Описание: This comprehensive study traces the evolution of verse structure in Old and Middle English poetry from the earliest alliterative poems to iambic pentameter. It provides a general theory of poetic form with a glossary of technical terms and explores how poetic form is perceived by the human mind.
Автор: Moorman Robbins Название: American Hybrid Poetics ISBN: 0813564646 ISBN-13(EAN): 9780813564647 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3881.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Explores the ways in which hybrid poetics have been the driving force in the work of a historically and culturally diverse group of women poets who are part of a robust tradition in contesting the dominant cultural order. Amy Moorman Robbins examines the ways in which five poets use hybridity as an implicitly political strategy to interrupt mainstream American language, literary genres and visual culture and expose the ways in which mass culture has had a powerfully standardising impact on the collective American imagination.
Автор: Moorman Robbins Название: American Hybrid Poetics ISBN: 0813564654 ISBN-13(EAN): 9780813564654 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 13167.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: American Hybrid Poetics explores the ways in which hybrid poetics-a playful mixing of disparate formal and aesthetic strategies-have been the driving force in the work of a historically and culturally diverse group of women poets who are part of a robust tradition in contesting the dominant cultural order. Amy Moorman Robbins examines the ways in which five poets-Gertrude Stein, Laura Mullen, Alice Notley, Harryette Mullen, and Claudia Rankine-use hybridity as an implicitly political strategy to interrupt mainstream American language, literary genres, and visual culture, and expose the ways in which mass culture in the twentieth and twenty-first centuries has had a powerfully standardizing impact on the collective American imagination. By forcing encounters between incompatible traditions-consumer culture with the avant-garde, low culture forms with experimental poetics, prose poetry with linguistic subversiveness-these poets bring together radically competing ideologies and highlight their implications for lived experience. Robbins argues that it is precisely because these poets have mixed forms that their work has gone largely unnoticed by leading members and critics in experimental poetry circles. Robbins shows that while these poets employ widely varying linguistic strategies and topical range, they share a common and deeply critical vision of American popular culture as it promulgates bourgeois capitalist and imperialist values and forecloses possibilities for independent thought and creative resistance. They also share the view that contemporary history can be reimagined in intellectually liberating ways through hybrid poetics.
Описание: The eighteenth-century verse epistle, argues William Dowling, was an attempt to solve in literary terms the dilemma of solipsism as raised by Locke and Hume. The focus of The Epistolary Moment is on internal audience in poetry--the audience "inside" the poem, created by its discourse and belonging to its world--as this divides in epistolary poetry
Автор: Matthew Wright Название: The Comedian as Critic: Greek Old Comedy and Poetics ISBN: 1472504445 ISBN-13(EAN): 9781472504449 Издательство: Bloomsbury Academic Рейтинг: Цена: 6018.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Some of the best evidence for the early development of literary criticism before Plato and Aristotle comes from Athenian Old Comedy. Playwrights such as Eupolis, Cratinus, Aristophanes and others wrote numerous comedies on literary themes, commented on their own poetry and that of their rivals, and played around with ideas and theories from the contemporary intellectual scene. How can we make use of the evidence of comedy? Why were the comic poets so preoccupied with questions of poetics? What criteria emerge from comedy for the evaluation of literature? What do the ancient comedians' jokes say about their own literary tastes and those of their audience? How do different types of readers in antiquity evaluate texts, and what are the similarities and differences between 'popular' and 'professional' literary criticism? Does Greek comedy have anything serious to say about the authors and texts it criticizes? How can the comedians be related to the later literary-critical tradition represented by Plato, Aristotle and subsequent writers? This book attempts to answer these questions by examining comedy in its social and intellectual context, and by using approaches from modern literary theory to cast light on the ancient material.
Автор: G. Douglas Atkins Название: The Representation of Old Truths in T.S. Eliot`s New Verse ISBN: 1137590572 ISBN-13(EAN): 9781137590572 Издательство: Springer Рейтинг: Цена: 7965.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Written for both specialist and non-specialist, this book examines T. S. Eliot`s treatments of putting-in-other-words, including the necessity of putting ancient truth in `new verse.` By means of fresh new readings of Ash-Wednesday and Four Quartets, G. Douglas Atkins carries his exploration of Eliot`s religious thinking into bold new territory.
The Bible played a crucial role in shaping Anglo-Saxon national and cultural identity. However, access to Biblical texts was necessarily limited to very few individuals in Medieval England. In this book, Samantha Zacher explores how the very earliest English Biblical poetry creatively adapted, commented on and spread Biblical narratives and traditions to the wider population. Systematically surveying the manuscripts of surviving poems, the book shows how these vernacular poets commemorated the Hebrews as God's 'chosen people' and claimed the inheritance of that status for Anglo-Saxon England. Drawing on contemporary translation theory, the book undertakes close readings of the poems Exodus, Daniel and Judith in order to examine their methods of adaptation for their particular theologico-political circumstances and the way they portray and problematize Judaeo-Christian religious identities.
The Bible played a crucial role in shaping Anglo-Saxon national and cultural identity. However, access to Biblical texts was necessarily limited to very few individuals in Medieval England. In this book, Samantha Zacher explores how the very earliest English Biblical poetry creatively adapted, commented on and spread Biblical narratives and traditions to the wider population. Systematically surveying the manuscripts of surviving poems, the book shows how these vernacular poets commemorated the Hebrews as God's 'chosen people' and claimed the inheritance of that status for Anglo-Saxon England. Drawing on contemporary translation theory, the book undertakes close readings of the poems Exodus, Daniel and Judith in order to examine their methods of adaptation for their particular theologico-political circumstances and the way they portray and problematize Judaeo-Christian religious identities.
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