Описание: Shakespeare and the Embodied Heroine is a bold new investigation of Shakespeare`s female characters using the late plays and the early adaptations written and staged during the seventeenth and eighteenth century.
Описание: The 21st century is a good time to be Sherlock Holmes. He stars in the recent Guy Ritchie films, with Robert Downey, Jr., playing the great detective; an internationally popular BBC television series, featuring Benedict Cumberbatch as Sherlock; a novel sanctioned by the Arthur Conan Doyle Estate; and dozens of additional novels and short stories, including two by Neil Gaiman. Add to this video games, comic books, and fan-created works, plus a potent Internet and social media presence. Holmes' London has even become a prime destination for cinematic tourists. The evidence is clearly laid out in this collection of 14 new essays: Holmes and Watson are more popular than ever. Why we continue to be fascinated with them is the overall topic. The genius detective has been portrayed as hero as well as antihero. Adaptations describe him as tech savvy, scientifically detached, even psychologically aberrant; he has been romantically linked to The Woman and bromantically to Watson. Whether Victorian or modern, he continues to intrigue us. These essays analyze Sherlock Holmes as a cultural icon and explain why he is destined to be a beloved if controversial character for years to come.
Описание: Hamlet is the most often produced play in the western literary canon, and a fertile global source for film adaptation. Samuel Crowl, a noted scholar of Shakespeare on film, unpacks the process of adapting from text to screen through concentrating on two sharply contrasting film versions of Hamlet by Laurence Olivier (1948) and Kenneth Branagh (1996). The films' socio-political contexts are explored, and the importance of their screenplay, film score, setting, cinematography and editing examined.
Offering an analysis of two of the most important figures in the history of film adaptations of Shakespeare, this study seeks to understand a variety of cinematic approaches to translating Shakespeare's "words, words, words" into film's particular grammar and rhetoric
Автор: Fischlin Название: Adaptations of Shakespeare ISBN: 0415198933 ISBN-13(EAN): 9780415198936 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Shakespeare`s plays have been adapted or rewritten in various ways since the seventeenth century. This anthology brings together thirteen theatrical adaptations of Shakespeare`s work from around the world and across the centuries.
Описание: While acknowledging that dramatic experiences for theatre and cinema audiences are significantly different, this book reveals some of the special qualities of cinema`s dramatic language in the film adaptations of Shakespeare`s plays by four directors - Laurence Olivier, Orson Welles, Peter Brook and Akira Kurosawa - each of whom has a distinctly different approach to film representation.
Описание: After years of research and dozens of candid interviews with actors, writers, directors and producers, journalist David Ryan has produced the first authoritative study of George Orwell on film and television. This unique reference work shows what popular culture has made - and continues to make - of a literary genius whose work has never seemed more relevant.
Описание: Hamlet is the most often produced play in the western literary canon, and a fertile global source for film adaptation. Samuel Crowl, a noted scholar of Shakespeare on film, unpacks the process of adapting from text to screen through concentrating on two sharply contrasting film versions of Hamlet by Laurence Olivier (1948) and Kenneth Branagh (1996). The films' socio-political contexts are explored, and the importance of their screenplay, film score, setting, cinematography and editing examined.
Offering an analysis of two of the most important figures in the history of film adaptations of Shakespeare, this study seeks to understand a variety of cinematic approaches to translating Shakespeare's "words, words, words+? into film's particular grammar and rhetoric
Описание: This book presents a scholarly edition of five of the first adaptations of Shakespeare from the eighteenth century, the period when Shakespeare became Shakespeare. Written by men influential in early Augustan cultural spheres, these adaptations demonstrate how contemporary literary principles and contemporary politics were applied to Shakespeare s texts. In these adaptations of Henry V, Richard II, Coriolanus, 2 Henry VI and 3 Henry VI, we see the various ways that eighteenth-century authors righted Shakespeare s wrongs: through the addition and alteration of female characters and romantic sub-plots, the introduction of new scenes, the use of the unities of time and place, and the inclusion of overt moral and political arguments. The critical introduction contextualizes the five adaptations through its discussion of early eighteenth-century theatre and politics. First providing an overview of the state of the theatre at the beginning of the Augustan age, the introduction then examines the multiple political conspiracies that rocked the first years of George I s reign and that provide the backdrop to these adaptations. Furthermore, the introduction draws particular attention to the importance of the actress in the early eighteenth century, highlighting how Shakespeare s adaptors drew on actresses cultural capital to alter Shakespeare s texts. Finally, the edition provides a critical introduction to each of the plays. Extensive explanatory notes are provided, which situate further these plays in their contemporary context. In its introduction and explanatory notes, Shakespeare Adaptations supplies an important critical apparatus to five plays which are often noted in the annals of Shakespearean theatrical history with derision. However, this edition reveals how these plays documented their own time and helped shape Shakespeare into the most recognizable literary icon in the Western canon.
Описание: First published in 1880, Ben-Hur: A Tale of the Christ became a best-seller. The popular novel spawned an 1899 stage adaptation, reaching audiences of over 10 million, and two highly successful film adaptations. For over a century, it has become a ubiquitous pop cultural presence, representing a deeply powerful story and monumental experience for some and a defining work of bad taste and false piety for others. The first and only collection of essays on this pivotal cultural icon, Bigger Than ""Ben-Hur"" addresses Lew Wallace’s beloved classic to explore its polarizing effect and to expand the contexts within which it can be studied.In the essays gathered here, scholars approach Ben-Hur from multiple directions—religious and secular, literary, theatrical, and cinematic—to understand not just one story in varied formats but also what they term the ""Ben-Hur tradition."" Drawing from a wide range of disciplines, contributions include the rise of the Protestant novel in the United States; relationships between and among religion, spectacle, and consumerism; the ""New Woman"" in early Hollywood; and a ""wish list"" for future adaptations, among others. Together, these essays explore how this remarkably fluid story of faith, love, and revenge has remained relevant to audiences across the globe for over 130 years.
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