Описание: In Rewriting Indie Cinema, J. J. Murphy explores alternative forms of scripting and how they have shaped American film from the 1950s to the present. He traces a strain of indie cinema that used improvisation and psychodrama, a therapeutic form of improvised acting based on a performer`s own life experiences.
Автор: Tzioumakis, Yannis Название: Hollywood`s indies ISBN: 0748685936 ISBN-13(EAN): 9780748685936 Издательство: Bloomsbury Academic Рейтинг: Цена: 4750.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The specialty film divisions of the major Hollywood studios were established to focus on the European arthouse film market before moving on to the burgeoning American independent film market. This book charts three decades of specialist and independent filmmaking in Hollywood.
Автор: Canizares-Esguerra Jorge Название: Entangled Empires: The Anglo-Iberian Atlantic, 1500-1830 ISBN: 0812249836 ISBN-13(EAN): 9780812249835 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 8145.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
According to conventional wisdom, in the sixteenth century, Spain and Portugal served as a model to the English for how to go about establishing colonies in the New World and Africa. By the eighteenth century, however, it was Spain and Portugal that aspired to imitate the British. Editor Jorge Cañizares-Esguerra and the contributors to Entangled Empires challenge these long-standing assumptions, exploring how Spain, Britain, and Portugal shaped one another throughout the entire period, from the sixteenth to the nineteenth centuries. They argue that these empires were interconnected from the very outset in their production and sharing of knowledge as well as in their economic activities. Willingly or unwillingly, African slaves, Amerindians, converso traders, smugglers, missionaries, diplomats, settlers, soldiers, and pirates crossed geographical, linguistic, and political boundaries and cocreated not only local but also imperial histories. Contributors reveal that entanglement was not merely a process that influenced events in the colonies after their founding; it was constitutive of European empire from the beginning. The essays in Entangled Empires seek to clarify the processes that rendered the intertwined histories of these colonial worlds invisible, including practices of archival erasure as well as selective memorialization. Bringing together a large geography and chronology, Entangled Empires emphasizes the importance of understanding connections, both intellectual and practical, between the English and Iberian imperial projects. The colonial history of the United States ought to be considered part of the history of colonial Latino-America just as Latin-American history should be understood as fundamental to the formation of the United States. Contributors: Ernesto Bassi, Benjamin Breen, Jorge Cañizares-Esguerra, Bradley Dixon, Kristie Flannery, Eliga Gould, Michael Guasco, April Hatfield, Christopher Heaney, Christopher Schmidt-Nowara, Mark Sheaves, Holly Snyder, Cameron Strang.
Описание: Wes Anderson`s films can be divisive, but he is widely recognized as the inspiration for several recent trends in indie films. Using both practical and theoretical lenses, the contributors address and explain the recurring stylistic techniques, motifs, and themes that dominate Anderson`s films and have had such an impact on current filmmaking.
Описание: By January 1978, the Sex Pistols were the most talked about band on the planet. This book covers the Pistols 1978 tour of America from varying perspectives - with many people sharing their experiences for the first time. The book also endeavours to separate fact from the many fallacies that still surround those twelve days of mayhem when the Sex Pistols wended their way across an unsuspecting USA.
Автор: Lindenmuth Kevin J. Название: How to Make Movies: Low-Budget/No-Budget Indie Experts Tell All ISBN: 0786471069 ISBN-13(EAN): 9780786471065 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4158.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The success of low-budget independent films like The Blair Witch Project and Paranormal Activity have clearly demonstrated that successful movies can be made with very small budgets. Still, working on a tight budget requires both skill and ingenuity, and is an inevitable and continuous learning experience for the filmmaker. Join two dozen truly independent filmmakers--those used to working, and delivering, within extreme limitations--as they bluntly chronicle their experiences creating features "from the trenches." They cover the major stages of the filmmaking process, from financing, technical decisions, and handling actors and crew to music, production, and distribution. With loads of practical advice, actual case studies, and many behind-the-scenes photographs, this collection of war stories from the micro-budget front lines will benefit aspiring and experienced independent filmmakers alike.
