Описание: Bringing critical attention to a particular set of Science Fiction and Fantasy films - Larry and Andy Wachowski`s The Matrix, George Lucas` Star Wars saga, and Joss Whedon`s Avengers - this book utilises a wide-ranging set of critical tools to illuminate their political ideologies, while also examining any resistant and complicating turns or byways the films may provide.
Описание: First appearing in Marvel Comics in the 1960s, Natasha Romanoff, a.k.a. Black Widow, was introduced to movie audiences in Iron Man 2 (2010). Her character has grown in popularity with subsequent Marvel films. This collection of new essays is the first to examine Black Widow and her development, from Cold War era comics to the Marvel Cinematic Universe.
Описание: Avengers Assemble! explores the cinematic and televisual branches of the Marvel Cinematic Universe from a diverse range of critical perspectives. Beginning with Iron Man, it considers them as both embodiments of the changing blockbuster film and affective cultural artifacts that are immersed in the turbulent political climate of their era.
Описание: Avengers Assemble! explores the cinematic and televisual branches of the Marvel Cinematic Universe from a diverse range of critical perspectives. Beginning with Iron Man, the book considers them both as embodiments of the changing blockbuster film and as affective cultural artifacts that are immersed in the turbulent political climate of their era.
Описание: In an interdisciplinary study of black intellectual history at the dawn of the nineteenth century, Stefan M. Wheelock shows how black antislavery writers were able to counteract ideologies of white supremacy while fostering a sense of racial community and identity. The major figures he discusses—Ottobah Cugoano, Olaudah Equiano, David Walker, and Maria Stewart—engaged the concepts of democracy, freedom, and equality as these ideas ripened within the context of racial terror and colonial hegemony. Wheelock highlights the ways in which religious and secular versions of collective political destiny both competed and cooperated to forge a vision for a more perfect and just society. By appealing to religious sensibilities and calling for emancipation, these writers addressed slavery and its cultural bearing on the Atlantic in varied, complex, and sometimes contradictory ways during a key period in the development of Western political identity and modernity.
Автор: Campbell Название: Literature and Culture in the Black Atlantic ISBN: 1403972230 ISBN-13(EAN): 9781403972231 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book extends our understanding of the black Atlantic, a term coined by Paul Gilroy to describe the political, cultural and creative interrelations among blacks living in Africa, the Americas and Europe. This study focuses on pre-colonial English literary constructions and their effects on post-Independence Caribbean literature.
Описание: "In an interdisciplinary approach to black antislavery literatures at the dawn of the nineteenth century, Stefan Wheelock shows how the political character of freedom and a religious sensibility allowed Black antislavery writers to countermand ideologies of white supremacy while fostering a sense of racial community and identity. The major figures he selects--Ottobah Cugoano, Olaudah Equiano, David Walker, and Maria Stewart--were principally concerned with ending racial slavery and the slave trade, but they employed antislavery rhetoric at a time when the institution of slavery was preparing progressive Western politics to enter a new phase of imperial and racial domination. This contradictory circumstance, Wheelock argues, poses a significant challenge for understanding the development of this watershed moment in Western political identity. The author looks at the ways in which, during this period, religious and secular versions of collective political destiny both competed and cooperated to forge a vision for a more perfect and just society. What especially captures his interest is how the writers of the African Atlantic deployed religious sensibilities and the call for emancipation as a way of characterizing the liberal foundations of Atlantic political modernity. Although neither "modernity" nor "progress" is a term these writers used, Wheelock contends that a concern with modernity and its liberal character is implicit in their critiques and/or portrayals of the advanced political structures that gave rise to racial enslavement in the first place" --
Описание: An innovative transnational literary study, Black Prometheus tracks the mythical figure`s surprising resonance in Anglo-American antislavery discourse from 1800 until the end of the U.S. Civil War.
Описание: In this book, author D.A. Dunkley challenges the notion that enslavement fostered the culture of freedom in the former colonies of Western Europe in the Americas. Dunkley explores the importance of the agency displayed by enslaved people and argues that this formed the real basis of the culture of freedom in the Atlantic societies.
