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Sabotage Art: Politics and Iconoclasm in Contemporary Latin America, Sophie Halart, Mara Polgovsky Ezcurra


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Автор: Sophie Halart, Mara Polgovsky Ezcurra
Название:  Sabotage Art: Politics and Iconoclasm in Contemporary Latin America
ISBN: 9781784532253
Издательство: Bloomsbury Academic
Классификация:


ISBN-10: 1784532258
Обложка/Формат: Hardcover
Страницы: 256
Вес: 0.45 кг.
Дата издания: 31.03.2016
Серия: International library of modern and contemporary art
Язык: English
Иллюстрации: 60 bw integrated
Размер: 149 x 223 x 30
Читательская аудитория: Postgraduate, research & scholarly
Ключевые слова: Art & design styles: from c 1960,Political subversion, ART / Art & Politics,ART / Caribbean & Latin American,ART / History / General
Подзаголовок: Politics and iconoclasm in contemporary latin america
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Поставляется из: Англии
Описание: Sabotage is the deliberate disruption of a dominant system, be it political, military or economic. Yet in recent decades, sabotage has also become an artistic strategy most notably in Latin America. In Brazil, Colombia, Mexico, Chile and Argentina, artists are producing radical, unruly or even iconoclastic work that resists state violence, social conformity and the commodification of art. Sabotage Art reveals how contemporary Latin American artists have resorted to sabotage strategies as a means to bridge the gap between aesthetics and politics. The global status of and market for Latin American art is growing rapidly. This book is essential reading for those who want to understand this new, dissident work, as well as its mystification, co-option and commercialisation within current academic historiographies and art-world curatorial initiatives.


The Destruction of Art: Iconoclasm and Vandalism Since the French Revolution

Автор: Gamboni Dario
Название: The Destruction of Art: Iconoclasm and Vandalism Since the French Revolution
ISBN: 178023984X ISBN-13(EAN): 9781780239842
Издательство: Неизвестно
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Цена: 3166.00 р.
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Описание: A compelling and thought-provoking study, now available in B-format paperback, The Destruction of Art investigates the destruction of architecture and art around the globe, uncovering a surprisingly widespread phenomenon.

The Power and Politics of Art in Postrevolutionary Mexico

Автор: Smith Stephanie J.
Название: The Power and Politics of Art in Postrevolutionary Mexico
ISBN: 1469635674 ISBN-13(EAN): 9781469635675
Издательство: Mare Nostrum (Eurospan)
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Цена: 12415.00 р.
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Описание: Stephanie J. Smith brings Mexican politics and art together, chronicling the turbulent relations between radical artists and the postrevolutionary Mexican state. The revolution opened space for new political ideas, but by the late 1920s many government officials argued that consolidating the nation required coercive measures toward dissenters. While artists and intellectuals, some of them professed Communists, sought free expression in matters both artistic and political, Smith reveals how they simultaneously learned the fine art of negotiation with the increasingly authoritarian government in order to secure clout and financial patronage. But the government, Smith shows, also had reason to accommodate artists, and a surprising and volatile interdependence grew between the artists and the politicians. Involving well-known artists such as Frida Kahlo, Diego Rivera, and David Alfaro Siqueiros, as well as some less well known, including Tina Modotti, Leopoldo Mendez, and Aurora Reyes, politicians began to appropriate the artists' nationalistic visual images as weapons in a national propaganda war. High-stakes negotiating and co-opting took place between the two camps as they sparred over the production of generally accepted notions and representations of the revolution's legacy—and what it meant to be authentically Mexican.

The Power and Politics of Art in Postrevolutionary Mexico

Автор: Smith Stephanie J.
Название: The Power and Politics of Art in Postrevolutionary Mexico
ISBN: 1469635682 ISBN-13(EAN): 9781469635682
Издательство: Mare Nostrum (Eurospan)
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Цена: 4076.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Stephanie J. Smith brings Mexican politics and art together, chronicling the turbulent relations between radical artists and the postrevolutionary Mexican state. The revolution opened space for new political ideas, but by the late 1920s many government officials argued that consolidating the nation required coercive measures toward dissenters. While artists and intellectuals, some of them professed Communists, sought free expression in matters both artistic and political, Smith reveals how they simultaneously learned the fine art of negotiation with the increasingly authoritarian government in order to secure clout and financial patronage. But the government, Smith shows, also had reason to accommodate artists, and a surprising and volatile interdependence grew between the artists and the politicians. Involving well-known artists such as Frida Kahlo, Diego Rivera, and David Alfaro Siqueiros, as well as some less well known, including Tina Modotti, Leopoldo Mendez, and Aurora Reyes, politicians began to appropriate the artists' nationalistic visual images as weapons in a national propaganda war. High-stakes negotiating and co-opting took place between the two camps as they sparred over the production of generally accepted notions and representations of the revolution's legacy—and what it meant to be authentically Mexican.


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