Автор: Silver Alain, Ursini James Название: Film Noir (BU) ISBN: 3836561697 ISBN-13(EAN): 9783836561693 Издательство: Taschen Рейтинг: Цена: 2657.00 р. Наличие на складе: Ожидается поступление.
Описание: Explore the dark and brooding elegance of Film Noir with this essential handbook to the genre, exploring key noir themes and their most representative movies. Copiously illustrated with film stills as well as original posters, the book also lists TASCHEN`s top 50 noir classics. A must for amateurs and aficionados alike.
Автор: Brown Noel Название: Hollywood Family Film ISBN: 1780762704 ISBN-13(EAN): 9781780762708 Издательство: I B Tauris Рейтинг: Цена: 3299.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Hollywood family film is one of the most popular, commercially-successful and culturally significant forms of mass entertainment. This book provides the history of the Hollywood family film, tracing its development from its beginnings in the 1930s to its global box-office dominance today.
Автор: Chapman James Название: Projecting Tomorrow ISBN: 1780764103 ISBN-13(EAN): 9781780764108 Издательство: I B Tauris Рейтинг: Цена: 3431.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Cinema and science fiction were made for each other. The science fiction genre has produced some of the most extraordinary films ever made, yet science fiction cinema is about more than just special effects. This exploration of the genre examines landmark science fiction films from the 1930s onwards.
Автор: de Luca Tiago Название: Slow Cinema ISBN: 0748696040 ISBN-13(EAN): 9780748696048 Издательство: Bloomsbury Academic Рейтинг: Цена: 4750.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This collection of essays interrogates and expands the frameworks that have informed slow cinema debates. Repositioning the term in a broader theoretical space, the book combines an array of fine-g rained studies that will provide insight into the notion of slowness in the cinema, while mapping out past and contemporary slow films across the globe.
Автор: Pettey Homer Название: Emerging film genres in the cold wa ISBN: 1474412947 ISBN-13(EAN): 9781474412940 Издательство: Bloomsbury Academic Рейтинг: Цена: 15048.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: With case studies of the Cold War comedy, the `rogue cop` film, the brainwashing thriller and the urban romances, `Cold War Film Genres` explores these myriad productions, redefining American cinematic history with a more inclusive view of the types of films that post-war audiences actually enjoyed, and that the studios provided for them.
Описание: Treatments of religion found in Spanish cinema range from the pious to the anticlerical and atheistic, and every position in between. In a nation with a strong Catholic tradition, resistance to and rebellion against religious norms go back almost as far as the notion of “Sacred Spain.” Religion and Spanish Film provides a sustained study of the religious film genre in Spain practiced by mainstream Francoist film makers, the evolving iconoclasm, parody, and reinvention of the Catholic by internationally renowned Surrealist Luis Buñuel, and the ongoing battle of the secular versus the religious manifested in critically and popularly acclaimed directors Pedro Almodóvar, Julio Medem, Alejandro Amenábar, and many others. The conflicted Catholicism that emerges from examining religious themes in Spanish film history shows no sign of ending, as unresolved issues from the Civil War and Franco dictatorship, as well as the unsettled relationship between Church and State, continue into the present.
Автор: Peter Bondanella, Federico Pacchioni Название: A History of Italian Cinema ISBN: 1501307630 ISBN-13(EAN): 9781501307638 Издательство: Bloomsbury Academic Рейтинг: Цена: 5542.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A History of Italian Cinema, 2nd edition is the much anticipated update from the author of the bestselling Italian Cinema - which has been published in four landmark editions and will celebrate its 35th anniversary in 2018. Building upon his decades of research, Peter Bondanella brings on board a new co-author, Federico Pacchioni, and reorganizes the current History in order to keep the book fresh and responsive not only to the actual films being created in Italy in the twenty-first century but also to the rapidly changing priorities of Italian film studies and film scholars. The book is brought up to date and embellished to highlight theme, genre (the poliziesco; the mob film; and Italian terrorism), the “new” Italian comedy (as opposed to the traditional commedia all’italiana), gender issues, and films connected to immigration and ethnicity that reflect Italy’s present status as a multi-ethnic and multi-racial nation. In addition to covering a new generation of directors, the book also features a discussion of contemporary actors and actresses in Italy. The new edition brings the definitive history of the subject, from the birth of cinema to the present day, up to date with a revised filmography as well as more focused attention on popular cinema, stars and stardom, and the melodrama genre. Accessible, comprehensive, and heavily illustrated throughout, this is an essential purchase for any fan of Italian film.
Автор: Maria Belodubrovskaya Название: Not according to plan ISBN: 1501709941 ISBN-13(EAN): 9781501709944 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 6765.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In Not According to Plan, Maria Belodubrovskaya reveals the limits on the power of even the most repressive totalitarian regimes to create and control propaganda. Belodubrovskaya's revisionist account of Soviet filmmaking between 1930 and 1953 highlights the extent to which the Soviet film industry remained stubbornly artisanal in its methods, especially in contrast to the more industrial approach of the Hollywood studio system. Not According to Plan shows that even though Josef Stalin recognized cinema as a "mighty instrument of mass agitation and propaganda" and strove to harness the Soviet film industry to serve the state, directors such as Eisenstein, Alexandrov, and Pudovkin had far more creative control than did party-appointed executives and censors.
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