Описание: Shakespeare was born into a new age of will, in which individual intent had the potential to overcome dynastic expectation. The 1540 Statute of Wills had liberated testamentary disposition of land and thus marked a turning point from hierarchical feudal tradition to horizontal free trade. Focusing on Shakespeare’s late Elizabethan plays, Gary Watt demonstrates Shakespeare’s appreciation of testamentary tensions and his ability to exploit the inherent drama of performing will. Drawing on years of experience delivering rhetoric workshops for the Royal Shakespeare Company and as a prize-winning teacher of law, Gary Watt shows that Shakespeare is playful with legal technicality rather than obedient to it. The author demonstrates how Shakespeare transformed lawyers’ manual book rhetoric into powerful drama through a stirring combination of word, metre, movement and physical stage material, producing a mode of performance that was truly testamentary in its power to engage the witnessing public. Published on the 400th anniversary of Shakespeare’s last will and testament, this is a major contribution to the growing interdisciplinary field of law and humanities.
Автор: Isabel Karremann, Cornel Zwierlein, Inga Mai Groote Название: Forgetting Faith?: Negotiating Confessional Conflict in Early Modern Europe ISBN: 3110267527 ISBN-13(EAN): 9783110267525 Издательство: Walter de Gruyter Рейтинг: Цена: 20446.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The order of the day may have been, more often than not, to suspend confessional allegiances rather than enforce religious conflict, suggesting a pragmatic rather than polemical handling of religious plurality, in social practice as well as in textual and dramatic representations.
Автор: Sullivan Название: Memory and Forgetting in English Renaissance Drama ISBN: 0521117356 ISBN-13(EAN): 9780521117357 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This fascinating study examines sixteenth- and seventeenth-century conceptions of memory and forgetting, and their importance for both early modern culture and the drama of Shakespeare, Marlowe and Webster. The author shows how early modern playwrights understood `self-forgetting` as the occasion for dramatic experiments in representing human behaviour and identity.
Автор: Gudmundsdottir Название: Representations of Forgetting in Life Writing and Fiction ISBN: 1137598638 ISBN-13(EAN): 9781137598639 Издательство: Springer Рейтинг: Цена: 11878.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book primarily focuses on the concept of forgetting, with particular emphasis on how we can trace the forgotten in contemporary life writing and memory texts. It consists of two main parts: the first concentrates on life writing in particular and what the author calls “scenes of forgetting”; the second examines both fiction and autobiographies that deal with questions of collective memory/forgetting. The book’s principal aim is to map methods and strategies writers employ when writing the forgotten – it argues that forgetting is a constant companion in any memory text and plays a decisive role in the memory work performed in the texts. The main theoretical objective is to examine carefully the connection between collective memory and personal memory, by drawing from two disciplines at once: memory studies and theories on life writing. By considering both areas of research, the conclusions of this study are able to feed into both theoretical perspectives.
Описание: Despite a recent surge of critical interest in the Shakespeare Tercentenary, a great deal has been forgotten about this key moment in the history of the place of Shakespeare in national and global culture – much more than has been remembered. This book offers new archival discoveries about, and new interpretations of, the Tercentenary celebrations in Britain, Australia and New Zealand and reflects on the long legacy of those celebrations. This collection gathers together five scholars from Britain, Australia and New Zealand to reflect on the modes of commemoration of Shakespeare across the hemispheres in and after the Tercentenary year, 1916. It was at this moment of remembering in 1916 that ‘global Shakespeare’ first emerged in recognizable form. Each contributor performs their own ‘antipodal’ reading, assessing in parallel events across two hemispheres, geographically opposite but politically and culturally connected in the wake of empire.
Описание: Philip Schwyzer charts the genesis, development and disintegration of British nationalism in the sixteenth and early seventeenth centuries. An important contribution to the scholarship on early modern Britishness, this study argues that Welsh texts and traditions crucially influenced the development of English literature and identity.