During the 1990s, films such as sex, lies, and videotape, The Crying Game, Pulp Fiction, Good Will Hunting, and Shakespeare in Love earned substantial sums at the box office along with extensive critical acclaim. A disproportionate number of these hits came from one company: Miramax. Indie, Inc. surveys Miramax’s evolution from independent producer-distributor to studio subsidiary, chronicling how one company transformed not just the independent film world but the film and media industries more broadly. As Alisa Perren illustrates, Miramax’s activities had an impact on everything from film festival practices to marketing strategies, talent development to awards campaigning.
Case studies of key films, including The Piano, Kids, Scream, The English Patient, and Life Is Beautiful, reveal how Miramax went beyond influencing Hollywood business practices and motion picture aesthetics to shaping popular and critical discourses about cinema during the 1990s. Indie, Inc. does what other books about contemporary low-budget cinema have not—it transcends discussions of “American indies” to look at the range of Miramax-released genre films, foreign-language films, and English-language imports released over the course of the decade. The book illustrates that what both the press and scholars have typically represented as the “rise of the American independent” was in fact part of a larger reconfiguration of the media industries toward niche-oriented products.
Название: Indie reframed ISBN: 1474403921 ISBN-13(EAN): 9781474403924 Издательство: Bloomsbury Academic Рейтинг: Цена: 15048.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Explores the films, practitioners, production and distribution contexts that currently represent American women's independent cinema
With the consolidation of 'indie' culture in the 21st century, female filmmakers face an increasingly indifferent climate. Within this sector, women work across all aspects of writing, direction, production, editing and design, yet the dominant narrative continues to construe 'maverick' white male auteurs such as Quentin Tarantino or Wes Anderson as the face of indie discourse. Defying the formulaic myths of the mainstream 'chick flick' and the ideological and experimental radicalism of feminist counter-cinema alike, women's indie filmmaking is neither ironic, popular nor political enough to be readily absorbed into pre-existing categories. This ground-breaking collection, the first sustained examination of the work of female practitioners within American independent cinema, reclaims the 'difference' of female indie filmmaking. Through a variety of case studies of directors, writers and producers such as Ava DuVernay, Lena Dunham and Christine Vachon, contributors explore the innovation of a range of female practitioners by attending to the sensibilities, ideologies and industrial practices that distinguish their work - while embracing the 'in-between' space in which the narratives they represent and embody can be revealed.
Key Features
Covers American women's independent cinema since the late 1970s
Analyses the work of acclaimed but critically overlooked female practitioners such as Kelly Reichardt, Christine Vachon, Miranda July, Kasi Lemmons, Nicole Holofcener, Mira Nair, Lisa Cholodenko, Megan Ellison, Lynn Shelton, Ava DuVernay, Mary Harron and Debra Granik
Distinguishes four different approaches to analysing women's independent cinema through: production and industry perspectives; genre and other classificatory modalities; political, cultural, social and professional identities; and collaborative and collectivist practices
Contributors
John Alberti, Northern Kentucky University
Linda Badley, Middle Tennessee State University
Cynthia Baron, Bowling Green State University
Shelley Cobb, University of Southampton
Corinn Columpar, University of Toronto
Chris Holmlund, University of Tennessee-Knoxville
Geoff King, Brunel University, London
Christina Lane, University of Miami
James Lyons, University of Exeter
Kathleen A. McHugh, UCLA
Kent A. Ono, University of Utah
Lydia Papadimitriou, Liverpool John Moores University
Claudia Costa Pederson, Wichita State University
Claire Perkins, Monash University
Sarah Projansky, University of Utah
Maria San Filippo, Goucher College
Michele Schreiber, Emory University
Sarah E. S. Sinwell, University of Utah
Yannis Tzioumakis, University of Liverpool
Patricia White, Swarthmore College
Patricia R. Zimmermann, Ithaca College
Автор: Roper L. H. Название: The English Empire in America, 1602-1658: Beyond Jamestown ISBN: 1138663808 ISBN-13(EAN): 9781138663800 Издательство: Taylor&Francis Рейтинг: Цена: 7654.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This study situates the colonization of Virginia, the centrepiece of early English overseas settlement activity, in the social and political landscape of the early seventeenth century.
Описание: New York`s repertory movie houses specialized in presenting films ignored by mainstream and art house audiences. Operating on shoestring budgets in funky settings, each repertory had its own personality, reflecting the preferences of the proprietor. Focusing on the the active years from 1960 to 1994, this book documents the repertory movement in the context of economics and film culture.
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