Turkey, the Jews, and the Holocaust, Corry Guttstadt
Автор: Guttstadt Название: Turkey, the Jews, and the Holocaust ISBN: 0521769914 ISBN-13(EAN): 9780521769914 Издательство: Cambridge Academ Рейтинг: Цена: 12038.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book analyzes the minority politics of the Turkish republic and the country`s ambivalent policies regarding Jewish refugees and Turkish Jews living abroad. By examining the fates of the Jews who lived in Turkey before the war, this study shows that Turkey was far from welcoming toward Jews during the Holocaust era.
Автор: Bahar I. Izzet Название: Turkey and the Rescue of European Jews ISBN: 1138801259 ISBN-13(EAN): 9781138801257 Издательство: Taylor&Francis Рейтинг: Цена: 22968.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book focuses on the recruitment of German Jewish scholars and academicians by the Turkish Republic shortly after Hitler came to power, and the fate of Jews of Turkish origin in German-controlled France during WWII. It contrasts the evidence and facts from a wealth of newly disclosed documents to provide a revised account of Turkey`s role in these dark and catastrophic years.
Автор: Brown Adam Название: Judging Privileged Jews ISBN: 0857459910 ISBN-13(EAN): 9780857459916 Издательство: Berghahn Рейтинг: Цена: 16988.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The Nazis’ persecution of the Jews during the Holocaust included the creation of prisoner hierarchies that forced victims to cooperate with their persecutors. Many in the camps and ghettos came to hold so-called “privileged” positions, and their behavior has often been judged as self-serving and harmful to fellow inmates. Such controversial figures constitute an intrinsically important, frequently misunderstood, and often taboo aspect of the Holocaust. Drawing on Primo Levi’s concept of the “grey zone,” this study analyzes the passing of moral judgment on “privileged” Jews as represented by writers, such as Raul Hilberg, and in films, including Claude Lanzmann’s Shoah and Steven Spielberg’s Schindler’s List. Negotiating the problems and potentialities of “representing the unrepresentable,” this book engages with issues that are fundamental to present-day attempts to understand the Holocaust and deeply relevant to reflections on human nature.
Описание: Judenjagd, hunt for the Jews, was the German term for the organized searches for Jews who, having survived ghetto liquidations and deportations to death camps in Poland in 1942, attempted to hide "on the Aryan side." Jan Grabowski's penetrating microhistory tells the story of the Judenjagd in Dabrowa Tarnowska, a rural county in southeastern Poland, where the majority of the Jews in hiding perished as a consequence of betrayal by their Polish neighbors. Drawing on materials from Polish, Jewish, and German sources created during and after the war, Grabowski documents the involvement of the local Polish population in the process of detecting and killing the Jews who sought their aid. Through detailed reconstruction of events, this close-up account of the fates of individual Jews casts a bright light on a little-known aspect of the Holocaust in Poland.
Описание: Patrick Henry, working with more than one thousand unpublished autobiographical pages written by key rescuers and with documents, letters, and interviews never before available, reconsiders the Holocaust rescue of Jews on the plateau of Vivarais-Lignon between the years 1939 and 1944. Henry carefully examines the general research of the last quarter century on rescue in that area of France, illuminating in detail the strengths and weaknesses of Philip Hallie's groundbreaking study Lest Innocent Blood Be Shed (1979) as they appear sixty years after the end of World War II.In highlighting the involvement of Catholics, Protestants, and Jews in the rescue mission, the book looks closely at the lives and work of two rescuers on the plateau: a young Protestant man, Daniel Trocmé, and a Jewish mother of three, Madeleine Dreyfus, both of whom were arrested and deported. Daniel died in the gas chamber at Maidanek; Madeleine survived Bergen-Belsen. Madeleine provides an example of a Jewish rescuer of Jews and raises the issues of so-called Jewish passivity during the Holocaust.Also analyzed is Albert Camus' chronicle, La Peste, written in large part during the fifteen months he spent in a hamlet just outside the village of Le Chambon-sur-Lignon from August 1942 until late 1943. As an allegorical mirror, the text reflects both the violent and non-violent resistance taking place when and where Camus composed his narrative.Finally, Henry brings together his own findings and those of others who have studied the rescuers throughout Europe in order to understand rescuer motivation and to show incontrovertibly why it is important not only to know about the victims and perpetrators of the Nazi genocide but to study and teach more widely about the rescuers of Jews during the Holocaust.
Автор: Margulies Chernoff Rena, Chernoff Allan Название: The Tailors of Tomaszow: A Memoir of Polish Jews ISBN: 089672879X ISBN-13(EAN): 9780896728790 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4158.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Seven decades after the Nazis annihilated the Jewish community of Tomaszow-Mazowiecki, Poland, comes a gripping eyewitness narrative told by one of the youngest survivors of the Holocaust, as well as through first-hand accounts of other Tomaszow survivors. This unique communal memoir presents a rare view of Eastern European Jewry, before, during, and after World War II. It is both the memoir of a child and of a lost Jewish community, an unvarnished story in which disputes, controversy and scandal all play a role in capturing the true flavour of life in this time and place.Nearly 14,000 Jews, one-third of the town’s population, lived in Tomaszow-Mazowiecki before World War II, many making their living as tailors and seamstresses. Only 250 of them survived the Holocaust, in part because of their skill with a needle and thread.Engaging and highly accessible, The Tailors of Tomaszow is a powerful resource for educators and a compelling read for anyone wishing to gain a deeper, more personal understanding of Eastern European Jewry and the Holocaust.
Описание: Most early Western perceptions of the Holocaust were based on newsreels filmed during the allied liberation of Germany in 1945. Little, however, was reported of the initial wave of material from Soviet filmmakers who were in fact the first to document these horrors. In First Films of the Holocaust, Jeremy Hicks presents a pioneering study of Soviet contributions to the growing public awareness of the horrors of Nazi rule. Even before the war, the Soviet film Professor Mamlock, which premiered in the United States in 1938 and coincided with the Kristallnacht pogrom, helped reinforce anti-Nazi sentiment. Yet, Soviet films were often dismissed or even banned in the West as Communist propaganda. Ironically, in the brief 1939-1941 period of Nazi and Soviet alliance, such films were also banned in the Soviet Union, only to be reclaimed after the Nazi attack on the Soviet Union in 1941, and suppressed yet again during the Cold War. Jeremy Hicks recovers much of the major film work in Soviet depictions of the Shoa and views them within their political context, both locally and internationally. Overwhelmingly, wartime films were skewed to depict Soviet resistance, 'Red funerals,' and calls for vengeance, rather than the singling out of Jewish victims by the Nazis. Almost no personal testimony of victims or synchronous sound was recorded, furthering the disconnection of the viewer to the victims. Hicks examines correspondence, scripts, reviews, and compares edited with unedited film, to unearth the deliberately hidden Jewish aspects of Soviet depictions of the German invasion and occupation. To Hicks, it's in the silences, gaps, and ellipses that the films speak most clearly. Additionally, he details the reasons why Soviet Holocaust films have been subsequently erased from collective memory in the West and the Soviet Union: their graphic horror, their use as propaganda tools, and the postwar rise of the Red Scare in the United States and anti-Semitic campaigns in the Soviet Union.
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