Twentieth Century Music and the Question of Modernity, Eduardo de la Fuente
Автор: Anderson Christopher S Название: Twentieth-Century Organ Music ISBN: 0415875668 ISBN-13(EAN): 9780415875660 Издательство: Taylor&Francis Рейтинг: Цена: 8879.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This volume explores twentieth-century organ music through in-depth studies of the principal centers of composition, the most significant composers and their works, and the evolving role of the instrument and its music.
Автор: Edited by Nicholas Cook Название: The Cambridge History of Twentieth-Century Music ISBN: 0521662567 ISBN-13(EAN): 9780521662567 Издательство: Cambridge Academ Рейтинг: Цена: 35323.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Cambridge History of Twentieth-Century Music, first published in 2004, is an appraisal of the development of music in the twentieth century from the vantage-point of the twenty-first. This wide-ranging book traces the progressive fragmentation of the European `art` tradition, and its relocation as one tradition among many at the century`s end.
Автор: Taruskin, Richard Название: Music in the Late Twentieth Century ISBN: 0195384857 ISBN-13(EAN): 9780195384857 Издательство: Oxford Academ Рейтинг: Цена: 5463.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Written by one of the foremost musicologists of our time.
Название: Twentieth-Century Organ Music ISBN: 041587565X ISBN-13(EAN): 9780415875653 Издательство: Taylor&Francis Рейтинг: Цена: 25265.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This volume explores twentieth-century organ music through in-depth studies of the principal centers of composition, the most significant composers and their works, and the evolving role of the instrument and its music.
Автор: Cook Название: The Cambridge History of Twentieth-Century Music ISBN: 1107631998 ISBN-13(EAN): 9781107631991 Издательство: Cambridge Academ Рейтинг: Цена: 6970.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Cambridge History of Twentieth-Century Music, first published in 2004, is an appraisal of the development of music in the twentieth century from the vantage-point of the twenty-first. This wide-ranging book traces the progressive fragmentation of the European `art` tradition, and its relocation as one tradition among many at the century`s end.
Описание: Contemporaries at the Royal College of Music, Elisabeth Lutyens (1906-1983), Elizabeth Maconchy (1907-1994) and Grace Williams (1906-1977) were important figures in twentieth-century British music. Combining musical analysis with contextual material drawn from documents and interviews, Rhiannon Mathias re-evaluates the composers` positions in British music history.
Описание: This book explores the web of pitch relations that generates the musical language of non-serialized twelve-tone music and supplies both the analytical materials and methods necessary for analyses of a vast proportion of the 20th century musical repertoire. Composers discussed include Ives, Stravinsky, Bartok, Messiaen, Cage, Debussy, and Copland.
Описание: This is the first full-length study of British women`s instrumental chamber music in the early twentieth-century. It includes six case studies of composers: Adela Maddison; Ethel Smyth; Morfydd Owen; Ethel Barns; Alice Verne-Bredt and Susan Spain-Dunk, and Seddon offers valuable insight into their musical education.
In Jazz Transatlantic, Volume I, renowned scholar Gerhard Kubik takes the reader across the Atlantic from Africa to the Americas and then back in pursuit of the music we call jazz. This first volume explores the term itself and how jazz has been defined and redefined. It also celebrates the phenomena of jazz performance and uncovers hidden gems of jazz history. The volume offers insights gathered during Kubik's extensive field work and based on in-depth interviews with jazz musicians around the Atlantic world. Languages, world views, beliefs, experiences, attitudes, and commodities all play a role. Kubik reveals what is most important--the expertise of individual musical innovators on both sides of the Atlantic, and hidden relationships in their thoughts.
Besides the common African origins of much vocabulary and structure, all the expressions of jazz in Africa share transatlantic family relationships. Within that framework, musicians are creating and re-creating jazz in never-ending contacts and exchanges. The first of two volumes, Jazz Transatlantic, Volume I examines this transatlantic history, sociolinguistics, musicology, and the biographical study of personalities in jazz during the twentieth century. This volume traces the African and African American influences on the creation of the jazz sound and traces specific African traditions as they transform into American jazz. Kubik seeks to describe the constant mixing of sources and traditions, so he includes influences of European music in both volumes. These works will become essential and indelible parts of jazz history.
In Jazz Transatlantic, Volume II, renowned scholar Gerhard Kubik extends and expands the epic exploration he began in Jazz Transatlantic, Volume I. This second volume amplifies how musicians influenced by swing, bebop, and post-bop influenced musicians in Africa from the end of World War II into the 1970s were interacting with each other and re-creating jazz. Much like the first volume, Kubik examines musicians who adopted a wide variety of jazz genres, from the jive and swing of the 1940s to modern jazz. Drawing on personal encounters with the artists, as well as his extensive field diaries and engagement with colleagues, Kubik looks at the individual histories of musicians and composers within jazz in Africa. He pays tribute to their lives and work in a wider social context.
The influences of European music are also included in both volumes as it is the constant mixing of sources and traditions that Kubik seeks to describe. Each of these groundbreaking volumes explores the international cultural exchange that shaped and continues to shape jazz. Together, these volumes culminate an integral recasting of international jazz history.
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