Semiotics of Classical Music: How Mozart, Brahms and Wagner Talk to Us, Eero Tarasti
Автор: Kobb? Название: Wagner and his Isolde ISBN: 1108078559 ISBN-13(EAN): 9781108078559 Издательство: Cambridge Academ Рейтинг: Цена: 4118.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The German poet Mathilde Wesendonck (1828-1902) was the wife of Wagner`s patron, the wealthy silk merchant Otto Wesendonck. An intense relationship developed between Wagner and Mathilde, subsequently reflected in Tristan und Isolde. This 1905 translation of Wagner`s letters by American musicologist Gustav Kobbe (1857-1918) charts the opera`s creation.
Автор: Christina Fuhrmann Название: Foreign Opera at the London Playhouses: From Mozart to Bellini ISBN: 1108722113 ISBN-13(EAN): 9781108722117 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In the early nineteenth century over forty operas by foreign composers, including Mozart, Rossini, Weber and Bellini, were adapted for London playhouses. This is the first comprehensive study of these adaptations. Christina Fuhrmann reveals how integral these operas are to our understanding of early nineteenth-century theatre, opera and canon formation.
Описание: Wallace succeeds in making illuminating comparisons of spirit and form in the work of these two artists. His book celebrates the achievements of Austen and Mozart by comparing their stylistic significance in the history of their separate arts and by offering comparisons of three Austen novels with three Mozart piano concertos.
Автор: Wagner Название: Family Letters of Richard Wagner ISBN: 1108078605 ISBN-13(EAN): 9781108078603 Издательство: Cambridge Academ Рейтинг: Цена: 4594.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: William Ashton Ellis (1852-1919) abandoned his medical career in order to devote himself to his Wagner studies. This 1911 translation of 124 of Wagner`s letters to members of his immediate family, written between 1832 and 1874, provides an intimate insight into the composer`s personal and professional life.
Автор: Woodfield Название: Performing Operas for Mozart ISBN: 1316632423 ISBN-13(EAN): 9781316632420 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Ian Woodfield discusses the central role played by the Prague Italian opera company in performing Mozart`s works in late eighteenth-century Bohemia and Saxony. The book focuses on the organisation of the company, its annual schedules, recruitment networks, casting policies and repertoire selections.
Название: Brahms in the home and the concert hall ISBN: 1108458084 ISBN-13(EAN): 9781108458085 Издательство: Cambridge Academ Рейтинг: Цена: 6019.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Johannes Brahms remains a figure of perennial appeal and significance to performers, scholars and music-lovers alike. This richly illustrated collection of essays, including a hitherto unpublished memoir of Brahms, explores the boundaries between the composer`s public, professional identity and his lifelong engagement with private and amateur music-making.
Автор: Hamilton Название: Brahms in the Home and the Concert Hall ISBN: 1107042704 ISBN-13(EAN): 9781107042704 Издательство: Cambridge Academ Рейтинг: Цена: 16632.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Johannes Brahms remains a figure of perennial appeal and significance to performers, scholars and music-lovers alike. This richly illustrated collection of essays, including a hitherto unpublished memoir of Brahms, explores the boundaries between the composer`s public, professional identity and his lifelong engagement with private and amateur music-making.
Автор: Natasha Loges, Katy Hamilton Название: Brahms in Context ISBN: 1107163412 ISBN-13(EAN): 9781107163416 Издательство: Cambridge Academ Рейтинг: Цена: 15365.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This collection of essays by internationally renowned scholars offers fresh perspectives on the nineteenth-century German composer Johannes Brahms. It brings together thirty-nine short and incisive chapters on the historical, social and cultural contexts in which Brahms lived and worked and will appeal to students, researchers and music lovers.
Автор: Fifield, Christopher Название: German symphony between beethoven and brahms ISBN: 1409452883 ISBN-13(EAN): 9781409452881 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: It was Carl Dahlhaus who coined the phrase 'dead time' to describe the state of the symphony between Schumann and Brahms. Christopher Fifield argues that many of the symphonies dismissed by Dahlhaus made worthy contributions to the genre. He traces the root of the problem further back to Beethoven's ninth symphony, a work which then proceeded to intimidate symphonists who followed in its composer's footsteps, including Schubert, Mendelssohn and Schumann. In 1824 Beethoven set a standard that then had to rise in response to more demanding expectations from both audiences and the musical press. Christopher Fifield, who has a conductor's intimacy with the repertory, looks in turn at the five decades between the mid-1820s and mid-1870s. He deals only with non-programmatic works, leaving the programme symphony to travel its own route to the symphonic poem. Composers who lead to Brahms (himself a reluctant symphonist until the age of 43 in 1876) are frequently dismissed as epigones of Beethoven, Mendelssohn and Schumann but by investigating their symphonies, Fifield reveals their respective brands of originality, even their own possible influence upon Brahms himself and in so doing, shines a light into a half-century of neglected nineteenth century German symphonic music.
Описание: Who inspired Johannes Brahms in his art of writing music? In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, among others, Sholes demonstrates how a historical reference in one movement of a works seems to resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. She highlights Brahm's ability to weave such references into broad, movement-spanning narratives, arguing that these narratives served as expressive outlets for his complicated, sometimes conflicted, attitudes toward the material to which he alludes. Ultimately, Brahms's music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to emerge with his own artistic voice and to define and secure his unique position in music history.
Описание: Who inspired Johannes Brahms in his art of writing music? In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, among others, Sholes demonstrates how a historical reference in one movement of a work seems to resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. She highlights Brahms's ability to weave such references into broad, movement-spanning narratives, arguing that these narratives served as expressive outlets for his complicated, sometimes conflicted, attitudes toward the material to which he alludes. Ultimately, Brahms's music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to emerge with his own artistic voice and to define and secure his unique position in music history.
Автор: Newman Название: Wagner as Man and Artist ISBN: 1108073875 ISBN-13(EAN): 9781108073875 Издательство: Cambridge Academ Рейтинг: Цена: 5702.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Ernest Newman (1868-1959) was undoubtedly the greatest Wagnerian critic of his age. In this 1914 work, which deserves its place in the history of Wagner studies, he attempts `a complete and impartial psychological estimate` of a complex and frequently misinterpreted genius who could also behave like a petty tyrant.
ООО "Логосфера " Тел:+7(495) 980-12-10 www.logobook.ru
