Описание: This scholarly and conscientious book makes an important . . . contribution to the study and interpretation of Buffon, and so, too, to the Enlightenment generally. What Lyon and Sloan have done is present English texts under four headings, so that we have successively: a selection from Buffon's writings prior to the first (1749) volumes of his Histoire naturelle; pieces from these first volumes of 1749; immediate responses by the earliest critics, writing about the 1749 texts, and finally H rault de S chelles' essay on Buffon, Voyage MontbardK/i>. Much of the material is in translations made by Lyon and Sloan themselves, and in many cases the texts are ones not previously translated into English. Moreover, at every turn Lyon and Sloan have provided highly informative notes and commentary. In a substantial and original introduction, they have discussed the nature of Buffon's natural history especially from an epistemological point of view. --Medical History-- "sis"
Описание: THE TWENTY ETUDES FOR PIANO were composed during the years from 1991 to 2012. Their final configuration into Book 1 and Book 2 was determined by the music itself in the course of its composition.
Book 1 (Etudes 1-10) had a twin objective - to explore a variety of tempi, textures and piano techniques. At the same time it was meant to serve as a pedagogical tool by which I would improve my piano playing. In these two ways, Book 1 succeeded very well. I learned a great deal about the piano and in the course of learning the music, I became a better player.
New projects came along and interrupted the work on the Etudes for several years. Perhaps for that reason, when I took up work with the Etudes again I found the music was following a new path. Though I had settled questions of piano technique for myself in Book 1, the music in Book 2 quickly began to suggest a series of new adventures in harmony and structure.
In this way, Books 1 and 2, taken together, suggest a real trajectory that includes a broad range of music and technical ideas.
In the end, the Etudes are meant to be appreciated not only by the general listener, but especially by those who have the ability and patience to learn, play and perform the music themselves.
The close links between forgery and criticism throughout history
In Forgers and Critics, Anthony Grafton provides a wide-ranging exploration of the links between forgery and scholarship. Labeling forgery the "criminal sibling" of criticism, Grafton describes a panorama of remarkable individuals--forgers from classical Greece through the recent past who produced a variety of splendid triumphs of learning and style, as well as the scholarly detectives who honed the tools of scholarship in attempts to unmask these skillful fakers. In the process, Grafton discloses the extent, the coherence, and the historical interest of two significant and tightly intertwined strands in the Western intellectual tradition.
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