Theatre Through the Camera Eye: The Poetics of an Intermedial Encounter, Laura Sava

Автор: Christopher Rowe
Название: Michael Haneke: The Intermedial Void
ISBN: 0810134608 ISBN-13(EAN): 9780810134607
Издательство: Mare Nostrum (Eurospan)
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Описание: The two primary goals of this ambitious study are to provide a new framework in which to interpret the films of Michael Haneke, including Funny Games , Cach? , and others, and to show how the concept of intermediality can be used to expand the possibilities of film and media studies, tying the two more closely together. Christopher Rowe argues that Haneke’s practice of introducing nonfilmic media into his films is not simply an aspect of his interest in society’s oversaturation in various forms of media. Instead, the use of video, television, photography, literary voice, and other media must be understood as modes of expression that fundamentally oppose the film medium itself. The “intermedial void” is a product of the absolute incommensurability of these media forms as perceptual and affective phenomena. Close analysis of specific films shows how their relationship to noncinematic media transforms the nature of the film image, and of film spectatorship.

Автор: Marion Schmid
Название: Intermedial Dialogues: The French New Wave and the Other Arts
ISBN: 1474410634 ISBN-13(EAN): 9781474410632
Издательство: Bloomsbury Academic
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Описание:

Casting fresh light on one of the most important movements in film history, Intermedial Dialogues: The French New Wave and the Other Arts is the first comprehensive study of the New Wave's relationship with the older arts. Traversing the fields of literature, theatre, painting, architecture and photography, and drawing on Andrй Bazin alongside recent theories of intermediality, it investigates the 'impure', intermedial aesthetics of New Wave cinema. Filmmakers under discussion include critics-turned-directors Franзois Truffaut, Eric Rohmer, Jean-Luc Godard, Jacques Rivette and Claude Chabrol, members of the Left Bank Group Alain Resnais, Agnиs Varda and Chris Marker, but also lesser-known directors, notably the 'secret child of the New Wave', Guy Gilles. This wide-ranging book offers an original reading of the complex, often ambivalent ways in which the New Wave engages the other arts in both its discursive construction and filmic practice.