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Posing Sex: Toward a Perceptual Ethics for Literary and Visual Art, Alan Singer


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Автор: Alan Singer
Название:  Posing Sex: Toward a Perceptual Ethics for Literary and Visual Art
ISBN: 9781501339189
Издательство: Bloomsbury Academic
Классификация:


ISBN-10: 1501339184
Обложка/Формат: Hardcover
Страницы: 232
Вес: 0.49 кг.
Дата издания: 19.04.2018
Серия: Arts
Язык: English
Иллюстрации: 12 b/w illustrations
Размер: 229 x 152 x 14
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Erotic art,Literary theory,Philosophy: aesthetics, ART / Subjects & Themes / Erotica,LITERARY CRITICISM / Semiotics & Theory,PHILOSOPHY / Aesthetics
Подзаголовок: Toward a perceptual ethics for literary and visual art
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Поставляется из: Англии
Описание:

Posing Sex: Toward a Perceptual Ethics for Literary and Visual Art views the long and provocative tradition of representing the sexual act in Western art as an occasion for challenging assumptions about personhood.

It is uncontroversial that what Singer dubs the sex image, the artists posing of human figures in the act of coitus, is an enduring compositional armature for artists from antiquity to the present. Singer, however, makes the quite controversial claim that this aesthetic practice, in literature and painting especially, serves as a powerful m tier for exploring how the mind is continuous with the sensuously lively body rather than its rationalistic antagonist. Singer draws upon a rich philosophical tradition-from the Greek Stoics, Descartes, Spinoza, and Hegel to contemporary theorists of perception and aesthetic agency-to show how the stakes of aesthetic experience epitomized in the sex image are essentially ethical. Referencing a broad range of image-based artworks-literary, painterly, and cinematic-Singer illustrates the proposition that posing sex broadens the scope of our knowledge about how feeling reciprocates with reason-giving.




The Perceptual Structure of Three-Dimensional Art

Автор: Paul M.W. Hackett
Название: The Perceptual Structure of Three-Dimensional Art
ISBN: 3319484508 ISBN-13(EAN): 9783319484501
Издательство: Springer
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Цена: 7685.00 р.
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Описание: This book deals with philosophical aspects regarding the perception of spatial relationships in two and three-dimensional art.

Outside Color: Perceptual Science and the Puzzle of Color in Philosophy

Автор: Chirimuuta M.
Название: Outside Color: Perceptual Science and the Puzzle of Color in Philosophy
ISBN: 0262534576 ISBN-13(EAN): 9780262534574
Издательство: MIT Press
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Цена: 5079.00 р.
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An integrated study of the history, philosophy, and science of color that offers a novel theory of the metaphysics of color.

Is color real or illusory, mind independent or mind dependent? Does seeing in color give us a true picture of external reality? The metaphysical debate over color has gone on at least since the seventeenth century. In this book, M. Chirimuuta draws on contemporary perceptual science to address these questions. Her account integrates historical philosophical debates, contemporary work in the philosophy of color, and recent findings in neuroscience and vision science to propose a novel theory of the relationship between color and physical reality.

Chirimuuta offers an overview of philosophy's approach to the problem of color, finds the origins of much of the familiar conception of color in Aristotelian theories of perception, and describes the assumptions that have shaped contemporary philosophy of color. She then reviews recent work in perceptual science that challenges philosophers' accounts of color experience. Finally, she offers a pragmatic alternative whereby perceptual states are understood primarily as action-guiding interactions between a perceiver and the environment. The fact that perceptual states are shaped in idiosyncratic ways by the needs and interests of the perceiver does not render the states illusory. Colors are perceiver-dependent properties, and yet our awareness of them does not mislead us about the world. Colors force us to reconsider what we mean by accurately presenting external reality, and, as this book demonstrates, thinking about color has important consequences for the philosophy of perception and, more generally, for the philosophy of mind.


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