Описание: What are the key elements that go into creating a work of art for the stage? Which are the most productive conditions and methods of rehearsal? In this collection of interviews, 19 international artists share their experience and offer practical advice on the creation of performance work. Their answers provide a goldmine of tried and tested approaches as they discuss the common problems and difficulties of creative work, their turning-point experiences, and ways in which they have challenged performers and themselves to go beyond conditioned reflexes to create work which is original and authentic. Among the contemporary directors, choreographers, performers, and actors to share their insights are: Annabel Arden (Complicite, UK), Richard Lowdon (Forced Entertainment, UK), Richard Foreman (Ontological-Hysteric Theatre, USA), Sean Patten, Berit Stumpf (Gob Squad, UK), Maxine Doyle (Punchdrunk, UK), Soheil Parsa (Modern Times Stage Company, Canada), Eugenio Barba (Odin Teatret, Denmark), Jan Fabre (Belgium), Heiner Goebbels (Germany), Jerome Bel (France), Helgard Haug (Rimini Protokoll, Germany)
Описание: What are the key elements that go into creating a work of art for the stage? Which are the most productive conditions and methods of rehearsal? In this collection of interviews, 19 international artists share their experience and offer practical advice on the creation of performance work. Their answers provide a goldmine of tried and tested approaches as they discuss the common problems and difficulties of creative work, their turning-point experiences, and ways in which they have challenged performers and themselves to go beyond conditioned reflexes to create work which is original and authentic. Among the contemporary directors, choreographers, performers, and actors to share their insights are: Annabel Arden (Complicite, UK), Richard Lowdon (Forced Entertainment, UK), Richard Foreman (Ontological-Hysteric Theatre, USA), Sean Patten, Berit Stumpf (Gob Squad, UK), Maxine Doyle (Punchdrunk, UK), Soheil Parsa (Modern Times Stage Company, Canada), Eugenio Barba (Odin Teatret, Denmark), Jan Fabre (Belgium), Heiner Goebbels (Germany), Jerome Bel (France), Helgard Haug (Rimini Protokoll, Germany)
Автор: Haydon Christopher Название: Art of the Artistic Director ISBN: 1350016934 ISBN-13(EAN): 9781350016934 Издательство: Bloomsbury Academic Рейтинг: Цена: 4117.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
How do you decide what stories an audience should hear? How do you make your theatre stand out in a crowded and intensely competitive marketplace? How do you make your building a home for artistic risk and innovation, while ensuring the books are balanced? It is the artistic director's job to answer all these questions, and many more. Yet, despite the central role that these people play in the modern theatre industry, very little has been written about what they do or how they do it.
In The Art of the Artistic Director, Christopher Haydon (former artistic director of the Gate Theatre, 'London's most relentlessly ambitious theatre' - Time Out) compiles a fascinating set of interviews that get to the heart of what it is to occupy this unique role. He speaks to twenty of the most prominent and successful artistic directors in the US and UK, including: Oskar Eustis (Public Theater, New York), Diane Paulus (American Repertory Theater, Boston), Rufus Norris (National Theatre, London) and Vicky Featherstone (Royal Court Theatre, London), uncovering the essential skills and abilities that go into making an accomplished artistic director.
The only book of its kind available, The Art of the Artistic Director includes a foreword by Michael Grandage, former artistic director of the Sheffield Crucible and the Donmar Warehouse in London.
Описание: Contemporary Women Stage Directors opens the door into the minds of 27 prolific female theatre directors, allowing you to explore their experience, wisdom and knowledge.
Directors give insight into their diverse approaches to the key challenges of directing theatre, including choosing projects, engaging with scripts, conceptualizing visual and acoustic production elements, collaborating with actors and production teams, building their careers, and navigating challenges and opportunities posed by gender, race and ethnicity.
The directors featured include Maria Aberg, May Adrales, Sarah Benson, Karin Coonrod, Rachel Chavkin, Lear deBessonet, Nadia Fall, Vicky Featherstone, Polly Findlay, Leah Gardiner, Anne Kauffman, Lucy Kerbel, Young Jean Lee, Patricia McGregor, Blanche McIntyre, Paulette Randall, Diane Rodriguez, Indhu Rubasingham, KJ Sanchez, Tina Satter, Kimberly Senior, Roxana Silbert, Leigh Silverman, Caroline Steinbeis, Liesl Tommy, Lyndsey Turner, and Erica Whyman.
These women are making profoundly exciting theatre in some of the most influential organizations across the English-speaking world-from Broadway to the West End, from the National Theatre in London to Center Theatre Group in Los Angeles. As generally mid-career professionals, they are informed by both their hard-earned expertise and their forward-looking energy. They offer astute observations about the current state of the art form, as well as inspiring visions of what theatre can accomplish in the decades to come.
Описание: When directors understand the value of a movement director they remove any sense of hierarchy within the room and place movement directors firmly by their side, for they are, and should be, their co-pilot, navigating and creating the world of the play. - Joan IyiolaThrough a series of in-depth interviews with leading movement directors including Sian Williams, Sue Lefton, Toby Sedgewick and Diane Alison-Mitchell, Ayse Tashkiran examines the processes of creativity, collaboration and innovation for the moving body in performance. The conversations open up: New areas of movement practice The role of the movement director The history of theatre practice and key practitioners Diverse movement approaches Similarities and differences between movement direction and choreography Potential future developments in the field The book contains forewords by Maria Aberg and Joan Iyiola
Описание: When directors understand the value of a movement director they remove any sense of hierarchy within the room and place movement directors firmly by their side, for they are, and should be, their co-pilot, navigating and creating the world of the play. - Joan IyiolaThrough a series of in-depth interviews with leading movement directors including Sian Williams, Sue Lefton, Toby Sedgewick and Diane Alison-Mitchell, Ayse Tashkiran examines the processes of creativity, collaboration and innovation for the moving body in performance. The conversations open up: New areas of movement practice The role of the movement director The history of theatre practice and key practitioners Diverse movement approaches Similarities and differences between movement direction and choreography Potential future developments in the field The book contains forewords by Maria Aberg and Joan Iyiola
Автор: Katalin Trencs?nyi Название: Dramaturgy in the Making: A User`s Guide for Theatre Practitioners ISBN: 1408155656 ISBN-13(EAN): 9781408155653 Издательство: Bloomsbury Academic Рейтинг: Цена: 4434.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A thorough study of contemporary dramaturgical practices which draws on many examples from the work of leading theatre practitioners from the UK, Europe and North America. It maps the various ways in which a dramaturg may work in the theatre-making process and provides a theoretical framework to aid the reader in their own practice.
Автор: Katalin Trencs?nyi Название: Dramaturgy in the Making: A User`s Guide for Theatre Practitioners ISBN: 1472576756 ISBN-13(EAN): 9781472576750 Издательство: Bloomsbury Academic Рейтинг: Цена: 17424.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A thorough study of contemporary dramaturgical practices which draws on many examples from the work of leading theatre practitioners from the UK, Europe and North America. It maps the various ways in which a dramaturg may work in the theatre-making process and provides a theoretical framework to aid the reader in their own practice.
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