The Critic as Amateur, Saikat Majumdar, Aarthi Vadde
Автор: Saikat Majumdar, Aarthi Vadde Название: The Critic as Amateur ISBN: 1501341405 ISBN-13(EAN): 9781501341403 Издательство: Bloomsbury Academic Рейтинг: Цена: 15840.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Can the criticism of literature and culture ever be completely professionalized? Does criticism retain an amateur impulse even after it evolves into a highly specialized discipline enshrined in the university?
The Critic as Amateur brings leading and emerging scholars together to explore the role of amateurism in literary studies. While untrained reading has always been central to arenas beyond the academy - book clubs, libraries, used bookstores - its role in the making of professional criticism is often disavowed or dismissed. This volume, the first on the critic as amateur, restores the links between expertise, autodidactic learning and hobbyist pleasure by weaving literary criticism in and out of the university.
Our contributors take criticism to the airwaves, through the culture of early cinema, the small press, the undergraduate classroom and extracurricular writing groups. Canonical critics are considered alongside feminist publishers and queer intellectuals. The Critic as Amateur is a vital book for readers invested in the disciplinary history of literary studies and the public role of the humanities. It is also a crucial resource for anyone interested in how literary criticism becomes a richly diverse yet shared discourse in the 20th and 21st centuries.
Автор: Regis M. Fox Название: Resistance Reimagined: Black Women`s Critical Thought as Survival ISBN: 0813056586 ISBN-13(EAN): 9780813056586 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 9399.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Looking closely at nineteenth-century texts and twentieth-century novels written by African American women about antebellum America, Resistance Reimagined highlights examples of black women’s activism within a society that spoke so much of freedom but granted it so selectively. This book introduces readers to types of resistance that differ from the militancy and violence often associated with activism, and it confronts expectations about what African American literature can and should be.Regis Fox analyzes the work of authors including Anna Julia Cooper, Elizabeth Keckly, Harriet Wilson, and Sherley Anne Williams. Connected by their intellectualism, these thinkers are astutely attuned to the areas of American society that notions of liberalism and progress do not reach. The world they portray in their work is built on philosophical contradictions, legal paradoxes, and incoherent social practices that support white supremacy. Fox shows how these women use their writing to protest antiblack violence, reject superficial reform, call for major sociopolitical change, and challenge the false promises of American democracy.
Описание: An Introduction to Film Analysis is designed to introduce students to filmmaking techniques while also providing an invaluable guide to film interpretation. It takes readers step by step through:
-the basic technical terms -shot-by-shot analyses of film sequences -set design, composition, editing, camera work, post-production, art direction and more -each chapter provides clear examples and full colour images from classic as well as contemporary films
Ryan and Lenos's updated edition introduces students to the different kinds of lenses and their effects, the multiple possibilities of lighting, and the way post-production modifies images through such processes as saturation and desaturation. Students will learn to ask why the camera is placed where it is, why an edit occurs where it does, or why the set is designed in a certain way.
The second section of the book focuses on critical analysis, introducing students to the various approaches to film, from psychology to history, with new analysis on postcolonial, transnational and Affect Theory.
New to this edition is a third section featuring several in-depth analyses of films to put into practice what comes before: The Birds, The Shining, Vagabond, In the Mood for Love, Before the Devil Knows You're Dead.
An Introduction to Film Analysis is designed to introduce students to filmmaking techniques while also providing an invaluable guide to film interpretation. It takes readers step by step through:
-the basic technical terms -shot-by-shot analyses of film sequences -set design, composition, editing, camera work, post-production, art direction and more -each chapter provides clear examples and full colour images from classic as well as contemporary films
Ryan and Lenos's updated edition introduces students to the different kinds of lenses and their effects, the multiple possibilities of lighting, and the way post-production modifies images through such processes as saturation and desaturation. Students will learn to ask why the camera is placed where it is, why an edit occurs where it does, or why the set is designed in a certain way.
The second section of the book focuses on critical analysis, introducing students to the various approaches to film, from psychology to history, with new analysis on postcolonial, transnational and Affect Theory.
New to this edition is a third section featuring several in-depth analyses of films to put into practice what comes before: The Birds, The Shining, Vagabond, In the Mood for Love, Before the Devil Knows You're Dead.
Описание: If you thought you knew Buster Keaton`s silent features, think again. By keying on 1920 period texts one sees how a popular but yet cult star (yes, cult star ) is now on a par with Charlie Chaplin. Why? Because his dark comedy anticipation of the Theater of the Absurd speaks to a modern audience like no other silent comedian.
