Описание: The song `John Henry`, often dubbed America`s greatest folk ballad, is about an African-American steel driver. Most singers and historians believe John Henry was a real person`. Based on contemporaneous evidence and subsequent research, this book uncovers a fascinating story that provides new insights for general readers and folklorists.
To ensure continuity and foster innovation within the discipline of folklore, we must know what came before. Folklore in the United States and Canada is an essential guide to the history and development of graduate folklore programs throughout the United States and Canada. As the first history of folklore studies since the mid-1980s, this book offers a long overdue look into the development of the earliest programs and the novel directions of more recent programs. The volume is encyclopedic in its coverage and is organized chronologically based on the approximate founding date of each program. Drawing extensively on archival sources, oral histories, and personal experience, the contributors explore the key individuals and central events in folklore programs at US and Canadian academic institutions and demonstrate how these programs have been shaped within broader cultural and historical contexts. Revealing the origins of graduate folklore programs, as well as their accomplishments, challenges, and connections, Folklore in the United States and Canada is an essential read for all folklorists and those who are studying to become folklorists.
Описание: The West Virginia University Mountaineer is not just a mascot: it is a symbol of West Virginia history and identity embraced throughout the state. In this deeply informed but accessible study, folklorist Rosemary Hathaway explores the figure's early history as a backwoods trickster, its deployment in emerging mass media, and finally its long and sometimes conflicted career - beginning officially in 1937 - as the symbol of West Virginia University. Alternately a rabble-rouser and a romantic embodiment of the state's history, the Mountaineer has been subject to ongoing reinterpretation while consistently conveying the value of independence. Hathaway's account draws on multiple sources, including archival research, personal history, and interviews with former students who have portrayed the mascot, to explore the complex forces and tensions animating the Mountaineer figure. Often serving as a focus for white, masculinist, and Appalachian identities in particular, the Mountaineer that emerges from this study is something distinct from the hillbilly. Frontiersman and rebel both, the Mountaineer figure traditionally and energetically resists attempts (even those by the University) to tame or contain it.
Автор: Elizabeth Tucker, Ellen McHale Название: New York State Folklife Reader: Diverse Voices ISBN: 1617038636 ISBN-13(EAN): 9781617038631 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 8455.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Unlike some folklore anthologies, New York State Folklife Reader does not follow an organizational plan based on regions or genres. Because the New York Folklore Society has always tried to "give folklore back to the people," the editors decided to divide the edited volume into sections about life processes that all New York state residents share.
Автор: , Orejuela Fernando, Shonekan Stephanie Название: Black Lives Matter and Music: Protest, Intervention, Reflection ISBN: 0253038413 ISBN-13(EAN): 9780253038418 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 6897.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Music has always been integral to the Black Lives Matter movement in the United States, with songs such as Kendrick Lamar's "Alright," J. Cole's "Be Free," D'Angelo and the Vanguard "The Charade," The Game's "Don't Shoot," Janelle Monae's "Hell You Talmbout," Usher's "Chains," and many others serving as unofficial anthems and soundtracks for members and allies of the movement. In this collection of critical studies, contributors draw from ethnographic research and personal encounters to illustrate how scholarly research of, approaches to, and teaching about the role of music in the Black Lives Matter movement can contribute to public awareness of the social, economic, political, scientific, and other forms of injustices in our society. Each chapter in Black Lives Matter and Music focuses on a particular case study, with the goal to inspire and facilitate productive dialogues among scholars, students, and the communities we study. From nuanced snapshots of how African American musical genres have flourished in different cities and the role of these genres in local activism, to explorations of musical pedagogy on the American college campus, readers will be challenged to think of how activism and social justice work might appear in American higher education and in academic research. Black Lives Matter and Music provokes us to examine how we teach, how we conduct research, and ultimately, how we should think about the ways that black struggle, liberation, and identity have evolved in the United States and around the world.
Описание: Examines the aesthetic, political, and sociopolitical aspects of tourism in southern Mexico, particularly in the state of Oaxaca. Chris Goertzen analyses the nature and meaning of a single craft object, a woven pillowcase from Chiapas, thus previewing what the book will accomplish in greater depth in Oaxaca.
Описание: Beauty pageants are wildly popular in the US Virgin Islands, capturing the attention of the local people from toddlers to seniors. Local beauty contests provide women opportunities to demonstrate talent, style, the values of black womanhood, and the territory`s social mores. This title offers a comprehensive look at the centuries-old tradition of these expressions in the Virgin Islands.
Winner, Wayland D. Hand Prize, American Folklore Society, 2018
Originating in a homicide in St. Louis in 1899, the ballad of “Frankie and Johnny” became one of America’s most familiar songs during the first half of the twentieth century. It crossed lines of race, class, and artistic genres, taking form in such varied expressions as a folk song performed by Huddie Ledbetter (Lead Belly); a ballet choreographed by Ruth Page and Bentley Stone under New Deal sponsorship; a mural in the Missouri State Capitol by Thomas Hart Benton; a play by John Huston; a motion picture, She Done Him Wrong, that made Mae West a national celebrity; and an anti-lynching poem by Sterling Brown.
