Twenty-First Century American Playwrights, Christopher Bigsby
Автор: Piketty Thomas Название: Capital in the Twenty-First Century ISBN: 0674979850 ISBN-13(EAN): 9780674979857 Издательство: Wiley Рейтинг: Цена: 3318.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
A New York Times #1 Best Seller An Amazon #1 Best Seller A Wall Street Journal #1 Best Seller A USA Today Best Seller A Sunday Times Best Seller Winner of the Financial Times and McKinsey Business Book of the Year Award Winner of the British Academy Medal Finalist, National Book Critics Circle Award
"It seems safe to say that Capital in the Twenty-First Century, the magnum opus of the French economist Thomas Piketty, will be the most important economics book of the year--and maybe of the decade." --Paul Krugman, New York Times
"The book aims to revolutionize the way people think about the economic history of the past two centuries. It may well manage the feat." --The Economist
"Piketty's Capital in the Twenty-First Century is an intellectual tour de force, a triumph of economic history over the theoretical, mathematical modeling that has come to dominate the economics profession in recent years." --Steven Pearlstein, Washington Post
"Piketty has written an extraordinarily important book...In its scale and sweep it brings us back to the founders of political economy." --Martin Wolf, Financial Times
"A sweeping account of rising inequality...Piketty has written a book that nobody interested in a defining issue of our era can afford to ignore." --John Cassidy, New Yorker
"Stands a fair chance of becoming the most influential work of economics yet published in our young century. It is the most important study of inequality in over fifty years." --Timothy Shenk, The Nation
Автор: Rooney Ashley, Lee Anne Название: Encaustic Art in the Twenty-First Century ISBN: 0764350234 ISBN-13(EAN): 9780764350238 Издательство: Schiffer Рейтинг: Цена: 9981.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: From beehive to hotplate to the artists hand, encaustic has evolved as a versatile medium applied to almost every artistic style. A long-overdue look at a newly popular art form, this bookexplores 79 North American and international artists feelings about their work inencaustic and how they use it to express their inner worlds and theworld around them. Eight chapters organize the artists by geographical region and focus on how the heated beeswax and resin material is used to create seductive, skin-like surfaces and rich, layered membranes. More than 2,000 years old, this cross-disciplinary medium ranges from painting to sculpture, assemblage, collage, and printmaking and encourages risk-taking in a way that other materials do not. Its inherent contradictions--it can be hot or cold, malleable or solid, opaque or translucent, layered or thin, permanent or fragile--make it all the more fascinating.
Автор: McClanahan Annie Название: Dead Pledges: Debt, Crisis, and Twenty-First-Century Culture ISBN: 0804799059 ISBN-13(EAN): 9780804799058 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 13794.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Dead Pledges is the first book to explore the ways that U.S. culture—from novels and poems to photojournalism and horror movies—has responded to the collapse of the financialized consumer credit economy in 2008. Connecting debt theory to questions of cultural form, this book argues that artists, filmmakers, and writers have re-imagined what it means to owe and to own in a period when debt is what makes our economic lives possible. Encompassing both popular entertainment and avant-garde art, the post-crisis productions examined here help to map the landscape of contemporary debt: from foreclosure to credit scoring, student debt to securitized risk, microeconomic theory to anti-eviction activism. A searing critique of the ideology of debt, Dead Pledges dismantles the discourse of moral obligation so often invoked to make us repay. Debt is no longer a source of economic credibility, it contends, but a system of dispossession that threatens the basic fabric of social life.
Автор: Dewhurst C. Kurt, Hall Patricia, Seemann Charlie Название: Folklife and Museums: Twenty-First Century Perspectives ISBN: 1442272929 ISBN-13(EAN): 9781442272927 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 12250.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This cutting-edge new book is the replacement for Folklife and Museums: Selected Readings which was published nearly thirty years ago in 1987. The editors of that volume, Patricia Hall and Charlie Seemann, are now joined by C. Kurt Dewhurst as a third editor, for this book which includes updates to the still-relevant and classic essays and articles from the earlier text and features new pioneering pieces by some of today s most outstanding scholars and practitioners, to provide a more current overview of the field and addressing contemporary issues. Folklife and Museums: Twenty-First Century Perspectivesis a brand new collection of cutting-edge essaysthat combine theoretical insights, practical applications, topical case studies (focusing on particular subject matter areas and specific cultural groups), accompanied by up-to-date resources and suggested readings sections.Each essay is preceded by an explanatory headnote contextualizing the essay and includes illustrative photographs."