Автор: Van Groesen Michiel Название: Amsterdam`s Atlantic: Print Culture and the Making of Dutch Brazil ISBN: 081224866X ISBN-13(EAN): 9780812248661 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 6264.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In 1624 the Dutch West India Company established the colony of Brazil. Only thirty years later, the Dutch Republic handed over the colony to Portugal, never to return to the South Atlantic. Because Dutch Brazil was the first sustained Protestant colony in Iberian America, the events there became major news in early modern Europe and shaped a lively print culture. In Amsterdam's Atlantic, historian Michiel van Groesen shows how the rise and tumultuous fall of Dutch Brazil marked the emergence of a "public Atlantic" centered around Holland's capital city. Amsterdam served as Europe's main hub for news from the Atlantic world, and breaking reports out of Brazil generated great excitement in the city, which reverberated throughout the continent. Initially, the flow of information was successfully managed by the directors of the West India Company. However, when Portuguese sugar planters revolted against the Dutch regime, and tales of corruption among leading administrators in Brazil emerged, they lost their hold on the media landscape, and reports traveled more freely. Fueled by the powerful local print media, popular discussions about Brazil became so bitter that the Amsterdam authorities ultimately withdrew their support for the colony. The self-inflicted demise of Dutch Brazil has been regarded as an anomaly during an otherwise remarkably liberal period in Dutch history, and consequently generations of historians have neglected its significance. Amsterdam's Atlantic puts Dutch Brazil back on the front pages and argues that the way the Amsterdam media constructed Atlantic events was a key element in the transformation of public opinion in Europe.
In its early years, William Penn's "Peaceable Kingdom" was anything but. Pennsylvania's governing institutions were faced with daunting challenges: Native Americans proved far less docile than Penn had hoped, the colony's non-English settlers were loath to accept Quaker authority, and Friends themselves were divided by grievous factional struggles. Yet out of this chaos emerged a colony hailed by contemporary and modern observers alike as the most liberal, tolerant, and harmonious in British America. In Friends and Strangers, John Smolenski argues that Pennsylvania's early history can best be understood through the lens of creolization—the process by which Old World habits, values, and practices were transformed in a New World setting. Unable simply to transplant English political and legal traditions across the Atlantic, Quaker leaders gradually forged a creole civic culture that secured Quaker authority in an increasingly diverse colony. By mythologizing the colony's early settlement and casting Friends as the ideal guardians of its uniquely free and peaceful society, they succeeded in establishing a shared civic culture in which Quaker dominance seemed natural and just. The first history of Pennsylvania's founding in more than forty years, Friends and Strangers offers a provocative new look at the transfer of English culture to North America. Setting Pennsylvania in the context of the broader Atlantic phenomenon of creolization, Smolenski's account of the Quaker colony's origins reveals the vital role this process played in creating early American society.
Автор: Gregory Pierrot Название: The Black Avenger in Atlantic Culture ISBN: 0820354929 ISBN-13(EAN): 9780820354927 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4435.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: With the Ta-Nehisi Coates –authored Black Panther comic book series (2016); recent films Django Unchained (2012) and The Birth of a Nation (2016), Nate Parker’s cinematic imagining of the Nat Turner rebellion; and screen adaptations of Marvel’s Luke Cage (2016) and Black Panther (2018), violent black redeemers have rarely been so present in mainstream Western culture. Yet the black avenger has always been with us: the trope has fired the news and imaginations of the United States and the larger Atlantic World for three centuries. The black avenger channeled the fresh anxieties about slave uprisings and racial belonging occasioned by the European colonization project in the Americas. Even as he is portrayed as wholly Other, a heathen and a barbarian, his values?honor, loyalty, love?reflect his ties to the West. Yet being racially different, he cannot belong, and his qualities in turn make him an anomaly among black people. The black avenger is thus a liminal figure defining racial borders. Where his body lies, lies the color line. Regularly throughout the modern era and to this day, variations on the trope have contributed to defining race in the Atlantic World and thwarting the constitution of a black polity. Grégory Pierrot’s The Black Avenger in Atlantic Culture studies this cultural history, examining a multicultural and cross-historical network of print material including fiction, drama, poetry, news, and historical writing as well as visual culture. It tracks the black avenger trope from its inception in the seventeenth century to the U.S. occupation of Haiti in 1915. Pierrot argues that this Western archetype plays an essential role in helping exclusive, hostile understandings of racial belonging become normalized in the collective consciousness of Atlantic nations. His study follows important articulations of the figure and how it has shifted based on historical and cultural contexts.
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