Throughout Latin America, the idea of "justice" serves as the ultimate goal and rationale for a wide variety of actions and causes. In the Chilean Atacama Desert, residents have undertaken a prolonged struggle for their right to groundwater. Family members of bombing victims in Buenos Aires demand that the state provide justice for the attack. In Colombia, some victims of political violence have turned to the courts for resolution, while others reject the state's ability to fairly adjudicate their grievances and have constructed a non-state tribunal. In each of these examples, the protagonists seek one main thing: justice.
A Sense of Justice ethnographically explores the complex dynamics of justice production across Latin America. The chapters examine (in)justice as it is lived and imagined today and what it means for those who claim and regulate its parameters, including the Brazilian police force, the Permanent Peoples' Tribunal in Colombia, and the Argentine Supreme Court. Inextricable as "justice" is from inequality, violence, crime, and corruption, it emerges through memory, in space, and where ideals meet practical limitations. Ultimately, the authors show how understanding the dynamic processes of constructing justice is essential to creating cooperative rather than oppressive forms of law.
Throughout Latin America, the idea of "justice" serves as the ultimate goal and rationale for a wide variety of actions and causes. In the Chilean Atacama Desert, residents have undertaken a prolonged struggle for their right to groundwater. Family members of bombing victims in Buenos Aires demand that the state provide justice for the attack. In Colombia, some victims of political violence have turned to the courts for resolution, while others reject the state's ability to fairly adjudicate their grievances and have constructed a non-state tribunal. In each of these examples, the protagonists seek one main thing: justice.
A Sense of Justice ethnographically explores the complex dynamics of justice production across Latin America. The chapters examine (in)justice as it is lived and imagined today and what it means for those who claim and regulate its parameters, including the Brazilian police force, the Permanent Peoples' Tribunal in Colombia, and the Argentine Supreme Court. Inextricable as "justice" is from inequality, violence, crime, and corruption, it emerges through memory, in space, and where ideals meet practical limitations. Ultimately, the authors show how understanding the dynamic processes of constructing justice is essential to creating cooperative rather than oppressive forms of law.
Описание: This is an essential book for the student and general reader of Faulkner who may need guidance in identifying and interrelating the more than 1,2000 characters in Faulkner's novels, short stories and sketches. Even the experienced reader will find this work a valuable aid in making his way through the labyrinth of Faulkner's style and plots. He will benefit especially from seeing, almost at a glance, the interconnections between all of Faulkner's writings. The Guide is constructed as follows: The novels from Soldiers' Pay (1926) to The Reivers (1962) are listed by title in the order of their publication. Under each title all of the named characters who appear or are mentioned in that work are listed alphabetically, together with the number of every page on which the character's name occurs. A concise account of the actions of each character is given, together with a description of that character's salient personality features. The name under which a character is listed in the Guide is often supplied in brackets when a nickname, maiden name, or other variant is used in the sketches. Major characters in each novel are indicated by boldface type. Immediately following the section devoted to the novels appear the named characters in all of Faulkner's short stories and sketches, which are also treated in the order of their publication. Carryover characters who are handled inconsistently by Faulkner are marked with an asterisk and treated further by the authors in the Appendix. In addition, the authors have included genealogical charts of the Sartoris, Burden, and McCaslin-Beauchamp-Edmonds families, as well as a map of Yoknapatawpha County. Finally, an alphabetically arranged Master Index of characters lists every work in which their names occur. Specific bibliographical information concerning editions is given, together with other editions, American and British, with the same pagination. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1963.
Understanding the various meanings given to human and citizenship rights in Argentina is an important task, particularly so given the nation's prominence in global discussions. An "exporter" of tactics, ideas, and experts, Argentina has become a site of innovation in the field of human rights. This book investigates two prominent Buenos Aires protest organizations—Memoria Activa and the BAUEN workers' cooperative—to consider how each has framed its demands within a language of rights.
Fundamentally, this book is concerned with the complex interrelationship between the discourse of human rights and the neoliberal project. In exploring the way in which "rights talk" is used and adapted locally by various activist groups, the book looks at the mutually formative and contentious interactions between ideas of human rights, rights of citizenship, and the concrete and envisioned social relationships that form the basis for social activism in the wake of neoliberalism.
Описание: Explains how the definitive British rock performers of this epoch aimed, not at the youthful rebellion for which they are legendary, but at a highly self-conscious project of commenting on the business in which they were engaged. This work focuses on the mid to late 1960s.
Описание: The late-Victorian discovery of the music hall by English intellectuals marks a crucial moment in the history of popular culture. This book demonstrates how such pioneering cultural critics as Arthur Symons and Elizabeth Robins Pennell used the music hall to secure and promote their professional identity as guardians of taste and national welfare.
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