Автор: Shannon N. Davis Название: Gender in the twenty-first century ISBN: 0520291395 ISBN-13(EAN): 9780520291393 Издательство: Wiley Рейтинг: Цена: 4752.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: "This edited volume of 13 original empirical chapters provides new insight into the uneven and stalled nature of the gender revolution in the United States in the 21st century. Organized in two parts, the book documents the influence of gender as a social institution as it intersects with other core social institutions and other key forms of inequality and highlights specific policy interventions needed to facilitate greater gender equality. An introductory chapter situates contemporary understanding of gender inequality into the broader theoretical landscape on gender and intersectionality. The chapters in the first part of the book, Changing and Unchanging Institutions, assess the gender revolution in society`s core institutions: the family, higher education, the workplace, religion, the military, and sports. These chapters assess progress toward gender equality and the policies that are needed to promote equality. The second part of the book, Gender Politics and Policies, focuses on arenas where gender politics are frequently at play as well as specific examples of policy- and practice-oriented approaches to reducing gender inequality: political and economic leadership, work-family integration policies, health, immigration, globalization, and sexuality. The volume closes with a summary of specific policy implications for the community, organizational, and federal levels derived from the book`s empirical chapters."--Provided by publisher.
Описание: David C. Kang argues that East Asia is more stable and peaceful than often recognized. He suggests that American policy should therefore emphasize diplomatic and economic relations with the region, rather than military-first policies. Will interest students and scholars of international relations, East Asian politics, China, Japan, and security studies.
In Anthropology in the Meantime Michael M. J. Fischer draws on his real world, multi-causal, multi-scale, and multi-locale research to rebuild theory for the twenty-first century. Providing a history and inventory of experimental methods and frameworks in anthropology from the 1920s to the present, Fischer presents anthropology in the meantime as a methodological injunction to do ethnography that examines how the pieces of the world interact, fit together or clash, generate complex unforeseen consequences, reinforce cultural references, and cause social ruptures. Anthropology in the meantime requires patience, constant experimentation, collaboration, the sounding-out of affects and nonverbal communication, and the conducting of ethnographically situated research over longitudinal time. Perhaps above all, anthropology in the meantime is no longer anthropology of and about peoples; it is written with and for the people who are its subjects. Anthropology in the Meantime presents the possibility for creating new narratives and alternative futures.
Описание: The craft of making moonshine—an unaged white whiskey, often made and consumed outside legal parameters—nearly went extinct in the late twentieth century as law enforcement cracked down on illicit producers, and cheaper, lawful alcohol became readily available. Yet the twenty-first century has witnessed a resurgence of artisanal distilling, as both connoisseurs and those reconnecting with their heritage have created a vibrant new culture of moonshine. While not limited to Appalachia, moonshine is often entwined with the region in popular understandings.The first interdisciplinary examination of the legal moonshine industry, Modern Moonshine probes the causes and impact of the so-called moonshine revival. What does the moonshine revival tell us about our national culture? How does it shape the image of Appalachia and rural America? Focusing mostly on southern Appalachia, the book’s eleven essays chronicle such popular figures as Popcorn Sutton and explore how and why distillers promote their product as “traditional” and “authentic.” This edited collection draws from scholars across the disciplines of anthropology, history, geography, and sociology to make sense of the legal, social, and historical shifts behind contemporary production and consumption of moonshine, and offers a fresh perspective on an enduring topic of Appalachian myth and reality.
Описание: Flop Musicals of the Twenty First Century offers a provocative and revealing historical narrative a group of musicals that cost millions, were created by world-renowned writers and directors, and that had spectacular potential… but bombed anyway.
