Автор: Suranjan Ganguly Название: Stan Brakhage: Interviews ISBN: 1496810694 ISBN-13(EAN): 9781496810694 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 13794.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In this volume, editor Suranjan Ganguly collects eight of Stan Brakhage’s most important interviews in which the filmmaker describes his conceptual frameworks, his theoriesof vision and sound, the importance of poetry, music, and the visual arts in relation to his work, his concept of the muse, and the key influences on his art-making. In doing so, Brakhage (1933–2003) discusses some of his iconic films, such as Anticipation of the Night, Dog Star Man, Scenes from Under Childhood, Mothlight, and Text of Light.One of the most innovative filmmakers in the history of experimental cinema, Brakhage made almost 350 films in his fifty-two year- long career. These films include psychodramas, autobiography, Freudian trance films, birth films, song cycles, meditations on light, and hand-painted films, some of which range from nine seconds to over four hours in duration. Born in Kansas City, Missouri, he lived most of his life in the mountains of Colorado, teaching for twenty-one years in the film studies program at the University of Colorado, Boulder.As a filmmaker, Brakhage’s life-long obsession with what he called an “adventure in perception” made him focus on the act of seeing itself, which he tried to capture on film in multiple ways both with and without his camera and by scratching and painting on film. Convinced that there is a primary level of cognition that precedes language, he wrote of the “untutored eye” with which children can access ineffable visual realities. Adults, who have lostsuch primal sight, can “retrain” their eyes by becoming conscious of what constitutes true vision and the different ways in which they daily perceive the world. Brakhage’s films experiment with such perceptions, manipulating visual and auditory experience in ways that continue to influence film today.
Автор: White Jerry Название: Stan Brakhage in Rolling Stock, 1980-1990 ISBN: 1771123036 ISBN-13(EAN): 9781771123037 Издательство: Gazelle Book Services Рейтинг: Цена: 11798.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This is a collection of writings by the giant of experimental cinema, Stan Brakhage, that shows him in a completely new light, as part of world cinema. For the duration of the 1980s, Brakhage contributed to the Boulder literary magazine Rolling Stock, mostly publishing reports from the Telluride Film Festival. These reports show that Brakhage was keenly interested in world cinema, anxious to meet and dialogue with filmmakers of many different stripes. The book also contains substantial discussion of Brakhages work in light of the filmmakers he encountered at Telluride and discussed in Rolling Stock. Long chapters are given over to Soviet filmmakers such as Andrei Tarkovsky, Larissa Shepitko, and Sergei Parajanov, as well as the German filmmaker Hans-Jurgen Syberberg. Brakhage was a keen viewer of these filmmakers and their contemporaries, both at Telluride and in his role as teacher at the University of Colorado, and Stan Brakhage and Rolling Stock attempts to place his work alongside theirs and thus reclaim him for world cinema. The books appendices reprint letters Brakhage wrote to Stella Pence (Tellurides co-founder and managing director), as well as summaries of his work for Telluride and a brace of difficult-to-find reviews.
Since the late 1950s Stan Brakhage has been in the forefront of independent filmmaking. His body of work - some seventy hours - is one of the largest of any filmmaker in the history of cinema, and one of the most diverse. Probably the most widely quoted experimental filmmaker in history, his films typify the independent cinema.
Until now, despite well-deserved acclaim, there has been no comprehensive study of Brakhage's oeuvre. The Films of Stan Brakhage in the American Tradition fills this void. R. Bruce Elder delineates the aesthetic parallels between Brakhage's films and a broad spectrum of American art from the 1920s through the 1960s.
This book is certain to stir the passions of those interested in artistic critique and interpretation in its broadest terms.
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