Screwball Television: Critical Perspectives on Gilmore Girls, David Scott Diffrient, David Lavery
Автор: Householder April Kalogeropoulos, Trier-Bieniek Adrienne Название: Feminist Perspectives on Orange Is the New Black: Thirteen Critical Essays ISBN: 1476663920 ISBN-13(EAN): 9781476663920 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4990.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Since its 2013 premiere, Orange Is the New Black has become Netflix`s most watched series, garnering critical praise and numerous awards and advancing the cultural phenomenon of binge-watching. Examining the series from a number of feminist perspectives, this volume covers topics such as gender, race, class, sexuality, transgenderism, mass incarceration, disability, and sexual assault.
Автор: Powell Larson, Shandley Robert Название: German Television: Historical and Theoretical Perspectives ISBN: 1785338374 ISBN-13(EAN): 9781785338373 Издательство: Berghahn Рейтинг: Цена: 4796.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Long overlooked by scholars and critics, the history and aesthetics of German television have only recently begun to attract serious, sustained attention, and then largely within Germany. This ambitious volume, the first in English on the subject, provides a much-needed corrective in the form of penetrating essays on the distinctive theories, practices, and social-historical contexts that have defined television in Germany. Encompassing developments from the dawn of the medium through the Cold War and post-reunification, this is an essential introduction to a rich and varied media tradition.
Автор: Powell Larson, Shandley Robert Название: German Television: Historical and Theoretical Perspectives ISBN: 1785331124 ISBN-13(EAN): 9781785331121 Издательство: Berghahn Рейтинг: Цена: 16988.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Long overlooked by scholars and critics, the history and aesthetics of German television have only recently begun to attract serious, sustained attention, and then largely within Germany. This ambitious volume, the first in English on the subject, provides a much-needed corrective in the form of penetrating essays on the distinctive theories, practices, and social-historical contexts that have defined television in Germany. Encompassing developments from the dawn of the medium through the Cold War and post-reunification, this is an essential introduction to a rich and varied media tradition.
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