Описание: In the 20th century, historians began arguing for new ways of doing history. This "new history" movement called for a total history open to exploring every human activity. Instead of concentrating on the great deeds of statesmen and generals, new history considered the views and experiences of ordinary people. Instead of limiting themselves to official documents, new historians examined a greater variety of evidence, collaborating with sociologists, anthropologists, economists, linguists, and psychologists. Instead of traditional narratives, new history examined structures. Instead of claiming objective truth, new history acknowledged the prejudices associated with color, creed, class or gender. In this newly revised and updated edition of The French Historical Revolution, renowned cultural historian Peter Burke provides a critical history of this movement most associated with the French journal Annales, from its foundation in 1929 to the present. From founding historians Lucien Febvre and Marc Bloch through the "new history" movement's best-known champions Jacques Le Goff and Fernand Braudel to current practitioners Roger Chartier and Serge Gruzinski, Burke traces and analyzes the contributions of one of the most important historical movements of the last century.
Автор: Thonemann Название: The Hellenistic World ISBN: 1107451752 ISBN-13(EAN): 9781107451759 Издательство: Cambridge Academ Рейтинг: Цена: 3960.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Provides undergraduate and graduate students with an up-to-date introduction to the coinages of the Hellenistic world (323-31 BC). Written in an accessible style, and illustrated with over 250 photographs, it will be suitable as a textbook for university courses in Greek and Roman history and archaeology.
Автор: Thonemann Название: The Hellenistic World ISBN: 1107086965 ISBN-13(EAN): 9781107086968 Издательство: Cambridge Academ Рейтинг: Цена: 12830.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Provides undergraduate and graduate students with an up-to-date introduction to the coinages of the Hellenistic world (323-31 BC). Written in an accessible style, and illustrated with over 250 photographs, it will be suitable as a textbook for university courses in Greek and Roman history and archaeology.
Описание: How, as historians, should we ‘read’ a film? Histories on Screen answers this and other questions in a crucial volume for any history student keen to master source use. The book begins with a theoretical ‘Thinking about Film’ section that explores the ways in which films can be analyzed and interrogated as either primary sources, secondary sources or indeed as both. The much larger ‘Using Film’ segment of the book then offers engaging case studies which put this theory into practice. Topics including gender, class, race, war, propaganda, national identity and memory all receive good coverage in what is an eclectic multi-contributor volume. Documentaries, films and television from Britain and the United States are examined and there is a jargon-free emphasis on the skills and methods needed to analyze films in historical study featuring prominently throughout the text. Histories on Screen is a vital resource for all history students as it enables them to understand film as a source and empowers them with the analytical tools needed to use that knowledge in their own work.
Автор: Hartog Fran?ois Название: Regimes of Historicity: Presentism and Experiences of Time ISBN: 0231163762 ISBN-13(EAN): 9780231163767 Издательство: Wiley Рейтинг: Цена: 4752.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A classical historian confronts our crises of time, radically calling into question our relations to the past, present, and future.
The "Arab Spring" was heralded and publicly embraced by foreign leaders of many countries that define themselves by their own historic revolutions. The contributors to this volume examine the legitimacy of these comparisons by exploring whether or not all modern revolutions follow a pattern or script. Traditionally, historians have studied revolutions as distinct and separate events. Drawing on close familiarity with many different cultures, languages, and historical transitions, this anthology presents the first cohesive historical approach to the comparative study of revolutions.
This volume argues that the American and French Revolutions provided the genesis of the revolutionary "script" that was rewritten by Marx, which was revised by Lenin and the Bolshevik Revolution, which was revised again by Mao and the Chinese Communist Revolution. Later revolutions in Cuba and Iran improvised further. This script is once again on display in the capitals of the Middle East and North Africa, and it will serve as the model for future revolutionary movements.
Eighteenth-century England was a place of enlightenment and revolution: new ideas abounded in science, politics, transportation, commerce, religion, and the arts. But even as England propelled itself into the future, it was preoccupied with notions of its past. Jeremy Black considers the interaction of history with knowledge and culture in eighteenth-century England and shows how this engagement with the past shaped English historical writing. The past was used as a tool to illustrate the contemporary religious, social, and political debates that shaped the revolutionary advances of the era. Black reveals this "present-centered" historical writing to be so valued and influential in the eighteenth-century that its importance is greatly underappreciated in current considerations of the period. In his customarily vivid and sweeping approach, Black takes readers from print shop to church pew, courtroom to painter's studio to show how historical writing influenced the era, which in turn gave birth to the modern world.
Eighteenth-century England was a place of enlightenment and revolution: new ideas abounded in science, politics, transportation, commerce, religion, and the arts. But even as England propelled itself into the future, it was preoccupied with notions of its past. Jeremy Black considers the interaction of history with knowledge and culture in eighteenth-century England and shows how this engagement with the past shaped English historical writing. The past was used as a tool to illustrate the contemporary religious, social, and political debates that shaped the revolutionary advances of the era. Black reveals this "present-centered" historical writing to be so valued and influential in the eighteenth-century that its importance is greatly underappreciated in current considerations of the period. In his customarily vivid and sweeping approach, Black takes readers from print shop to church pew, courtroom to painter's studio to show how historical writing influenced the era, which in turn gave birth to the modern world.
Описание: The first comprehensive study of the Excerpta, a sort of `Byzantine Google` which repackaged many key works of Greek historiography stretching back into antiquity, and how it reshaped Byzantine court culture in the tenth century. Also tackles wider issues including the history of information management, philological practices and book culture.
Автор: Gumbrecht Hans Ulrich Название: Our Broad Present: Time and Contemporary Culture ISBN: 0231163614 ISBN-13(EAN): 9780231163613 Издательство: Wiley Рейтинг: Цена: 3485.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: An internationally acclaimed theorist examines the consequences of our changing relationship to time and space.
Автор: Blanchot Maurice Название: Death Now: Chronicles of Intellectual Life, 1944 ISBN: 0823281795 ISBN-13(EAN): 9780823281794 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4891.00 р. Наличие на складе: Нет в наличии.
Описание:
The book offers both literary journalism from one of the twentieth century’s major writers, as well as a snapshot of the complex, conflicting currents of literary and intellectual activity during the last months of German occupation and Vichy government in France. By 1944, the days of Germany’s domination of Europe are numbered, and defeat seems no more than a matter of time. In occupied France, there is renewed activity on the political and the cultural fronts, in anticipation of the liberation that now appears inevitable. Already the author of two novels and a volume of criticism, Maurice Blanchot is henceforth fully established as a major figure in what will soon be post-war France. Blanchot’s position in this new order is problematical, however. Despite having discreetly supported the Resistance, he makes clear that his only true allegiance is to literature. Against the tide of his own emerging reputation, he is increasingly drawn to silence as the only valid response to what the world has become. For him, ruin cannot be reconstructed with the aid of literature, because ruin is the mode in which literature most authentically exists. Disaster has long been the writer’s lot, with which the world has only now caught up. Politics and literature coexist in what he will call the “abyss of the present,” and neither offers any prospect for the future. This grim and potentially nihilistic message seems to make Blanchot into little more than an anachronism in the emerging post-war world. Yet his attitude is the very opposite of aloofness. Silence becomes for him an intense search for a language commensurate with “circumstances that literature can still neither express directly nor distort”. Beyond this volume, which completes the English publication of his wartime literary journalism, his writing over the next fifty years will patiently establish a margin in which new forms thought will offer themselves to a new age.
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