In this innovative book, Stacy I. Morgan explores why African American folklore—and “Frankie and Johnny” in particular—became prized source material for artists of diverse political and aesthetic sensibilities. He looks at a confluence of factors, including the Harlem Renaissance, the Great Depression, and resurgent nationalism, that led those creators to engage with this ubiquitous song. Morgan’s research uncovers the wide range of work that artists called upon African American folklore to perform in the 1930s, as it alternately reinforced and challenged norms of race, gender, and appropriate subjects for artistic expression. He demonstrates that the folklorists and creative artists of that generation forged a new national culture in which African American folk songs featured centrally not only in folk and popular culture but in the fine arts as well.
Автор: Lofaro Michael A. Название: Boone, Black Hawk, and Crockett in 1833 ISBN: 1621904865 ISBN-13(EAN): 9781621904861 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 7524.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Although name such as Daniel Boone, Black Hawk, and “Davy” Crockett are familiar to most Americans, the historical, political, and literary contexts that produced the mythical images of these figures are unfamiliar to most outside academia. In Boone, Black Hawk, and Crockett in 1833,Michael A. Lofaro compiles, annotates, and analyzes three (auto)biographical writings published in Cincinnati, Ohio, in 1833-The Biographical Memoir of Daniel Boone; Life of Ma-ka-tai-me-she-kia-kiak, or Black Hawk; and The Life and Col. David Crockett of West Tennessee-to reveal how the portrayals of Boone, Black Hawk, and Crockett revised the idea of the “frontier hero.” By placing them together in dialogue through the scholarly reediting of their texts, Lofaro demonstrates that these works exemplify, typify, and epitomize masculinity, burgeoning capitalism, and Jacksonian democracy, probe beliefs in race and class, and provide nothing short of a deep dissection of the frontier mentality of the antebellum period. Additionally, the reception of these works influenced the ways in which nineteenth-century Americans understood and perceived manifest destiny, the removal of Native Americans from their homelands, to the west of the Mississippi River, and the waning concept of “American frontier.” With its great scope and insight, this publication creates connections among many academic disciplines, including colonial America, Jacksonian America, Native American studies, as well as literary and folklore studies.
Автор: Mieder Wolfgang Название: Right Makes Might: Proverbs and the American Worldview ISBN: 0253040353 ISBN-13(EAN): 9780253040350 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4514.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In 1860 Abraham Lincoln employed the proverb, Right makes might, (opposite of the more aggressive Might makes right) in his famed Cooper Union address. While Lincoln did not originate the proverb, his use of it in this critical speech indicates that the fourteenth-century phrase had taken on new ethical and democratic connotations in the nineteenth-century. In this collection, famed scholar of proverbs Wolfgang Mieder explores the multifaceted use and function of proverbs through the history of the United States, from their early beginnings up through their use by todays well-known politicians, including Barack Obama, Hillary Rodham Clinton, and Bernie Sanders. Building on previous publications and unpublished research, Mieder explores sociopolitical aspects of the American worldview as expressed through the use of proverbs in politics, womens rights, and the civil rights movement. By looking at the use of proverbial phrases, Mieder demonstrates how one traditional phrase can take on numerous expressive roles over time and how they continue to play a key role in our contemporary moment.
Автор: Foreword by Portia K Maultsby Edited by Название: Black Lives Matter and Music: Protest, Intervention, Reflection ISBN: 0253038421 ISBN-13(EAN): 9780253038425 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3135.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Music has always been integral to the Black Lives Matter movement in the United States, with songs such as Kendrick Lamar's "Alright," J. Cole's "Be Free," D'Angelo and the Vanguard "The Charade," The Game's "Don't Shoot," Janelle Monae's "Hell You Talmbout," Usher's "Chains," and many others serving as unofficial anthems and soundtracks for members and allies of the movement. In this collection of critical studies, contributors draw from ethnographic research and personal encounters to illustrate how scholarly research of, approaches to, and teaching about the role of music in the Black Lives Matter movement can contribute to public awareness of the social, economic, political, scientific, and other forms of injustices in our society. Each chapter in Black Lives Matter and Music focuses on a particular case study, with the goal to inspire and facilitate productive dialogues among scholars, students, and the communities we study. From nuanced snapshots of how African American musical genres have flourished in different cities and the role of these genres in local activism, to explorations of musical pedagogy on the American college campus, readers will be challenged to think of how activism and social justice work might appear in American higher education and in academic research. Black Lives Matter and Music provokes us to examine how we teach, how we conduct research, and ultimately, how we should think about the ways that black struggle, liberation, and identity have evolved in the United States and around the world.
Автор: Norman Michael Название: Haunted Heartland ISBN: 0299315142 ISBN-13(EAN): 9780299315146 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 2502.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A fleeting figure dressed in a white party dress roams the streets of southwest Chicago. A long-dead Iowa college student treads the staircase in an old building. A ghostly, plaid-shirted workman plays peek-a-boo with a ticket seller in a Minnesota theater. A phantom wolf prowls Ohio's Jackson and Pike Counties.For decades, journalist Michael Norman has been tracking down spine-tingling tales that seem to arise from authentic incidents in Illinois, Indiana, Iowa, Kansas, Michigan, Minnesota, Missouri, Nebraska, Ohio, and Wisconsin. In Haunted Heartland he offers more than eighty entertaining, eerie stories. Are they true in the world that we know, or only in a dark vale of twilight?
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