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Plotting Justice: Narrative Ethics and Literary Culture after 9/11, Georgiana Banita


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Автор: Georgiana Banita
Название:  Plotting Justice: Narrative Ethics and Literary Culture after 9/11
ISBN: 9780803240384
Издательство: Wiley EDC
Классификация:


ISBN-10: 0803240384
Обложка/Формат: Hardcover
Страницы: 376
Вес: 0.70 кг.
Дата издания: 01.10.2012
Язык: English
Размер: 231 x 165 x 33
Читательская аудитория: Professional & vocational
Ключевые слова: Literature: history & criticism,Ethics & moral philosophy, LITERARY CRITICISM / American / General,LITERARY CRITICISM / European / English, Irish, Scottish, Welsh,PHILOSOPHY / Ethics & Moral Philosophy
Подзаголовок: Narrative ethics and literary culture after 9/11
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Поставляется из: Англии
Описание:

Have the terrorist attacks of September 11 shifted the moral coordinates of contemporary fiction? And how might such a shift, reflected in narrative strategies and forms, relate to other themes and trends emerging with the globalization of literature? This book pursues these questions through works written in the wake of 9/11 and examines the complex intersection of ethics and narrative that has defined a significant portion of British and American fiction over the past decade.

Don DeLillo, Pat Barker, Aleksandar Hemon, Lorraine Adams, Michael Cunningham, and Patrick McGrath are among the authors Georgiana Banita considers. Their work illustrates how post-9/11 literature expresses an ethics of equivocation—in formal elements of narrative, in a complex scrutiny of justice, and in tense dialogues linking this fiction with the larger political landscape of the era. Through a broad historical and cultural lens, Plotting Justice reveals links between the narrative ethics of post-9/11 fiction and events preceding and following the terrorist attacks—events that defined the last half of the twentieth century, from the Holocaust to the Balkan War, and those that 9/11 precipitated, from war in Afghanistan to the Abu Ghraib scandal. Challenging the rhetoric of the war on terror, the book honors the capacity of literature to articulate ambiguous forms of resistance in ways that reconfigure the imperatives and responsibilities of narrative for the twenty-first century. 
 

Дополнительное описание:

Acknowledgments

Introduction: New Ethics, New Literatures, New Americas

1. Falling Man Fiction: DeLillo, Spiegelman, Schulman, and the Spectatorial Condition

2. Sex and Sense: McGrath, Tristram, and Psychoanalysis from Ground Zero to



Georgiana, Duchess of Devonshire

Автор: Amanda Foreman
Название: Georgiana, Duchess of Devonshire
ISBN: 0006550169 ISBN-13(EAN): 9780006550167
Издательство: HarperCollins UK
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Цена: 1979.00 р.
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Описание: Sex, intrigue and adultery in the world of high politics and huge wealth in late eighteenth-century England.

Travels in the Slavonic Province of Turkey-In-Europe, Volume 2...

Автор: MacKenzie Georgiana Muir
Название: Travels in the Slavonic Province of Turkey-In-Europe, Volume 2...
ISBN: 1249992982 ISBN-13(EAN): 9781249992981
Издательство: Неизвестно
Цена: 4655.00 р.
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Georgiana Houghton

Автор: Bang Larsen Lars
Название: Georgiana Houghton
ISBN: 1911300024 ISBN-13(EAN): 9781911300021
Издательство: Marston Book Services
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Цена: 3267.00 р.
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Описание: The birth of abstract art is typically associated with Kandinsky and others in the early 20th century. Houghton's work, however, predates this momentous artistic breakthrough by half a century. In this respect, she anticipates the Swedish artist Hilma af Klint (1862-1944), whose work is now appreciated for its significance in the early history of abstraction.

Houghton was a prominent figure of the early spiritualist movement in Victorian England, which played a significant role in various spheres of 19th century culture and was later championed by such influential figures as Sherlock Holmes author Sir Arthur Conan Doyle. Spiritualism emerged as the belief that contact with a spirit realm was possible and that such communication could bring one closer to God. Houghton, a trained artist as well as a medium, pioneered the use of drawing as a method of channeling and expressing communications with spirit entities. During the 1860s and 1870s, she produced a series of unprecedented abstract watercolors as part of her practice as a spirit medium. Houghton called these works 'spirit drawings'. Remarkably complex, layered watercolors and technically highly accomplished, their bold colors and fluid forms have a mesmerizing and deeply absorbing effect. Detailed inscriptions on the back of the works declare that her hand was guided by various spirits, including family members, several Renaissance artists, such as Titian and Correggio, and higher angelic beings. Although produced in a very different context, Houghton's abstract works have close connections to the ways in which 20th Century artists developed abstract languages of art to transcend the everyday realm of representation and consciousness.

In 1871 Houghton rented a prestigious gallery space in Bond Street and presented 55 of her spirit drawings to a perplexed London audience. The critic from The Era newspaper pronounced it to be "the most astonishing exhibition in London at the present moment." The Daily News likened the works to "tangled threads of colored wool" and concluded that "they deserve to be seen as the most extraordinary and instructive example of artistic aberration."

Georgiana Houghton: Spirit Drawings will present more than 20 of these remarkable works. Unlike anything typically associated with Victorian culture, it will be a fascinating opportunity to consider their place within the history of art; both as products of their times and as precursors of radical 20th Century art.


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