Описание: What skills did Shakespeare's actors bring to their craft? How do these skills differ from those of contemporary actors?Early Modern Actors and Shakespeare's Theatre: Thinking with the Body examines the 'toolkit' of the early modern player and suggests new readings of the plays of Shakespeare and his contemporaries through the lens of their many skills.
Theatre is an ephemeral medium. Little remains to us of the plays of Shakespeare and his contemporaries: some printed texts, scattered documents and records, and a few scraps of description, praise, and detraction. Because most of what survives are printed playbooks, students of English theatre find it easy to forget that much of what happened on the early modern stage took place within the gaps of written language: the implicit or explicit calls for fights, dances, military formations, feats of physical skill, song, and clowning. Theatre historians and textual editors have often ignored or denigrated such moments, seeing them merely as extraneous amusements or signs that the text has been 'corrupted' by actors. This book argues that recapturing a positive account of the skills and expertise of the early modern players will result in a more capacious understanding of the nature of theatricality in the period.
Описание: Tracing the metaphorical significance of "monstrous" forms across a range of early modern exhibition spaces - fairground displays, "cabinets of curiosity" and court entertainments - this text argues for the crucial place of the "monster" in the early modern imagination.
Автор: Garrison John S. Название: Sexuality and Memory in Early Modern England ISBN: 1138844381 ISBN-13(EAN): 9781138844384 Издательство: Taylor&Francis Рейтинг: Цена: 24499.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This volume brings together two vibrant areas of Renaissance studies today: memory and sexuality. The contributors show that not only Shakespeare but also a broad range of his contemporaries were deeply interested in how memory and sexuality interact. Are erotic experiences heightened or deflated by the presence of memory? Can a sexual act be commemorative? Can an act of memory be eroticized? How do forms of romantic desire underwrite forms of memory? To answer such questions, these authors examine drama, poetry, and prose from both major authors and lesser-studied figures in the canon of Renaissance literature. Alongside a number of insightful readings, they show that sonnets enact a sexual exchange of memory; that epics of nationhood cannot help but eroticize their subjects; that the act of sex in Renaissance tragedy too often depends upon violence of the past. Memory, these scholars propose, re-shapes the concerns of queer and sexuality studies – including the unhistorical, the experience of desire, and the limits of the body. So too does the erotic revise the dominant trends of memory studies, from the rhetoric of the medieval memory arts to the formation of collective pasts.
Автор: Mayer, Jean-christophe Название: Shakespeare`s early readers ISBN: 1107138337 ISBN-13(EAN): 9781107138339 Издательство: Cambridge Academ Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This is the first dedicated account of the ways in which Shakespeare`s texts were read in the two centuries after they were produced. A close examination of rare, often unpublished material offers a reconsideration of the role of readers in the history of Shakespeare`s rise to fame.
Автор: Watt Gary Название: Shakespeare`s Acts of Will ISBN: 1350059579 ISBN-13(EAN): 9781350059573 Издательство: Bloomsbury Academic Рейтинг: Цена: 5542.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Shakespeare was born into a new age of will, in which individual intent had the potential to overcome dynastic expectation. The 1540 Statute of Wills had liberated testamentary disposition of land and thus marked a turning point from hierarchical feudal tradition to horizontal free trade. Focusing on Shakespeare's late Elizabethan plays, Gary Watt demonstrates Shakespeare's appreciation of testamentary tensions and his ability to exploit the inherent drama of performing will.
Drawing on years of experience delivering rhetoric workshops for the Royal Shakespeare Company and as a prize-winning teacher of law, Gary Watt shows that Shakespeare is playful with legal technicality rather than obedient to it. The author demonstrates how Shakespeare transformed lawyers' manual book rhetoric into powerful drama through a stirring combination of word, metre, movement and physical stage material, producing a mode of performance that was truly testamentary in its power to engage the witnessing public.
Published on the 400th anniversary of Shakespeare's last will and testament, this is a major contribution to the growing interdisciplinary field of law and humanities.
ООО "Логосфера " Тел:+7(495) 980-12-10 www.logobook.ru
