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Shirakaba and Japanese Modernism: Art Magazines, Artistic Collectives, and the Early Avant-garde, Erin Schoneveld


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Автор: Erin Schoneveld
Название:  Shirakaba and Japanese Modernism: Art Magazines, Artistic Collectives, and the Early Avant-garde
ISBN: 9789004390607
Издательство: Brill
Классификация:
ISBN-10: 900439060X
Обложка/Формат: Hardcover
Страницы: 266
Вес: 1.22 кг.
Дата издания: 20.12.2018
Серия: Arts
Язык: English
Размер: 254 x 198 x 20
Читательская аудитория: Professional and scholarly
Ключевые слова: Oriental art
Поставляется из: Англии
Описание: Shirakaba and Japanese Modernism examines the most significant Japanese art and literary magazine of the early twentieth century, Shirakaba (White Birch, 1910-1923). In this volume Erin Schoneveld explores the fluid relationship that existed between different types of modern visual media, exhibition formats, and artistic practices embraced by the Shirakaba-ha (White Birch Society). Schoneveld provides a new comparative framework for understanding how the avant-garde pursuit of individuality during Japans Taishō period stood in opposition to state-sponsored modernism and how this played out in the emerging media of art magazines. This book analyzes key moments in modern Japanese art and intellectual history by focusing on the artists most closely affiliated with Shirakaba, including Takamura Kōtarō, Umehara Ryūzaburō, and Kishida Ryūsei, who selectively engaged with and transformed modernist idioms of individualism and self-expression to create a new artistic style that gave visual form to their own subjective reality. Drawing upon archival research that includes numerous articles, images, and exhibitions reviews from Shirakaba, as well as a complete translation of Yanagi Sōetsus seminal essay, The Revolutionary Artist (Kakumei no gaka), Schoneveld demonstrates that, contrary to the received narrative that posits Japanese modernism as merely derivative, the debate around modernism among Japans early avant-garde was lively, contested, and self-reflexive.



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