Описание: What does music mean to you? Is it entertainment? Background noise? Or a consuming passion and constant presence in your life for as long as you can remember? For longtime music writer Jason Warburg, editor of indie album review site the Daily Vault, the answer has never been in doubt. Collecting 100 album reviews and artist interviews, plus a smattering of essays and concert reviews, My Heart Sings the Harmony is a love letter to rock and roll-and progressive rock, and power-pop, and jazz, and Americana, and, truth be told, popular music itself. If you've ever experienced a moment when it felt like music changed your life, this book was written for you. "Jason Warburg writes with an unreasonable amount of velocity and heart. My Heart Sings The Harmony is a gentle, funny and thoughtful reminder about why music makes us feel so much, and offers the kind of emotional honesty that we rarely see anymore. Each piece here is like a sepia snapshot of a forgotten time, but one that can be called back immediately in just one note-and it's in that one note where we feel most at home." -- Alex Green, editor of Stereo Embers magazine and author of Emergency Anthems "Jason Warburg is one of the finest music writers out there. My Heart Sings the Harmony demonstrates in a clear, passionate and unpretentious way the process of 'acquiring musical memories'-Warburg is out to celebrate and share what he loves and why. You'll more than likely be re-visiting some albums you may have given short shrift to, or searching for a new artist or album that, as Jason puts it, stops him in his tracks." -- Bernadette Quigley, music publicist, QuigleyMedia
Автор: Johnson Christopher D. Название: Memory, Metaphor, and Aby Warburg`s "Atlas of Images " ISBN: 0801477425 ISBN-13(EAN): 9780801477423 Издательство: Wiley EDC Рейтинг: Цена: 5663.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The work of German cultural theorist and art historian Aby Warburg (1866–1929) has had a lasting effect on how we think about images. This book is the first in English to focus on his last project, the encyclopedic Atlas of Images: Mnemosyne. Begun in earnest in 1927, and left unfinished at the time of Warburg's death in 1929, the Mnemosyne-Atlas consisted of sixty-three large wooden panels covered with black cloth. On these panels Warburg carefully, intuitively arranged some thousand black-and-white photographs of classical and Renaissance art objects, as well as of astrological and astronomical images ranging from ancient Babylon to Weimar Germany. Here and there, he also included maps, manuscript pages, and contemporary images taken from newspapers. Trying through these constellations of images to make visible the many polarities that fueled antiquity's afterlife, Warburg envisioned the Mnemosyne-Atlas as a vital form of metaphoric thought.
While the nondiscursive, frequently digressive character of the Mnemosyne-Atlas complicates any linear narrative of its themes and contents, Christopher D. Johnson traces several thematic sequences in the panels. By drawing on Warburg's published and unpublished writings and by attending to Warburg's cardinal idea that "pathos formulas" structure the West's cultural memory, Johnson maps numerous tensions between word and image in the Mnemosyne-Atlas. In addition to examining the work itself, he considers the literary, philosophical, and intellectual-historical implications of the Mnemosyne-Atlas. As Johnson demonstrates, the Mnemosyne-Atlas is not simply the culmination of Warburg’s lifelong study of Renaissance culture but the ultimate expression of his now literal, now metaphoric search for syncretic solutions to the urgent problems posed by the history of art and culture.
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