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Eliots Objective Correlative: Tradition or Individual Talent? Contributions to the History of a Topos, Flemming Olsen


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Автор: Flemming Olsen
Название:  Eliots Objective Correlative: Tradition or Individual Talent? Contributions to the History of a Topos
ISBN: 9781845195540
Издательство: Gazelle Book Services
Классификация:

ISBN-10: 184519554X
Обложка/Формат: Paperback
Страницы: 88
Вес: 0.13 кг.
Дата издания: 15.06.2012
Серия: Literature/Literary Studies
Язык: English
Размер: 216 x 184 x 8
Читательская аудитория: General (us: trade)
Ключевые слова: Literature: history & criticism
Подзаголовок: Tradition or individual talent? contributions to the history of a topos
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Поставляется из: Англии
Описание: Eliots dictum about the objective correlative has often been quoted but rarely analysed. This book traces the maxim to some of its sources and places it in a contemporary context. Eliot agreed with Locke about the necessity of sensory input, but for a poet to be able to create poetry, the input has to be processed by the poets intellect. Respect for control of feelings and order of presentation were central to Eliots conception of literary criticism. The result the objective correlative is not one word, but a scene or a chain of events. Eliots thinking was also inspired by late 19th century French critics like Gautier and Gourmont, whose terminology he not infrequently borrowed. But he chose the term objective out of respect for the prestige that still surrounded the Positivist paradigm. In its break-away from Positivist dogmas, criticism of art in the early 20th century was very much preoccupied with form. In poetry, that meant focus on the use and function of the word. That focus is perceptible everywhere in Eliots criticism. Even though the idea of the objective correlative was not an original one, Eliots treatment of it is interesting because he sees a seeming truism (the right word in the right place) in a new light. He never developed the theory, but the thought is traceable in several of his critical essays. On account of its categorical and rudimentary form, the theory is not unproblematic: whose fault is it if the readers response does not square with the poets intention? And indeed, Eliots own practice belies his theory -- witness the multifarious legitimate interpretations of his poems.


T. S. Eliot`s Romantic Dilemma

Автор: Gunner
Название: T. S. Eliot`s Romantic Dilemma
ISBN: 1138121630 ISBN-13(EAN): 9781138121638
Издательство: Taylor&Francis
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Описание:

The fact that Eliot disapproved of Romanticism is clear from his critical essays, where he often appears to reject it absolutely. However, Eliot's understanding of the term and his appreciation of literature developed and altered greatly from his adolescence to his years of scholarly study, yet he was never unable to dismiss Romanticism entirely as a critical issue. This study, first published in 1985, analyses Eliot's approach and criticism to Romanticism, with an analysis of The Waste Land, adding to the layers of its meaning, context and content to the poem. This title will be of interest to students of literature.

T.S. Eliot`s Dramatic Theory and Practice: From Sweeney Agonistes to the Elder Statesman

Автор: Smith Carol H.
Название: T.S. Eliot`s Dramatic Theory and Practice: From Sweeney Agonistes to the Elder Statesman
ISBN: 0691622914 ISBN-13(EAN): 9780691622910
Издательство: Wiley
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Описание:

Although there have been innumerable studies of T. S. Eliot, this is the first to examine closely the changes in his dramatic practice and to relate them to his artistic and intellectual development. Professor Smith finds Eliot s dramatic theory rooted in his conception of the need for order in religion and art; she traces this concept as it evolved from the overtly religious "The Rock" and "Murder in the Cathedral" through such symbolic drawing-room plays as "The Family Reunion, The Cocktail Party," and "The Confidential Clerk," to Eliot s latest study of human and divine love in "The Elder Statesman." Carol H. Smith explores Eliot s interest in the jazz rhythms of the English music hall, in the mythical method of Yeats and Joyce, and in the work of the Cambridge School of Classical Anthropology.

Originally published in 1963.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905."

Theory and Personality: The Significance of T. S. Eliot`s Criticism

Автор: Brian Lee
Название: Theory and Personality: The Significance of T. S. Eliot`s Criticism
ISBN: 1472513703 ISBN-13(EAN): 9781472513700
Издательство: Bloomsbury Academic
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Описание: T. S. Eliot’s literary criticism is often described as ‘the criticism of a poet’. Mr Lee asks what happens if we take that description seriously and read the criticism as if it was as much the expression of the man, it its way, as the poetry; continuous with the poetry and the preoccupations of the poetry. This essay in interpretation is an attempt to follow out such a programme and to account for the contradictions and seemingly discrepant utterances that Eliot himself left unexplained. The opening chapter offers an outline of Eliot’s main ‘theories’ and the connection between them, and subsequent chapters deal with critical approaches to Eliot; ‘Tradition and the Individual Talent’ and impersonality; Eliot’s ideas on personality; and the relation between individual personality and society.

The Representation of Old Truths in T.S. Eliot`s New Verse

Автор: G. Douglas Atkins
Название: The Representation of Old Truths in T.S. Eliot`s New Verse
ISBN: 1137590572 ISBN-13(EAN): 9781137590572
Издательство: Springer
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Описание: Written for both specialist and non-specialist, this book examines T. S. Eliot`s treatments of putting-in-other-words, including the necessity of putting ancient truth in `new verse.` By means of fresh new readings of Ash-Wednesday and Four Quartets, G. Douglas Atkins carries his exploration of Eliot`s religious thinking into bold new territory.


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