Shakespeare and the Politics of Nostalgia: Negotiating the Memory of Elizabeth I on the Jacobean Stage, Yuichi Tsukada
Автор: Harriet Phillips Название: Nostalgia in Print and Performance, 1510–1613: Merry Worlds ISBN: 1108482279 ISBN-13(EAN): 9781108482271 Издательство: Cambridge Academ Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Explores nostalgia for the medieval past in early modern popular entertainment, bringing together plays by Shakespeare, Heywood, Munday and Chettle, together with extensive research on contemporary ballads and other cheap print. This book will be of interest to researchers and students of early modern literature, history, drama and print culture.
Описание: This book is the first sustained study of the reception of King James VI and I`s works, covering various genres including poetry, drama and sermons. It is of great interest to researchers and upper-level students of Renaissance and Jacobean literature, Shakespeare studies, Ben Jonson, John Donne and Jacobean history.
Автор: Rex Gibson Название: Shakespearean and Jacobean Tragedy ISBN: 0521795621 ISBN-13(EAN): 9780521795623 Издательство: Cambridge Education Рейтинг: Цена: 1949.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Critical introductions to a range of literary topics and genres.
Автор: Salingar Название: Dramatic Form in Shakespeare and the Jacobeans ISBN: 0521137004 ISBN-13(EAN): 9780521137003 Издательство: Cambridge Academ Рейтинг: Цена: 6018.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A collection of essays concerned with aspects of dramatic form, such as plot construction and characterisation, in works by Shakespeare and his contemporaries. They focus in detail on the plays` texts, at the same time seeking to establish around them the dramatists` view of their world.
Автор: Mazzola, Elizabeth Название: Women and mobility on shakespeare`s stage ISBN: 113862960X ISBN-13(EAN): 9781138629608 Издательство: Taylor&Francis Рейтинг: Цена: 24499.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Long before the economist Amartya Sen proposed that more than 100 million women were missing-lost to disease or neglect, kidnapping or forced marriage, denied the economic and political security of wages or membership in a larger social order-Shakespeare was interested in such women`s plight, how they were lost, and where they might have gone.
Why do the Capulets bite their thumbs at the Montagues? Why do the Venetians spit upon Shylock's Jewish gaberdine? What is it about Volumnia's act of kneeling that convinces Coriolanus not to assault the city of Rome? Shakespeare's Body Language is a ground-breaking new study of Shakespearean drama, revealing the previously unseen history of social tensions found within the performance of gestures - and how such gestures are used to shame those within the body politic of early modern England. The first full study of shaming gestures in Shakespearean drama, this book establishes how shame is often rooted in the gendered expectations of the Renaissance era. Exploring how the performance of gestures such as figging, the cuckold's horns, and even the in-action of stillness created shaming spectacles on the early modern stage and its wider society, Shakespeare's Body Language argues that gestures are embodied social metaphors which epitomise the personal as political. It reveals the tensions of everyday life as key motivators behind the actions of Shakespeare's characters, and considers how honour and its opposite, shame, are constructed in terms of gender norms. Featuring in-depth analyses of plays across Shakespeare's career, this book explores how the playwright's understanding of shame and humiliation is rooted in performance anxiety and gender politics, explaining how theatrical gestures can create dramatic tension in a way that words alone cannot. It offers both rich insights into the early modern context of Shakespeare's drama and confirms the startling relevance of his work to modern audiences.
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