Описание: Textual Exposures: Photography in Twentieth Century Spanish American Narrative Fiction examines how twentieth-century Spanish American literature has registered photographys powers and limitations, and the creative ways in which writers of this region of the Americas have elaborated in fictional form the conventions and assumptions of this medium. While the book is essentially a study of literary criticism, it also aims to show how texts critically reflect upon the media environment in which they were created. The writings analyzed enter a dialogic relation with visual technologies such as the x-ray, cinema, illustrated journalism, and television. The study examines how these technologies, historically and aesthetically linked to the photographic medium, inform the works of some of the most important writers in Latin America. Methodologically, the close readings of the texts centre on the figure of ekphrasis (defined as the verbal representation of a visual representation). The book is concerned with the thematic, symbolic, structural and cultural imprints photography leaves in narrative texts. The author relies on an immanent approach, reading the selected texts according to their own specificities and making the relevant thematic and structural connections between them drawing from a variety of sources in the fields of literary criticism and theory and history of photography.
Автор: Ameel Lieven Название: Helsinki in Early Twentieth-Century Literature ISBN: 9522225487 ISBN-13(EAN): 9789522225481 Издательство: Неизвестно Цена: 7759.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Literary Helsinki: a city of leisure and light, divided along the fault lines of gender, class and language; a dizzying and dazzling threshold of modernity; alienating, mesmerizing and endearing. This first monograph to examine experiences of Helsinki in literature written in Finnish shows that rich descriptions of urban life have formed an integral part of Finnish literature from the late nineteenth century onward. Based on an analysis of more than sixty novels and collections of short stories, it tells the naturally evolving story of how Helsinki was experienced in literature.
Автор: Best Victoria Название: An Introduction to Twentieth-Century French Literature ISBN: 0715631667 ISBN-13(EAN): 9780715631669 Издательство: Bloomsbury Рейтинг: Цена: 4008.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This guide provides an overview of the key literary movements in 20th century French literature and the major writers of prose, poetry and drama, from great novelists such as Proust, to great thinkers like Sartre, by way of controversial figures such as Genet, Beckett and Marguerite Duras.
Автор: Cran Название: Collage in Twentieth-Century Art, Literature, and Culture ISBN: 113874333X ISBN-13(EAN): 9781138743335 Издательство: Taylor&Francis Рейтинг: Цена: 6583.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Emphasizing the diversity of twentieth-century collage practices, Rona Cran's book explores the role that it played in the work of Joseph Cornell, William Burroughs, Frank O'Hara, and Bob Dylan. For all four, collage was an important creative catalyst, employed cathartically, aggressively, and experimentally. Collage's catalytic effect, Cran argues, enabled each to overcome a potentially destabilizing crisis in representation. Cornell, convinced that he was an artist and yet hampered by his inability to draw or paint, used collage to gain access to the art world and to show what he was capable of given the right medium. Burroughs' formal problems with linear composition were turned to his advantage by collage, which enabled him to move beyond narrative and chronological requirement. O'Hara used collage to navigate an effective path between plastic art and literature, and to choose the facets of each which best suited his compositional style. Bob Dylan's self-conscious application of collage techniques elevated his brand of rock-and-roll to a level of heightened aestheticism. Throughout her book, Cran shows that to delineate collage stringently as one thing or another is to severely limit our understanding of the work of the artists and writers who came to use it in non-traditional ways.
In Priest, Politician, Collaborator, James Mace Ward offers the first comprehensive and scholarly English-language biography of the Catholic priest and Slovak nationalist Jozef Tiso (1887–1947). The first president of an independent Slovakia, established as a satellite of Nazi Germany, Tiso was ultimately hanged for treason and (in effect) crimes against humanity by a postwar reunified Czechoslovakia. Drawing on extensive archival research, Ward portrays Tiso as a devoutly religious man who came to privilege the maintenance of a Slovak state over all other concerns, helping thus to condemn Slovak Jewry to destruction. Ward, however, refuses to reduce Tiso to a mere opportunist, portraying him also as a man of principle and a victim of international circumstances. This potent mix, combined with an almost epic ability to deny the consequences of his own actions, ultimately led to Tiso’s undoing.
Tiso began his career as a fervent priest seeking to defend the church and pursue social justice within the Kingdom of Hungary. With the breakup of Austria-Hungary in 1918 and the creation of a Czechoslovak Republic, these missions then fused with a parochial Slovak nationalist agenda, a complex process that is the core narrative of the book. Ward presents the strongest case yet for Tiso’s heavy responsibility in the Holocaust, crimes that he investigates as an outcome of the interplay between Tiso’s lifelong pattern of collaboration and the murderous international politics of Hitler’s Europe. To this day memories of Tiso divide opinion within Slovakia, burdening the country’s efforts to come to terms with its own history. As portrayed in this masterful biography, Tiso’s life not only illuminates the history of a small state but also supplies a missing piece of the larger puzzle that was interwar and wartime Europe.
Описание: Timothy Mathews examines work by a range of writers and painters working in France in the twentieth century. This well-illustrated book engages with canonical figures - Marguerite Duras, Jean Genet and Roland Barthes, Pablo Picasso and Rene Magritte - as well as more neglected individuals including Robert Desnos and Jean Fautrier.
Описание: Nation and Citizenship in the Twentieth-Century British Novel charts how novelists imagined changing forms of citizenship in twentieth-century Britain. Through close readings, it reveals how major authors such as E. M. Forster, Virginia Woolf, Elizabeth Bowen, Sam Selvon, Buchi Emecheta, Salman Rushdie, and Monica Ali presented political struggles over citizenship during key historical moments.
Описание: Scott Dill's A Theology of Sense: John Updike, Embodiment, and Late Twentieth-Century American Literature brings together theology, aesthetics, and the body, arguing that Updike, a central figure in post-1945 American literature, deeply embeds in his work questions of the body and the senses with questions of theology. Dill offers new understandings not only of the work of Updike--which is importantly being revisited since the author's death in 2009--but also new understandings of the relationship between aesthetics, religion, and physical experience.
Dill explores Updike's unique literary legacy in order to argue for a genuinely postsecular theory of aesthetic experience. Each chapter takes up one of the five senses and its relation to broader theoretical concerns: affect, subjectivity, ontology, ethics, and theology. While placing Updike's work in relation to other late twentieth-century American writers, Dill explains their notions of embodiment and uses them to render a new account of postsecular aesthetics. No other novelist has portrayed mere sense experience as carefully, as extensively, or as theologically--repeatedly turning to the doctrine of creation as his stylistic justification. Across this examination of his many stories, novels, poems, and essays, Dill proves that Updike forces us to reconsider the power of literature to revitalize sense experience as a theological question.
Описание: Offering the first comparative literary history of Hebrew and Yiddish modernist prose, Diasporic Modernisms argues that these two literary histories can no longer be separated by nationalist and monolingual histories.
Описание: Featuring canonical Spanish American and Brazilian texts of the 1920s and 30s, Corporeality in Early Twentieth-Century Latin American Literature is an innovative analysis of the body as site of inscription for avant-garde objectives such as originality, subjectivity, and subversion.
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