative period.
Автор: Jenna Ng Название: Understanding Machinima: Essays on Filmmaking in Virtual Worlds ISBN: 1441140522 ISBN-13(EAN): 9781441140524 Издательство: Bloomsbury Academic Рейтинг: Цена: 22176.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In this groundbreaking collection, Dr. Jenna Ng brings together academics and award-winning artists and machinima makers to explore the fascinating combination of cinema, animation and games in machinima (the use of computer game engines to produce animated films in cost- and time-efficient ways). Book-ended by a preface by Henry Lowood (curator for history of science and technology collections at Stanford University) and an interview with Isabelle Arvers (machinima artist, trainer, critic, and curator), the collection features wide-ranging discussions addressing machinima not only from diverse theoretical perspectives, but also in its many dimensions as game art, First Nations media art, documentary, and pedagogical tool. Making use of interactive multimedia to enhance the text, each chapter features a QR code which leads to a mobile website cross-referencing with its print text, integrating digital and print content while also taking into account the portability of digital devices in resonance with machinima's mobile digital forms. Exploring the many dimensions of machinima production and reception, Understanding Machinima extends machinima's critical scholarship and debate, underscoring the exciting potential of this emerging media form.
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