Edinburgh German Yearbook 6: Sadness and Melancholy in German-Language Literature and Culture, Mary Cosgrove, Anna Richards
Автор: Lund Название: Melancholy, Medicine and Religion in Early Modern England ISBN: 1107659965 ISBN-13(EAN): 9781107659964 Издательство: Cambridge Academ Рейтинг: Цена: 6653.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Presenting a new literary approach to Robert Burton`s The Anatomy of Melancholy, this study demonstrates the work`s significance within early modern literary culture. Lund investigates the way in which Burton imagines and treats his reader, paying particular attention to his understanding of reading as a therapeutic process for melancholics.
Описание: Winner of the Tianjin Social Science Outstanding Achievement Award. This book reports on the contrastive-semantic investigation of sadness expressions between English and Chinese, based on two monolingual general corpora and a parallel corpus. The exploration adopts a unique theoretical approach which integrates corpus-linguistic theories on meaning (as a social construct, usage and paraphrase) with a corpus-linguistic lexical model. It employs a new complex but workable methodology which combines computational tools with manual examination to tease meaning out of corpus evidence, to compare and contrast lexical items that do not match up neatly between languages. It looks at sadness expressions both within and across languages in terms of three corpus-linguistic structural categories, i.e. colligation, collocation and semantic association/preference, and paraphrase (both explicit and implicit) to capture their subtle nuances of meaning, disclose the culture-specific conceptualisations encoded in them, and highlight their respective cultural distinctiveness of emotion. By presenting multidisciplinary original work, Sadness Expressions in English and Chinese will be of interest to researchers in corpus linguistics, contrastive lexical semantics, psychology, bilingual lexicography and language pedagogy.
Описание: This book examines how German-language authors have intervened in contemporary debates on the obligation to extend hospitality to asylum seekers, refugees, and migrants;
Автор: Kunst, Thomas Название: Art of kunst ISBN: 1433130742 ISBN-13(EAN): 9781433130748 Издательство: Peter Lang Рейтинг: Цена: 12829.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book introduces for the first time selected poetry, letters, and other writings by the German writer Thomas Kunst (Leipzig) to the English-speaking world. Given the many prestigious awards the writer has received for his poetry and the originality of his imaginative thinking, the Turkish-German writer Feridun Zaimoglu rightly called Kunst a great poet. Through his immersion in the poetry of Paul Celan, Georg Trakl, Nicolas Born, Thomas Brasch, and several South and North American writers, Thomas Kunst has acquired a distinctive voice and style that rival the most talented writers in Germany today. Music animates his creative writing. What he calls the instrumentation between music and language flows almost effortlessly from his experiences in the world, shaping the multifaceted textures of his writings. Readers will be struck by the author’s remarkable clarity of expression, precision, directness, and authenticity. «A poem is a poem for me only when the most ordinary things in it irritate me in the most intense ways.» Inner turbulence over the way things are, outer conflict, and the awareness of the ultimate irresolvability of pressing political concerns, everyday experience, knowledge of the classical heritage, and acute aesthetic sensibility unite to provide a unique and challenging reading experience.
This book traces the concept of melancholy in Walter Benjamin's early writings. Rather than focusing on the overtly melancholic subject matter of Benjamin's work or the unhappy circumstances of his own fate, Ferber considers the concept's implications for his philosophy. Informed by Heidegger's discussion of moods and their importance for philosophical thought, she contends that a melancholic mood is the organizing principle or structure of Benjamin's early metaphysics and ontology. Her novel analysis of Benjamin's arguments about theater and language features a discussion of the Trauerspiel book that is amongst the first in English to scrutinize the baroque plays themselves. Philosophy and Melancholy also contributes to the history of philosophy by establishing a strong relationship between Benjamin and other philosophers, including Leibniz, Kant, Husserl, and Heidegger.
This anthology focuses on autobiographical works by Wang Anyi, the most prolific and critically acclaimed woman writer in contemporary China, highlighting a personal and emotional dimension of her writing that is essential to a deeper understanding of her creativity and productivity. The three pieces selected for this volume—"A Woman Writer's Sense of Self," "Utopian Verses," and "Years of Sadness"—explore some of the most fundamental and complex issues concerning Wang's identity as a woman and as a writer in early post-socialist China, the creative and emotional challenges she faced during her sojourn in the United States in the early 1980s, and her memories of adolescent years, a period of obsession, uncertainty, and loneliness during the Cultural Revolution.
This book traces the concept of melancholy in Walter Benjamin's early writings. Rather than focusing on the overtly melancholic subject matter of Benjamin's work or the unhappy circumstances of his own fate, Ferber considers the concept's implications for his philosophy. Informed by Heidegger's discussion of moods and their importance for philosophical thought, she contends that a melancholic mood is the organizing principle or structure of Benjamin's early metaphysics and ontology. Her novel analysis of Benjamin's arguments about theater and language features a discussion of the Trauerspiel book that is amongst the first in English to scrutinize the baroque plays themselves. Philosophy and Melancholy also contributes to the history of philosophy by establishing a strong relationship between Benjamin and other philosophers, including Leibniz, Kant, Husserl, and Heidegger.
Описание: While work contrasting Polifemo and Galatea has been done previously, Kathleen Hunt Dolan`s book elevates the level of that discourse and enriches the concept with its deeply researched comparative approach. The book explores Polifemo, tying him first to the pre-Ovidian, underworld-dwelling tradition of the Cyclops, then laying out his expansive semantic field.
This book considers melancholy as an “assemblage,” as a network of dynamic, interpretive relationships between persons, bodies, texts, spaces, structures, and things. In doing so, it parts ways with past interpretations of melancholy. Tilting the English Renaissance against the present moment, Daniel argues that the basic disciplinary tension between medicine and philosophy persists within contemporary debates about emotional embodiment. To make this case, the book binds together the paintings of Nicholas Hilliard and Isaac Oliver, the drama of Shakespeare, the prose of Burton, and the poetry of Milton. Crossing borders and periods, Daniel combines recent theories that have—until now—been regarded as incongruous by their respective advocates. Asking fundamental questions about how the experience of emotion produces community, the book will be of interest to scholars of early modern literature, psychoanalysis, the affective turn, and continental philosophy.
Описание: New essays exploring the resurgence of the theme of romantic relationships and love in German literature since around the turn of the millennium.
Описание: Winner of the Tianjin Social Science Outstanding Achievement Award. This book reports on the contrastive-semantic investigation of sadness expressions between English and Chinese, based on two monolingual general corpora and a parallel corpus. The exploration adopts a unique theoretical approach which integrates corpus-linguistic theories on meaning (as a social construct, usage and paraphrase) with a corpus-linguistic lexical model. It employs a new complex but workable methodology which combines computational tools with manual examination to tease meaning out of corpus evidence, to compare and contrast lexical items that do not match up neatly between languages. It looks at sadness expressions both within and across languages in terms of three corpus-linguistic structural categories, i.e. colligation, collocation and semantic association/preference, and paraphrase (both explicit and implicit) to capture their subtle nuances of meaning, disclose the culture-specific conceptualisations encoded in them, and highlight their respective cultural distinctiveness of emotion. By presenting multidisciplinary original work, Sadness Expressions in English and Chinese will be of interest to researchers in corpus linguistics, contrastive lexical semantics, psychology, bilingual lexicography and language pedagogy.
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