Nomadic Theatre: Mobilizing Theory and Practice on the European Stage 9781350051034

Варианты приобретения

Цена: 15048.00р.
Кол-во:
Наличие: Поставка под заказ. Есть в наличии на складе поставщика.
Склад Америка: Есть
При оформлении заказа до:
Ориентировочная дата поставки:
При условии наличия книги у поставщика.

Добавить в корзину

в Мои желания

Автор: Liesbeth Groot Nibbelink
Название: Nomadic Theatre: Mobilizing Theory and Practice on the European Stage
ISBN: 9781350051034
Издательство: Bloomsbury Academic
Классификация:

Театроведение

ISBN-10: 1350051039
Обложка/Формат: Hardback
Страницы: 224
Вес: 0.40 кг.
Дата издания: 18.04.2019
Серия: Thinking through theatre
Язык: English
Иллюстрации: 12 bw illus
Размер: 144 x 222 x 19
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Theatre studies, PERFORMING ARTS / Theater / Direction & Production,PERFORMING ARTS / Theater / History & Criticism
Подзаголовок: Mobilizing theory and practice on the european stage
Рейтинг:
Поставляется из: Англии
Описание: Fluid stages, morphing theatre spaces, ambulant spectators, and occasionally disappearing performers: these are some of the key ingredients of Nomadic Theatre. They are also theatres response to life in the 21st century, which is increasingly marked by the mobility of people, information, technologies and services. While examining how contemporary theatre exposes and queries this mobile turn in society, Liesbeth Groot Nibbelink introduces the concept of nomadic theatre as a vital tool for analyzing the manifold ways in which movement and mobility effect and implicate the theatre, how physical movements in the theatre are stepping stones for theorizing mobility at large, and how contemporary performance uses movement and mobility to make way for local operations and lived spaces.

This book examines how ambulatory performances and performative installations stage movement and in turn mobilize the stage. Through a detailed analysis of contemporary performance practices by leading European artists such as Rimini Protokoll, Dries Verhoeven, Ontroerend Goed, and Signa, Nomadic Theatre demonstrates how mobile performances radically rethink the conditions of the stage and alter our understanding of spectatorship.

Nomadic Theatre takes an integrated approach to theory and practice, instigates connections across disciplinary fields, and feeds dramaturgical analysis with insights derived from media theory, urban philosophy, cartography, architecture, and game studies. It demonstrates how concepts assist in the performance of analysis and how contemporary theatre, as a material form of thought, creatively and critically engages with mobile existence both on the stage and in society.

Nomadic Theatre: Mobilizing Theory and Practice on the European Stage, Liesbeth Groot Nibbelink