Britten`s Gloriana: Essays and Sources, Paul Banks
Автор: Chowrimootoo Christopher Название: Middlebrow Modernism: Britten`s Operas and the Great Divide ISBN: 0520298659 ISBN-13(EAN): 9780520298651 Издательство: Wiley Рейтинг: Цена: 4752.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. This provocative study is situated at the intersection of the history, historiography, and aesthetics of twentieth-century music. It uses Benjamin Britten's operas to illustrate the ways in which composers, critics, and audiences mediated the "great divide" between modernism and mass culture. Reviving midcentury discussions of the "middlebrow," Christopher Chowrimootoo demonstrates how these works allowed audiences to have their modernist cake and eat it too: to revel in the pleasures of consonance, lyricism, and theatrical spectacle, even while enjoying the prestige that came from rejecting them. By focusing on key moments when reigning aesthetic oppositions and hierarchies threatened to collapse, Middlebrow Modernism offers a powerful model for recovering shades of grey in the previously black-and-white historiographies of twentieth-century music.
Автор: Wiebe Название: Britten`s Unquiet Pasts ISBN: 1107507820 ISBN-13(EAN): 9781107507821 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Heather Wiebe`s book examines educational, occasional and religious works of Benjamin Britten that engage both with the distant past and with key episodes of postwar reconstruction, elucidating the role of music in mid-century British culture while exploring issues of memory, enchantment and cultural citizenship.
Описание: Aging and creativity can seem a particularly fraught relationship for artists, who often face age-related difficulties as their audience's expectations are at a peak. In Four Last Songs, Linda and Michael Hutcheon explore this issue via the late works of some of the world's greatest composers.
Giuseppe Verdi (1813-1901), Richard Strauss (1864-1949), Olivier Messiaen (1908-92), and Benjamin Britten (1913-76) all wrote operas late in life, pieces that reveal unique responses to the challenges of growing older. Verdi's Falstaff, his only comedic success, combated Richard Wagner's influence by introducing young Italian composers to a new model of national music. Strauss, on the other hand, struggling with personal and political problems in Nazi Germany, composed the self-reflexive Capriccio, a "life review" of opera and his own legacy. Though it exhausted him physically and emotionally, Messiaen at the age of seventy-five finished his only opera, Saint Fran ois d'Assise, which marked the pinnacle of his career. Britten, meanwhile, suffering from heart problems, refused surgery until he had completed his masterpiece, Death in Venice. For all four composers, age, far from sapping their creative power, provided impetus for some of their best accomplishments.
With its deft treatment of these composers' final years and works, Four Last Songs provides a valuable look at the challenges--and opportunities--that present themselves as artists grow older.
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