Автор: James Phillips Название: McQueen: or Lee and Beauty ISBN: 1474264468 ISBN-13(EAN): 9781474264464 Издательство: Bloomsbury Academic Цена: 1741.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: You look otherworldly. Like all my girls. This will make you a queen. Like years ago and people wore clothes like weapons, like weapons against poor people, because even is you were hungry how could you raise your fist against what looked like a god? But I can make things that are weapons against day to day stuff. A girl has watched McQueen’s Mayfair house for eleven consecutive days. Tonight, she climbs down from her watching tree and breaks into his house, to steal a dress, to become someone special. He catches her, but, instead of calling the police, they embark together on a journey through London and into his heart. The play captures the fairy-story landscape of McQueen’s mind - the landscape seen in his immortal shows - where, with a dress, an urchin can become an Amazon and where beauty might just help us survive the night. McQueen is a journey into the visionary imagination and dark dream world of Alexander McQueen, fashion’s greatest contemporary artist. James Phillips's play received its world premiere at St James Theatre, London, on 12 May 2015.
Описание: Watching War on the Twenty-First Century Stage is the first publication to analyse the ways in which UK theatre has represented, interrogated or contested images of war and terrorism as they are habitually presented in the dominant media. Drawing on theories of spectacle and a wide array of plays and productions - including plays from playwrights such as Caryl Churchill, Mark Ravenhill and Martin Crimp, as well as devised and dance-based theatre - Spectacles of Conflict is a richly provocative engagement with an issue that permeates contemporary culture and consciousness. Residents in wealthy nations such as the UK are invited – at a safe distance, from the comfort of our sofas or our desktops – to spectate, to gawp at, to indulge in images of violence and conflict. Finburgh asks how plays and performances have succeeded, or failed, in negotiating their own status as spectacle in order to make war as it is actually waged, more palpable, in all its devastating vastness. Among the many 21st-century plays and productions analysed are: Headlong Theatre Company’s site-specific series of nineteen short plays Decade, Mark Ravenhill’s play cycle Shoot/Get Treasure/Repeat, Simon Stephens’s Pornography, Lone Twin’s Alice Bell, Howard Barker’s The Dying of Today, Roy Williams’ Days of Significance, Gregory Burke’s Black Watch, David Hare’s Stuff Happens, Martin Crimp’s The City, Nicholas Kent and Richard Norton-Taylor’s Justifying War: Scenes from the Hutton Enquiry, Jonathan Lichtenstein’s Memory, and DV8’s Can We Talk About This?. The original and interdisciplinary interrogation offers new ways of analysing representations of war and gives coherence to a large and ever-expanding field by examining and evoking a broad spectrum of theatre and performance pieces, that includes national and fringe productions, text-based theatre and physical performance, and promenade, site-specific and conventional pieces.
Автор: Finburgh Clare Название: Watching War on the Twenty-First Century Stage ISBN: 1350099414 ISBN-13(EAN): 9781350099418 Издательство: Bloomsbury Academic Рейтинг: Цена: 5384.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
What do we watch when we watch war? Who manages public perceptions of war and how? Watching War on the Twenty-First-Century Stage: Spectacles of Conflict is the first publication to examine how theatre in the UK has staged, debated and challenged the ways in which spectacle is habitually weaponized in times of war. The 'battle for hearts and minds' and the 'war of images' are fields of combat that can be as powerful as armed conflict. And today, spectacle and conflict - the two concepts that frame the book - have joined forces via audio-visual technologies in ways that are more powerful than ever.
Clare Finburgh's original and interdisciplinary interrogation provides a richly provocative account of the structuring role that spectacle plays in warfare, engaging with the works of philosopher Guy Debord, cultural theorist Jean Baudrillard, visual studies specialist Marie-Jos Mondzain and performance scholar Hans-Thies Lehmann. She offers coherence to a large and expanding field of theatrical war representation by analyzing in detail a spectrum of works, including expressionist drama, comedy and dance theatre. She demonstrates how features unique to the theatrical art, namely the construction of a fiction in the presence of the audience, can present possibilities for a more informed engagement with how spectacles of war are produced and circulated.
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