The Neuro-Image: A Deleuzian Film-Philosophy of Digital Screen Culture, Patricia Pisters

Автор: Matlock Glen
Название: I Was a Teenage Sex Pistol
ISBN: 1906615365 ISBN-13(EAN): 9781906615369
Издательство: Неизвестно
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Описание: The author was a founding member of the Sex Pistols and co-wrote most of their iconic songs. In this title, his story of the Pistols` rise to global infamy is an honest, insightful account of a group of intelligent malcontents, determined to change the music business and to attack hypocrisy and stale conventions in society at large.

Автор: Rosi Braidotti, Patricia Pisters
Название: Revisiting Normativity with Deleuze
ISBN: 1472524683 ISBN-13(EAN): 9781472524683
Издательство: Bloomsbury Academic
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Описание: This volume assembles some of the most distinguished scholars in the field of Deleuze studies in order to provide both an accessible introduction to key concepts in Deleuze's thought and to test them in view of the issue of normativity. This includes not only the law, but also the question of norms and values in the broader ethical, political and methodological sense. The volume argues that Deleuze's philosophy rejects the unitary vision of the subject as a self-regulating rationalist entity and replaces it with a process-oriented relational vision of the subject. But what can we do exactly with this alternative nomadic vision? What modes of normativity are available outside the parameters of liberal, self-reflexive individualism on the one hand and the communitarian model on the other? This interdisciplinary volume explores these issues in three directions that mirror Deleuze and Guattari's defense of the parallelism between philosophy, science, and the arts. The volume therefore covers socio-political and legal theory; the epistemological critique of scientific discourse and the cultural, artistic and aesthetic interventions emerging from Deleuze's philosophy.

Автор: Pisters Patricia
Название: Neuro-Image
ISBN: 0804781362 ISBN-13(EAN): 9780804781367
Издательство: Wiley EDC
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Описание:

Arguing that today's viewers move through a character's brain instead of looking through his or her eyes or mental landscape, this book approaches twenty-first-century globalized cinema through the concept of the "neuro-image." Pisters explains why this concept has emerged now, and she elaborates its threefold nature through research from three domains—Deleuzian (schizoanalytic) philosophy, digital networked screen culture, and neuroscientific research. These domains return in the book's tripartite structure. Part One, on the brain as "neuroscreen," suggests rich connections between film theory, mental illness, and cognitive neuroscience. Part Two explores neuro-images from a philosophical perspective, paying close attention to their ontological, epistemological, and aesthetic dimensions. Political and ethical aspects of the neuro-image are discussed in Part Three. Topics covered along the way include the omnipresence of surveillance, the blurring of the false and the real and the affective powers of the neo-baroque, and the use of neuro-images in politics, historical memory, and war.