This book offers an archeology of the undeveloped potential of mathematics for critical theory. As Max Horkheimer and Theodor W. Adorno first conceived of the critical project in the 1930s, critical theory steadfastly opposed the mathematization of thought. Mathematics flattened thought into a dangerous positivism that led reason to the barbarism of World War II. The Mathematical Imagination challenges this narrative, showing how for other German-Jewish thinkers, such as Gershom Scholem, Franz Rosenzweig, and Siegfried Kracauer, mathematics offered metaphors to negotiate the crises of modernity during the Weimar Republic. Influential theories of poetry, messianism, and cultural critique, Handelman shows, borrowed from the philosophy of mathematics, infinitesimal calculus, and geometry in order to refashion cultural and aesthetic discourse. Drawn to the austerity and muteness of mathematics, these friends and forerunners of the Frankfurt School found in mathematical approaches to negativity strategies to capture the marginalized experiences and perspectives of Jews in Germany. Their vocabulary, in which theory could be both mathematical and critical, is missing from the intellectual history of critical theory, whether in the work of second generation critical theorists such as J?rgen Habermas or in contemporary critiques of technology. The Mathematical Imagination shows how Scholem, Rosenzweig, and Kracauer’s engagement with mathematics uncovers a more capacious vision of the critical project, one with tools that can help us intervene in our digital and increasingly mathematical present. The Mathematical Imagination is available from the publisher on an open-access basis.
Описание: G.K. Chesterton`s Father Brown stories are widely considered to be some of the finest detective short stories ever published, offering vivid writing, brilliant puzzles, biting social criticism, and metaphysical explorations of life`s great questions. This book presents the first in-depth analysis of his works both as classics of the detective genre and as meaningful philosophical inquiries.
Автор: Laura Scuriatti Название: Mina Loy`s Critical Modernism ISBN: 0813056306 ISBN-13(EAN): 9780813056302 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 10659.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book provides a fresh assessment of the works of British-born poet and painter Mina Loy. Laura Scuriatti shows how Loy’s “eccentric” writing and art celebrate ideas and aesthetics central to the modernist movement while simultaneously critiquing them, resulting in a continually self-reflexive and detached stance that Scuriatti terms “critical modernism.” Drawing on neglected archival material, Scuriatti illuminates the often-overlooked influence of Loy’s time spent amid Italian avant-garde culture. In particular, she considers Loy’s assessment of the nature of genius and sexual identity as defined by philosopher Otto Weininger and in Lacerba, a magazine founded by Futurist leader Giovanni Papini. She also investigates Loy’s reflections on the artistic masterpiece in relation to the world of commodities; explores the dialogic nature of the self in Loy’s autobiographical projects; and shows how Loy used her “eccentric” stance as a political position, especially in her later career in the United States. Offering new insights into Loy’s feminism and tracing the writer’s lifelong exploration of themes such as authorship, art, identity, genius, and cosmopolitanism, this volume prompts readers to rethink the place, value, and function of key modernist concepts through the critical spaces created by Loy’s texts.
Автор: Murray Leeder Название: Horror Film: A Critical Introduction ISBN: 1501314424 ISBN-13(EAN): 9781501314421 Издательство: Bloomsbury Academic Рейтинг: Цена: 15048.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Throughout the history of cinema, horror has proven to be a genre of consistent popularity, which has the flexibility to bend to needs of different cultural contexts. Horror Film: A Critical Introduction, the newest in Bloomsbury's Film Genre series, is designed to balance the discussions of horror’s history, theory, and aesthetics as no introductory book ever has. As a straightforward and convenient critical introduction to the history and key academic approaches, this book gives concerted attention to the idea that horror has unusually strong reflexive or metafictional tendencies. The emphasis here is on American and UK horror traditions, with other national traditions (German Expressionism, J-Horror, etc.) coming into focus as they circulate within the Anglophone world and exert influences of their own. It is designed to be accessible to the beginner, while also responding to and furthering the research into the horror film that has been undertaken in the last few decades. In particular, it avoids the predominance that "the monster” has traditionally held in research on the horror film. This is not to deny the importance of the monster as a conceptual figure, but to open consideration to branches of horror less amenable to being discussed through the monster, such as haunted house films. Murray Leeder successfully eschews the crisis rhetoric around contemporary horror that hampers much recent writing on cinematic horror.
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