This book traces the history of noh and ky?gen, the first major Japanese theatrical arts. Going beyond P. G. O'Neill's Early N? Drama of 1958, it covers the full period of noh's medieval development and includes a chapter dedicated to the comic art of ky?gen, which has often been left in noh's shadow. It is based on contemporary research in Japan, Asia, Europe and America, and embraces current ideas of theatre history, providing a richly contextualized account which looks closely at theatrical forms and genres as they arose.
The masked drama of noh, with its ghosts, chanting and music, and its use in Japanese films, has been the object of modern international interest. However, audiences are often confused as to what noh actually is. This book attempts to answer where noh came from, what it was like in its day, and what it was for. To that end, it contains sections which discuss a number of prominent noh plays in their period and challenges established approaches. It also contains the first detailed study in English of the ky?gen repertoire of the sixteenth-century.
The Japanese noh theater has enjoyed a rich, continuous history dating back to the Muromachi period (1336-1573), when virtually the entire repertoire was written. Some of the finest plays were inspired by the eleventh-century masterpiece of court literature, The Tale of Genji. In this detailed study of fifteen noh plays based upon the Genji, Janet Goff looks at how the novel was understood and appreciated by Muromachi audiences. A work steeped in the court poetry, or waka, tradition, the Genji in turn provided a source of inspiration and allusion for later poets, who produced a variety of handbooks and digests on the work as an aid in composing poetry. Drawing on such sources from the Muromachi period, Goff shows how playwrights reflected contemporary attitudes toward the Genji, even as they transformed its material to suit the demands of the noh as a theatrical form. This book includes annotated translations of the plays, many of them appearing in English for the first time. The translations are preceded by essays covering the history of each play and its use of Genji material.
Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Описание: This book presents, for the first time, a comprehensive analysis and assessment of sustainability of the contemporary civil air transport system, examining its three main components: airports, air traffic control, and airlines. It offers an in-depth examination and quantitative insight into the system`s current and prospective structure and operations, as well as the related effects and impacts.
Описание: China Reinterpreted is the first comprehensive study on the representation of Chinese figures and motifs in Muromachi Japanese noh theater. Given that China had a strong influence on Japanese culture from the sixth to the early seventeenth centuries, research on Japanese reception of Chinese culture abounds. This book examines how noh theater integrated earlier reception of Chinese culture in various disciplines to produce its reinterpretation of China and Chinese culture on stage. Centering on a group of noh plays that features Chinese characters and motifs, China Reinterpreted explores not only the different means and methods of adaptation, but also the intricate (re)construction of diverse and complex images of China. This study situates the selected Chinese plays in the context of the dramaturgy and artistic conventions of noh, as well as the sociopolitical stances and artistic preferences of the audiences, and thus highlights the aesthetics, cultural, and sociopolitical agendas of noh theater of the time. By analyzing the various images of China (Japan s cultural Other) staged in Muromachi noh theater, China Reinterpreted offers a case study of the representation of the Other in an intra-Asia context."
This long-awaited volume presents the fifth and final category of Noh plays, often called kiri-n?, or "ending Noh," because they are staged last in a formal performance. This group comprises fifty of the most active and exciting of all plays in the Noh repertoire. They include deities, ghosts, or living humans, as well as a plethora of supernatural beings such as tengu (strange long-nosed creatures), monstrous creatures, demons, and fiends. The fifth-group Noh with such shite are all supernatural or visional. None of them is totally realistic. These ghosts, deities, and monsters sometimes appear to attack men, sometimes to help them, and sometimes just to tell their stories. Dividing the plays into seven subgroups according to structure, the authors fully analyze their dramatic characteristics. The book includes line-by-line translations of eight Noh representing all of the subgroups, together with the Romanized original Japanese texts, detailed introductions, and running commentaries.
Автор: Nogami Название: Japanese Noh Plays ISBN: 1138973688 ISBN-13(EAN): 9781138973688 Издательство: Taylor&Francis Рейтинг: Цена: 7042.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Описание: What does freedom sound like in the context of traditional Japanese theater? Where is the space for innovation, and where can this kind of innovation be located in the rigid instrumentation of the Noh drama? In Piercing the Structure of Tradition , Mariko Anno investigates flute performance as a space to explore the relationship between tradition and innovation. This first English-language monograph traces the characteristics of the Noh flute (nohkan), its music, and transmission methods and considers the instrument’s potential for development in the modern world. Anno examines the musical structure and nohkan melodic patterns of five traditional Noh plays and assesses the degree to which Iss? School nohkan players maintain to this day the continuity of their musical traditions in three contemporary Noh plays influenced by Yeats. Her ethnographic approach draws on interviews with performers and case studies, as well as her personal reflection as a nohkan performer and disciple under the tutelage of Noh masters. She argues that traditions of musical style and usage remain influential in shaping contemporary Noh composition and performance practice, and the existing freedom within fixed patterns can be understood through a firm foundation in Noh tradition. An attached CD offers nohkan auditory examples.
Описание: Dancing the Dharma examines the theory and practice of allegory by exploring a select group of medieval Japanese noh plays and treatises. Understanding noh`s allegorical structure and paying attention to the localized historical context for individual plays are key to recovering their original function as political and religious allegories.
Автор: Noh Название: Surgery for Gastric Cancer ISBN: 366245582X ISBN-13(EAN): 9783662455821 Издательство: Springer Рейтинг: Цена: 23757.00 р. Наличие на складе: Поставка под заказ.
Описание: This book clearly describes the surgical procedures employed in patients with gastric cancer. The techniques used in the various types of gastrectomy are presented step by step, and the roles of endoscopic treatment and chemotherapy are also discussed. A distinctive practical feature is the provision of accompanying online videos of standard surgical procedures, which will serve as excellent learning aids for novice practitioners and provide ideal teaching material for experienced surgeons.Surgery remains the mainstay in the treatment of gastric cancer. With advances in tumor biology and technical developments, gastric cancer surgery has become more diverse and its outcomes have steadily improved. However, further improvement of certain aspects of surgical procedures and techniques is still required. Surgery for Gastric Cancer will acquaint readers with the state of the art in the field and prove a valuable tool in the quest for optimal practice.
By examining the life and career of the most prominent noh practitioner of the fury noh composer, Kanze Kojir? Nobumitsu (1435-1516), the author showcases the critical presence of the late Muromachi period in the history of noh.
Описание: The Japanese noh theater has enjoyed a rich, continuous history dating back to the Muromachi period (1336-1573), when virtually the entire repertoire was written. Some of the finest plays were inspired by the eleventh-century masterpiece of court literature, The Tale of Genji. In this detailed study of fifteen noh plays based upon the Genji, Janet
By examining the life and career of the most prominent noh practitioner of the fury noh composer, Kanze Kojir? Nobumitsu (1435-1516), the author showcases the critical presence of the late Muromachi period in the history of noh.
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